Tomahawk Page #5

Synopsis: In 1866, a new gold discovery and an inconclusive conference force the U.S. Army to build a road and fort in territory ceded by previous treaty to the Sioux...to the disgust of frontier scout Jim Bridger, whose Cheyenne wife led him to see the conflict from both sides. The powder-keg situation needs only a spark to bring war, and violent bigots like Lieut. Rob Dancy are all too likely to provide this. Meanwhile, Bridger's chance of preventing catastrophe is dimmed by equally wrenching personal conflicts. Unusually accurate historically.
Director(s): George Sherman
Production: Universal
 
IMDB:
6.3
APPROVED
Year:
1951
82 min
86 Views


The Colonel will nail your hide

unless you spit it out now.

Let's have it.

Dancy killed a Sioux.

One of the horses whinnied and

we went to have a look see.

Two Indian kids were trying

to steal the horses.

Dancy went and shot one.

I told him he hadn't ought to.

It was just two puny,

scared, little kids.

What are you telling the Colonel?

Nothing.

Lights been flashing out there

all last night.

Never seen them before.

Now smoke signals.

The Sioux are having a conversation.

They're calling in the hunters.

Maybe you'll get an invitation.

Misery loves company?

Or maybe you'd rather be alone?

No, you're very welcome company.

What's your misery? The old fellow?

How you call him? Dan?

I imagine he'll be all right.

He'll pull through.

The doctor says Dan's going to die.

He won't operate. He says the

arrow is too close to his heart.

That doctor...

- He could be wrong.

- You said you could take it out.

I had before. I said he shouldn't

be left the way he is now.

Would you?

Do you think the old fellow

is game?

- I can't promise anything.

- But you'll try.

I'll try.

I won't be responsible.

Dan's willing.

As long as I can't stop you.

Drink as much of this as you can.

I never turn down a free one.

When we get this over with

I'll have one with you.

Hold on Dan.

That's it.

Nothing to do now but wait until

the shock wears off.

Don't worry. He's tough.

He'll make it.

Hold it!

- Williams, James!

- Here.

- William, John...

- Morning assembly.

Come on, maybe we can get

some coffee in the mess hall.

You're a strange man.

The things you know!

Like what you did for Dan.

You were better than any doctor.

You don't have to live wild

like you do.

You could be a big man.

I have my idea of bigness.

Then why do I somehow

feel sorry for you?

You shouldn't. I live

the way I like to live.

But you miss so much.

For every way of living

something has to be given up.

What do you give up?

Crazy notions like...

- Miss.

- Yes?

There's something you could do

that I'd take as a favor?

Yes?

It's for Monahseetah.

She's just a kid and she's scared.

I'll be away scouting.

Would you look after her for me?

Well, Dan and I are leaving

as soon as he's able.

That'll be weeks.

- But don't you see...

- Yes. I think I do.

I'm sorry Miss Madden.

Wait.

Has he been bothering you?

No, not really.

They say he cut

the arrow out of Dan.

He saved Dan's life.

If he lives he can thank

his own toughness, not Bridger.

Has that sqaw man been asking

any questions about me?

No. Why should he?

What do you mean, sqaw man?

Why a man who marries a sqaw.

Is she...

Is she his wife?

I doubt if any preacher

mumbled over them.

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Silvia Richards

Silvia Richards was a screenwriter who worked on a number of films in the 1940s and 1950s, including the film noir Ruby Gentry and the Western Rancho Notorious. She also wrote for television in the 1950s and early 1960s. more…

All Silvia Richards scripts | Silvia Richards Scripts

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Submitted on August 05, 2018

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