Valley of the Dolls Page #3

Synopsis: Anne Welles, a bright, brash young New England college grad leaves her Peyton Place-ish small town and heads for Broadway, where she hopes to find an exciting job and sophisticated men. During her misadventures in Manhattan and, later, Hollywood, she shares experiences with two other young hopefuls: Jennifer North, a statuesque, Monroe-ish actress who wants to be accepted as a human being, but is regarded as a sex object by all the men she meets, and Neely O'Hara, a talented young actress who's accused of using devious means by a great older star (Helen Lawson) to reach the top, pulling an "All About Eve"-type deception in order to steal a good role away from her.
Genre: Drama, Music, Romance
Director(s): Mark Robson
Production: 20th Century Fox
  Nominated for 1 Oscar. Another 4 nominations.
 
IMDB:
5.9
Rotten Tomatoes:
31%
PG-13
Year:
1967
123 min
1,747 Views


she has talent!

Believe me, by next week every producer

in town will be after you.

It gives you stature

to walk out on Helen Lawson.

Don't listen. They want you to quit

so they can save 200 bucks a week.

- Call your agent.

I know her agent.

I can tell you what he'll say.

"Take whatever crumbs are offered."

He's not about to give up

his lousy 10 percent.

If she were my client, I'd advise her

to leave the show with dignity.

Well, he's not gonna get

his lousy 10 percent.

Because I won't settle for crumbs.

I'll leave this stinking show...

...with dignity.

You can call Helen Lawson.

Tell her the SOB earned his oats.

We could all use a little fresh air.

Come on.

I had such big plans.

I was gonna be a big star.

I was gonna take acting lessons

and dancing lessons.

Now I don't even have a job.

All I have is my dignity.

Honey, I'm sorry.

That old witch ought to be boiled in oil.

Thanks, Jen.

Honey, listen. It's a rotten business.

I know. But I love it.

- That poor girl. And she was so good.

- I know.

After she signs the release the song

will go back in. With the understudy.

Go to the office. On my desk

you'll find a musical arrangement.

Get it to Miss O'Hara

and tell her to learn it fast.

- She'll be singing it tonight.

- Suppose she won't do it?

- I wouldn't.

- Then make her.

One of the nice things

about doing this telethon...

...in addition to raising money,

is discovering new talent.

I think you'll love our next performer.

Let's have a nice reception...

...for lovely Neely O'Hara.

Everybody, let's hear it out there.

Thank you very much.

You're right. It is an exciting business.

How about that? Where are you going?

Neely, you'll raise a lot of money for us.

Tell Frank, Dean and Sam

they're gonna have to wait.

Thank you.

- Dom Perignon, 1959.

- Fine.

The closest I ever got to champagne was

seeing it broken on a ship in a newsreel.

- Welcome, folks.

- Hello, Frank.

- Lyon.

- Hello.

- Miss O'Hara.

Hello.

I caught the telethon. We're doing

great business with Tony Polar.

So I see.

Excuse me.

Frank.

There's Jennifer with one of her

rich boyfriends. Doesn't she look great?

She's lovely.

- I bet beads pop off when she moves.

- Vodka and tonic.

- Same for me. Make it two.

Neely, I have some good news. You're

following Tony Polar in the club here.

- Oh, Lyon!

- Neely, how wonderful.

You'll have to build an act fast,

because I exaggerated a bit.

- I told Frank you already had one.

- I will. I will.

- Miriam's not gonna like that.

- Who's Miriam?

- His sister. Over there.

- She manages him.

She does very well.

He won't make a move without her.

He's making one now.

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Helen Deutsch

Helen Deutsch (21 March 1906 – 15 March 1992) was an American screenwriter, journalist and songwriter. Deutsch was born in New York City and graduated from Barnard College. She began her career by managing the Provincetown Players. She then wrote theatre reviews for the New York Herald-Tribune and the New York Times as well as working in the press department of the Theatre Guild. Her first screenplay was for The Seventh Cross (1944). She adapted Enid Bagnold's novel, National Velvet into a screenplay which became a famous film (1944) starring Elizabeth Taylor. After writing a few films (Golden Earrings (1947), The Loves of Carmen (1948) and Shockproof (1949) ) for Paramount and Columbia Pictures, she spent the greater part of her career working for Metro-Goldwyn-Mayer and wrote the screenplays for such films as King Solomon's Mines (1950), Kim (1950), It's a Big Country (1951), Plymouth Adventure (1952), Lili (1953), Flame and the Flesh (1954), The Glass Slipper (1955), I'll Cry Tomorrow (1955), Forever, Darling (1956) and The Unsinkable Molly Brown (1964). Her last screenplay was for 20th Century Fox's Valley of the Dolls (1967). more…

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Submitted on August 05, 2018

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    "Valley of the Dolls" Scripts.com. STANDS4 LLC, 2024. Web. 5 May 2024. <https://www.scripts.com/script/valley_of_the_dolls_22703>.

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