Vision Page #3

Synopsis: The life story of the multi-talented German nun Hildegard von Bingen. The film portrays an original woman - best known as a composer and religious visionary - whose grand claims often run counter to the patriarchal world around her. The monks and nuns at the convent become a kind of family, offering both confidants and enemies. For example Jutta, struggling with her jealousy of Hildegard's success, and the young Richardis who worships Hildegard both as an intellectual role model and a mother figure.
Production: Zeitgeist Films
  1 win & 4 nominations.
 
IMDB:
6.5
Metacritic:
68
Rotten Tomatoes:
82%
UNRATED
Year:
2009
110 min
$300,000
Website
407 Views


an extraordinary occurrence

if Hildegard's visions

proved to be sent by God.

I'm convinced it is so.

- It would bring us great honor.

And our cloister's name

would be spoken everywhere.

Pilgrims would travel here,

our nation's powerful men too,

and our benefactors would give new gifts.

I'll go to see Archbishop Heinrich

and the Mainz chapter to inform them.

These gentlemen have traveled far

to put you to the test.

I want you to answer them

just as you answered me.

Magistra Hildegard...

You claimed

you've received messages from God.

I am merely His servant.

The messages come from the living light.

What does the light look like?

It is a fire that shines brightly.

Eternal,

inextinguishable,

and full of life.

Are you dreaming,

or awake?

I do not see the visions

in a dream-like state,

not in sleep,

not in madness,

not with the body's eyes,

or the ears of the outer person,

and not in remote places,

but rather awake,

in a clear state of mind,

with the eyes and ears

of the inner person.

It's hard for flesh-cloaked people

to understand how it happens.

You're saying that you can understand,

but we can't?

It's hard for me to understand, too.

That I,

a weak woman, should be chosen

by God to proclaim His will.

What does God demand?

That I say what I see and hear.

After such wonderful words, I'm sure you

do not doubt my Magistra's credibility.

Since the holy prophets no man

or woman has made such claims!

To claim to hear secrets that the

prophets were denied? Outrageous!

Only the Holy Father can judge her case.

She will probably be expelled

from the Church as a heretic!

So I secretly left the cave

I'd been hiding in,

and wanted to climb up

to where my enemy couldn't find me.

But they placed such a stormy sea

before me, that I could not cross it.

Then I heard my mother's voice.

"Hurry, my daughter.

The Almighty has given you wings to fly.

Fly over every obstacle. "

I shall write to Bernard of Clairvaux.

He is the most powerful one of all,

maybe more so than the Holy Father!

If he condemns you, you are lost.

He could destroy you

as he destroyed our brother Abaelardus.

I know.

But I must risk it.

He has just made a call to arms

for a new holy war.

He'll be far too busy

to answer an unknown nun.

Have you lost your faith in me?

He's known for not liking women!

But he loves the virgin Mary.

I will approach him

with the greatest humility.

Revered Father Bernard,

I have been lain in your soul

that you reveal to me with your word,

whether you want me to speak

or to keep silent

the things I see

and that I am appointed to do.

I implore you by God's grace

to give me solace,

then I will have certitude.

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Margarethe von Trotta

Margarethe von Trotta (born 21 February 1942) is a German film director who has been referred to as a "leading force" of the New German Cinema movement. Von Trotta's extensive body of work has won awards internationally. She was married to and collaborated with director Volker Schlöndorff. Although they made a successful team, von Trotta felt she was seen as secondary to Schlöndorff. Subsequently, she established a solo career for herself and became "Germany’s foremost female film director, who has offered the most sustained and successful female variant of Autorenkino in postwar German film history." Certain aspects of von Trotta’s work have been compared to Ingmar Bergman’s features from the 1960s and 1970s. She says that it was thanks to Bergman's films that she "‘fell in love’ with the medium and its possibilities for representing inner psychic worlds."Von Trotta has been called "the world’s leading feminist filmmaker." The predominant aim of her films is to create new representations of women. Her films are concerned with relationships between and among women (sisters, best friends, etc.), as well as with relationships between women and men, and involve political setting. Nevertheless, she rejects the suggestion that she makes "women’s films". more…

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Submitted on August 05, 2018

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