Went the Day Well? Page #5

Synopsis: The residents of a British village during WWII welcome a platoon of soldiers who are to be billeted with them. The trusting residents then discover that the soldiers are Germans who proceed to hold the village captive.
Genre: Thriller, War
Director(s): Alberto Cavalcanti
Production: Rialto Pictures
 
IMDB:
7.6
Rotten Tomatoes:
100%
APPROVED
Year:
1942
92 min
Website
274 Views


Dear Tom. Dear, dear...

It's like old times to hear

Bill Purvis's shotgun again.

He gave me a rabbit yesterday.

Black market?

Wedding present.

That must be Joe Garbett

coming to have a look.

That's torn it.

If we budge, he'll hear us and if we don't,

he's sure to come and catch us.

Not if I knows anything.

Now you stay where you are.

And 'ang on to Betty.

When I whistle for 'er

ten times, let her go.

- Then you nip off home, see.

- Okay. What about tomorrow night?

Eleven o'clock. Same place.

Betty?

- Still, Betty. Still.

- Betty!

Where are you, lass?

Five...

Not yet, Betty.

Six...

- Oh, good evening, Mr Garbett.

- Evening, Bill.

That dog of mine run off again,

so I just come in to have a look for 'er.

Beth'!

I heard a couple of shots up this way

a moment or two ago.

- Didn't happen to have a gun with you?

- A gun, ha!

When I'm just out looking for me dog.

That dog of yours doesn't seem

to be around here at all.

Nine.

Ten. Phew!

Trespassing in Manor Wood

and no reasonable excuse.

Psst.

Where you been, you wicked lass?

Gettin' your master into trouble

with the constable.

Very nearly.

Well, I must be getting along to me supper,

got a nice stewed rabbit.

- Rabbit?

- Found on the Upton Road.

Got run over, I suppose.

- Goodnight, Mr Garbett.

- Goodnight, Bill.

Come on, Betty.

- Evening.

- Good evening.

What will you have?

- Bitter.

- Light ale.

- Same.

- Yes, sir.

Here you are, Jim.

- Ah, thank you.

- Evening, ma'am.

- Oh, good evening.

- Will you take a drop of something?

Well, that's very kind of you, I'm sure.

I wouldn't say no to a small port.

MAN:
Seventy-two.

Billets nice and comfortable, I hope?

Billets? Oh, yeah.

Fred was saying quite home from home,

weren't you, Fred?

- That's right.

- Bit of excitement for us.

We never had so many foreigners

in the village before.

- Foreigners?

- Well, strangers to these parts, like.

We always call 'em

foreigners round this way.

That'll be two and six, please, sir.

- Two beers, Jim.

- Righto, Pat.

Thank you, sir.

Your very good health and down with Hitler.

Goodness, how dreadful,

I've only just realised.

Realised what?

It was seeing you again made me remember.

I never took it up to the

manor house after all.

- The telegram. Oh!

- You had it at the hall.

I must have left it there then. I'd better

pop round and see if I can find it.

There's a guard on the door.

He won't let you pass.

Be a good Samaritan and come with me,

won't you?

Come on, be a dear.

- Another game?

- No thanks, I've had enough.

How much do we owe?

- Let's see now, in English money that's...

- Pay attention!

This lady's lost a telegram.

Anyone seen such a thing?

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Graham Greene

Henry Graham Greene (2 October 1904 – 3 April 1991), better known by his pen name Graham Greene, was an English novelist regarded by many as one of the greatest writers of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted, in 1966 and 1967, for the Nobel Prize for Literature. Through 67 years of writings, which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair; which are regarded as "the gold standard" of the Catholic novel. Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. Greene was born in Berkhamsted in Hertfordshire into a large, influential family that included the owners of the Greene King Brewery. He boarded at Berkhamsted School in Hertfordshire, where his father taught and became headmaster. Unhappy at the school, he attempted suicide several times. He went up to Balliol College, Oxford, to study history, where, while an undergraduate, he published his first work in 1925—a poorly received volume of poetry, Babbling April. After graduating, Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, and book and film reviews. His 1937 film review of Wee Willie Winkie (for the British journal Night and Day), commented on the sexuality of the nine-year-old star, Shirley Temple. This provoked Twentieth Century Fox to sue, prompting Greene to live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for The Power and the Glory. Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory. Greene had a history of depression, which had a profound effect on his writing and personal life. In a letter to his wife, Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material." William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." He died in 1991, at age 86, of leukaemia, and was buried in Corseaux cemetery. more…

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Submitted on August 05, 2018

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