Whisky Galore Page #5

Synopsis: Scottish islanders try to plunder cases of whisky from a stranded ship.
 
IMDB:
5.6
Metacritic:
42
TV-14
Year:
2016
98 min
366 Views


- The island of Todday.

- Where's that?

Och well, they're ignorant right enough.

What is your ship?

SS Cabinet Minister

She's a total wreck!

Can you take us into harbour?

I'll show you the way!

What was your cargo?

50,000 cases of whisky.

50,000 cases of...

They've all come ashore, the whole crew.

They want to get to the Mainland tonight!

Tonight? They can't be sailing tonight.

But captain

we can't go out while they are still here!

Can't you see that captain?

Aye but there's still some fog outside

Donald, we've known each other for many years.

Aye, we have that.

Will you not take them away?

If you fail us now you'll not have

a friend in the whole of Todday

- The ship might sink!

- With all that whisky!

Tell them to go aboard.

I will sail in half an hour

Good man, Donald.

Twelve o'clock already.

She may have gone down by now!

Twelve o clock!

Aye. What of it?

It's the morning of the sabbath

The sabbath!

What's the matter?

It is the sabbath.

We could not be breaking the sabbath.

Well stone the crows!

50,000 cases of whisky.

Ah well... we better be getting to the church.

- Extraordinary, my dear! Quite extraordinary!

- what is it dear?

It appears the crew has abandoned the ship.

The coastguard says the salvage people won't touch her.

Why?

Too risky if you please!

Meanwhile she's lying out there unguarded.

Should it be guarded dear?

She has a very valuable cargo onboard

Several thousand cases of whisky.

Anything might happen - you can't trust these people.

It's Sunday Paul.

No-one in Todday would break the sabbath

Yes darling, but the sabbath ends at midnight.

No darling, there's only one thing for it.

The Home Guard must accept the responsibility.

Hello? Hello!

Those Macroon girls are impossible.

- Paul

- Darling, I'm trying to telephone.

If the salvage people won't touch it,

would it be so terrible if the people here did

get a few bottles?

I mean, if it's all going down

to the bottom of the sea...

That's a very dangerous line of argument!

Once people take the law into their own hands

it's anarchy! Anarchy!

Who is that?

Is that you Mrs Campbell? May I speak to George?

Oh! It's you, Mr Waggett!

No, you cannot speak to George!

The telephone was not given to Man

for him to mock the sabbath with it.

But mother, it might have been something important!

Then it can keep 'til the morning!

I do not approve of the use of that instrument

on this day.

Oh but mother we must move with the times.

Satan has made you very glib, my son.

What times will there be to move with in Eternity?

Now you are being ridiculous.

Don't you ridiculous me!

Go to your room, George Campbell.

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Peter McDougall

Peter McDougall (born 1947, Greenock, Scotland) is a Scottish television playwright whose major success was in the 1970s. McDougall claims to have had very little schooling and to rarely read books, He began his working life at the age of fourteen in the shipyards of Greater Glasgow and Greenock with future comedian and actor Billy Connolly. Depressed by the harsh conditions and unfulfilled by the menial work, he left Scotland and moved to London, where he worked as a house-painter. It was while painting Colin Welland's house that McDougall impressed the actor and writer when relating tales of being the drum major in the Orange walk as a teenager. He was advised to try writing a television play about this and the result was Just Another Saturday, which McDougall wrote in secret and hid even from his first wife, a teacher nearly a decade his senior. Once completed, the script was sent to the BBC Play for Today team, who were enormously impressed but rejected the play because of the sensitive subject matter. McDougall was however asked to try again, and wrote a more intimate piece Just your Luck (1972) based on his sister's wedding, again exploring the sectarian divide in its story of a Protestant girl who finds herself pregnant by a Catholic boy. The play caused a furore in Scotland, many people appalled by its portrayal of the people's earthiness and prejudice. However, there was much positive praise too, one viewer even going so far as to say it was "the most exciting debut since Look Back in Anger." At that point, the director John Mackenzie began enquiring after the script of Just Another Saturday and managed to get the play into production, only to then find the piece banned after the head of the Glasgow police said that the script would cause "bloodshed on the streets in the making and in the showing". After a year Mackenzie managed to persuade the Head of BBC Television Alasdair Milne to press ahead with the play, although some scenes were eventually filmed in Edinburgh to minimise controversy. The finished film, the script of which was barely changed from the first draft, won massive acclaim on its first transmission in 1975, gained several repeats, and won its author the Prix Italia. McDougall followed this success up with a short kitchen comedy for BBC2, A Wily Couple (1976), part of the Centre Play series and another Play for Today, The Elephants' Graveyard (1976). During this time McDougall got the opportunity to work with talented and influential producers such as Graeme Macdonald, who later became overall Head Of Drama at the BBC in the 1980s. Several other television projects ensued, including an aborted sitcom, until McDougall and Mackenzie collaborated again on their final Play for Today, Just a Boys' Game (1979). Starring blues singer Frankie Miller this was the story of Greenock razor gangs and specifically of one man's life of alcohol and violence over a twenty-four-hour period. His most violent piece, Just A Boy's Game the film was also notable for supporting performances from a then unknown Gregor Fisher, Ken Hutchison, comedian Hector Nicol and Jean Taylor Smith. Martin Scorsese has since stated that the bar room brawl scene and its bleak moody atmosphere made the film the Scottish equivalent of Mean Streets. McDougall also wrote the BBC supernatural drama Tarry-Dan Tarry-Dan Scarey Old Spooky Man set in Cornwall about a troubled teenager experiencing dreams of an ancient family curse. Only broadcast once in May 1978 and directed by John Reardon. Mackenzie and McDougall's last collaboration was on the STV film A Sense of Freedom (also 1979), based on the autobiography of Glaswegian gangster Jimmy Boyle, detailing his crimes and subsequent reform. McDougall's subsequent plays Shoot For The Sun (1986), a bleak BBC drama starring Jimmy Nail and Brian Cox about Edinburgh's heroin problem, and Down Where The Buffalo Go (1988) starring Harvey Keitel, and Down Among The Big Boys (1993) did not meet with as significant critical acclaim. However he has remained good friends since with Keitel, who played the lead in Down Where The Buffalo Go. Keitel was caught wearing a “Get Me Peter” T-shirt during the filming of Down Where the Buffalo Go in a declaration of disillusionment with the director Ian Knox, and his bond with McDougall.In 1994, McDougall was caught remarking upon the appointment of BBC's new Head of Drama, future Last King Of Scotland producer Andrea Calderwood, that the BBC should never had given the job to a "wee lassie". The two later made up and Calderwood was later invited round McDougall's for dinner, with Billy Connolly and Brian Cox present.McDougall was assaulted in Glasgow's West End in 1995, with an assailant brandishing a knife whilst walking home with his son. He was stabbed above the eye and taken to the Western Infirmary, where his wounds required more than 20 stitches. more…

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Submitted on August 05, 2018

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