Very Bad Things Page #5

FISHER:

What are you talking about?

LIZ:

I'm talking about the kind of people

you hang out with... about growing

up, assuming responsibility of

yourself.

FISHER:

I asked you to marry me. I'm ready

for marriage. That's responsibility.

That's growth.

LIZ:

I just think that at some point you're

going to have to re-evaluate some of

your friendships...

FISHER:

Who else?

LIZ:

Charles Moore for instants.

FISHER:

You don't like Moore? Since when?

LIZ:

It's not that I don't like him. But

the wedding has really got me thinking

and... I just keep myself opening

up. Growning. And I want you keeping

up with me here.

FISHER:

What does Moore have to do with your

growing?

LIZ:

I just don't see him in the big

picture.

FISHER:

I've known him since Cub Scouts.

LIZ:

He's weird.

FISHER:

He's quiet.

LIZ:

He's weird.

TIGHT ON - CHARLES MOORE

Late twenties, a chef in a very upscale, very busy KITCHEN.

His name, "Moore," is embroidered on his white chef's jacket.

Food orders fly all around as Moore works with a mesmerizing

focus, a poetic sense of purpose, fifteen things going on at

once; he chops, sautes, braises, etc..., in a perfect mute

silence.

FISHER AND LIZ STILL IN LINE

FISHER:

He just doesn't talk a lot.

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