Written on the Body of Night Page #3

Synopsis: A look back at a director's life with his neurotic mother.
Production: Videocine S.A. de C.V.
  3 wins & 3 nominations.
 
IMDB:
6.4
Year:
2001
128 min
34 Views


What is all this? Am I supposed|to doubt them because they are Jews?

Father, I understand that|you are in great pain.

But you have to let me carry this now.|This is mine.

The Holy Father has given it to me.|I don't like it, but I have to take it.

But why are you asking me|all these questions?

Who said what, who did what,|who intended what! Don't you realize...

what it means if it is He|in that tomb...

the unrisen Christ?

The end of Christianity.

That someone like you, Father,|could believe that...

is exactly why the Church|wants to know who said what and why.

Come on. Believe me.

We want to know every speck|of dust in that tomb.

We don't wanna lose one soul because|of these things. I mean, not one!

And if we have lost you--

We don't wanna lose you, Father.

What will you do, Jesuit...

if you discover that|it is Christ in that tomb?

A man like all of us?

I will turn to God for the answer.

You know, I think|it's enough for today.

I am sorry I interrupted you.

One more thing.

For security reasons,|I think it would be better...

to move you someplace where|you can continue your work in private.

All right.

Do you know who I am?

Yes. You are Abu Yusef.

Let's have some tea and talk.

Please.

So, Mr. Hamid...

what can you tell me|about the excavation...

behind your store?

I was digging a basement...

when they found|an ancient tile floor.

And now, just waiting|to dig a basement.

All that over a floor?

I heard Dr. Golban, the archaeologist,|say something...

about the tiles being|from the 12th century.

Then why the Shin Beth|is so interested in it?

The secret police is interested|in my hardware store?

And the Vatican state.

The Vatican?

You will find out more.

How? I'm just a simple shopkeeper.

And I was just a simple teacher.

If it's important to you--

To you too.

To the fate of Jerusalem.

Nothing must prevent us|from making it our capital.

Do you think my--

Anything that brings Israelis|and Rome together worries me.

That's the reason I need you to be|my eyes and ears. Watch everything.

Who is going in,|who is coming out...

what they bring in,|what they take out.

You should contact me immediately.

Thanks.

They've only been told we're protecting|the body from religious extremists.

Do you want 'em to stay?|It's your call.

Let them go.

Now we have our first|major archaeological decision.

Who goes first,|Church or infidel?

Are you nervous?

Take one of these.

Right here is where we found|the Pilatus coin.

The coin.

It's a very convenient way|of dating a tomb, right?

Yes, but not the only one.

Now, notice something?

Well, it's empty.

Exactly.

They peered into the tomb,|and it was empty.

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Emilio Carballido

Emilio Carballido (Córdoba, Veracruz, 22 May 1925 – Xalapa, Veracruz, 11 February 2008) was a Mexican writer who earned particular renown as a playwright. Carballido belonged to the group of writers known as the Generación de los 50, alongside such figures as Sergio Magaña, Luisa Josefina Hernández, Rosario Castellanos, Jaime Sabines, and Sergio Galindo. He studied English literature and earned a master's degree in literature from the National Autonomous University of Mexico (UNAM). As a playwright his first work was Rosalba y los Llaveros, which premiered at Palacio de Bellas Artes in 1950, directed by well-known poet and stage director Salvador Novo. This was followed by a huge number of plays, including Un pequeño día de ira (1961), which earned him the Casa de las Américas Prize, ¡Silencio Pollos pelones, ya les van a echar su maíz! (1963), Te juro Juana que tengo ganas (1965), Yo también hablo de la rosa (1965), Acapulco los lunes (1969), Las cartas de Mozart (1974), and the box office hit Rosa de dos aromas(1986). Some of his works as a playwright were filmed for the screen, such as Rosalba y los llaveros (1954), Felicidad (1956), La danza que sueña la tortuga (1975), El censo (1977), Orinoco (1984), and Rosa de dos aromas (1989). In addition to more than a hundred plays and scripts, he also wrote two volumes of short stories and nine novels, and worked randomly as a stage director. His career in the Mexican film industry began with the script for La torre de marfil, written in collaboration with Luisa Josefina Hernández in 1957. In 1972 he received two Ariels for the storyline and script of Alfonso Arau's El Águila Descalza. On 27 May 2002 he was given the Ariel de Oro for his lifetime achievements which include more than 50 films, remarkably his collaboration in Luis Buñuel's Nazarín (1959). On 16 March 2007, Carballido and his partner of 20 years, Héctor Herrera, were among the first couples to apply for a civil union following the enactment of the Federal District's 2006 Ley de Sociedad de Convivencia. Carbadillo died of a heart attack on 11 February 2008 in Xalapa. Two days later, Governor of Veracruz Fidel Herrera Beltrán ordered a day of mourning in the state and announced that the Theatre of the State and one of the state literary prizes would be renamed after him. more…

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