Two for the Seesaw Page #7

Synopsis: Jerry Ryan is wandering aimlessly around New York, having given up his law career in Nebraska when his wife asked for a divorce. He meets up with Gittel Mosca, an impoverished dancer from Greenwich Village, and the two try to straighten out their lives together.
Genre: Drama, Romance
Director(s): Robert Wise
Production: United Artists
  Nominated for 2 Oscars. Another 2 nominations.
 
IMDB:
6.8
Rotten Tomatoes:
60%
APPROVED
Year:
1962
119 min
862 Views


- You got one?

- I'm talking about you.

Huh? Oh, let it bleed, it dries up.

- Why?

- Never mind.

- Gittel.

- Yeah.

Is he pretty good, this Dr Kruger?

He's a cotton pusher.

He drills, pushes in cotton,

five bucks, back next week.

Next week, more cotton, five bucks,

come back next week.

You go on like that till you get mad,

then first he fills the tooth.

Why come to the Bronx to see him?

He's Mama's dentist,

who else should I go to?

It wouldn't hurt, huh?

- Hiya, Gittel.

- Hi.

Come on in, Mr Molinari.

You wanna go in ahead of me?

I'm in no hurry.

- I'm in no hurry either, thanks.

- Oh.

Jerry, this lousy tooth hasn't been

bothering me for two days now.

It's been through a lot.

I'll hold on to it. Let's go.

Front Street, in the Village.

2.98 for an icebag, a taxi downtown,

I'm costing you a fortune.

Well, I'm about to make a fortune.

You gonna go back to that bridge

and hold somebody up?

Going to see a man about a job.

Taubman. Big wheel in law circles.

- When?

- Soon as I get you bedded down.

With the icepack... temporarily.

(knocking)

Oh, for Pete's sake, you're such a square.

Why didn't you get me candy

in a satin heart box?

They don't have them

till Valentine's Day.

- Well, I'll wait.

- Ah, Gittel...

You wait. I have to put these into water.

With what these cost ya,

I hope you got the job.

- I go to work for him tomorrow.

- Gonna be a lawyer again, eh?

I can't be a lawyer here

till I pass the exams.

- I'm gonna do briefs for him.

- What does that mean?

Researching a case for precedent.

When one kook sues another kook and

the judge can't decide which is kookier,

they go back to the case

in another court in 1890.

Come on inside.

- I liked it better without sleeves.

- OK, on yours I'll leave off the sleeves.

- So is it fun doing briefs?

- It pays well.

To be two halves of an apple,

you and I...

- Somebody putting the bite on ya?

- No, but girls are expensive.

Flowers, icebags... How's your tooth?

- Fine.

- And renting lofts for them to dance in.

- You're renting me a loft already?

- Why not?

I want you to use me.

- Will you stop walking up and down?

- I'm nervous.

So am I, but this walking around

isn't helping us any.

I was just waiting to be stopped.

Like something died here, the smell!

From the furs, that's all.

Open a window, it wouldn't smell.

- Can I try one now?

- Help yourself.

If you want my candid opinion,

this is an A-1 loft.

(traffic sounds)

This is the first that's bigger than a closet,

smaller than a bowling alley.

The floor's gotta be sanded down

to dance but otherwise perfect.

- Mr Jacoby?

- Yes.

How would you

put the place in condition?

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Isobel Lennart

Isobel Lennart (May 18, 1915 - January 25, 1971) was an American screenwriter and playwright. A native of Brooklyn, New York, Lennart moved to Hollywood, where she was hired to work in the MGM mail room, a job she lost when she attempted to organize a union. She joined the Communist Party in 1939 but left five years later. Lennart's first script, The Affairs of Martha, an original comedy about the residents of a wealthy community who fear their secrets are about to be revealed in an exposé written by one of their maids, was filmed in 1942 with Spring Byington, Marjorie Main, and Richard Carlson. This was followed in quick succession by A Stranger in Town, Anchors Aweigh, and It Happened in Brooklyn. In 1947, the House Un-American Activities Committee (HUAC) began an investigation into the motion picture industry. Although she was never blacklisted, Lennart, a former member of the Young Communist League, testified to HUAC in 1952 to avoid being blacklisted. She later regretted this decision. Lennart's later screen credits include A Life of Her Own, Love Me or Leave Me, Merry Andrew, The Inn of the Sixth Happiness, Please Don't Eat the Daisies, The Sundowners, and Two for the Seesaw. In 1964, Lennart wrote the book for the Broadway musical Funny Girl, based on the life and career of Fanny Brice and her tempestuous relationship with gambler Nicky Arnstein. It catapulted Barbra Streisand to fame and earned her a Tony Award nomination. In 1968, Lennart wrote the screen adaptation, which won her a Writers Guild of America award for Best Screenplay. It proved to be her last work. Three years later, she was killed in an automobile accident in Hemet, California. Lennart married actor/writer John Harding in Las Vegas, Nevada in 1945. They had two children, Joshua Lennart Harding (December 27, 1947 - August 4, 1971) and Sarah Elizabeth Harding (born November 24, 1951). more…

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Submitted on August 05, 2018

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