Tom Jones Page #5

Synopsis: In eighteenth-century England, "first cousins" Tom Jones and Master Blifil grew up together in privilege in the western countryside, but could not be more different in nature. Tom, the bastard son of one of Squire Allworthy's servants Jenny Jones and the local barber Partridge, was raised by virtuous Allworthy as his own after he sent Jenny away. Tom is randy, chasing anything in a skirt, he's having a sexual relationship on the sly with Molly Seagrim, the peasant daughter of Allworthy's gamekeeper. Tom is nonetheless kind-hearted and good-natured, he who is willing to defend that and those in which he believes. Blifil, on the other hand, is dour, and although outwardly pious, is cold-hearted and vengeful. Despite his randiness, Tom eventually falls in love with Sophie Western, who has just returned to the area after a few years abroad. Despite Sophie's love for Tom, Squire Western and his spinster sister would rather see Sophie marry Blifil rather than a bastard, who Western nonethele
Director(s): Tony Richardson
Production: Woodfall Film Productions
  Won 4 Oscars. Another 16 wins & 20 nominations.
 
IMDB:
6.7
Rotten Tomatoes:
84%
NOT RATED
Year:
1963
128 min
665 Views


You are most kind, sir.

Do not grieve, my dear nephew.

Do not grieve.

Sir, you cannot die.

Death comes to us all, Tom.

I have asked you here

to tell you of my will.

Nephew Blifil, I leave you heir to my

whole estate, with these exceptions.

To you, my dear Tom,

I have given an estate of Pounds. 800 a year,

together with Pounds. 1,000 in ready money.

I am convinced, my boy,

that you have much goodness,

generosity and honour in your nature.

If you will add prudence and religion

to these, you must be happy.

Pounds. 1,000 I leave to you, Mr Thwackum,

and a like sum to you, Mr Square -

which I am convinced exceeds

your desires as well as your wants.

As for my servants,

for Marjorie and Jane, Pounds. 100 each.

"... my soul shall praise the Lord

even to death,

and my life was drawing

near to hell beneath... "

Mr Allworthy's recovered!

It's over! The fever's gone!

He's sitting up! He's well again!

The squire's recovered!

It's over!

It is not true that drink

changes a man's character.

It can reveal it more clearly.

The Squire's recovery brought joy to Tom,

to his tutors sheer disappointment.

Sing, thick Thwackum,

your bounty's flown...

You have good reason for your

drunkenness, you beggarly bastard!

- He's provided well enough for you!

- Do you think that could weigh with me?

- Damn you, Thwackum!

- How dare you, sir?!

And damn me

if I don't open another bottle.

I shall sing you a ballad, entitled "Sing,

thick Thwackum, thy bounty has flown".

Sing, thick Thwackum,

thy bounty's flown

You've lost all the money

you thought that you'd own...

Mr Jones!

This house is in mourning on account

of the death of my dear mother.

Oh, sir, forgive me.

The joy of Mr Allworthy's recovery...

I had the misfortune

to know who my parents were.

Consequently, I'm grieved by their loss.

You rascal. Do you dare to insult me?

Gentlemen, gentlemen!

This behaviour is most unseemly.

Oh, Master Blifil!

Oh, that vulgar animal! Out with him!

All right, we'll go outside!

Let's have some wine!

Get him out! Get him out!

How dare you throw me out?

Shall we take the evening air?

It is widely held that too much wine

will dull a man's desire.

Indeed it will - in a dull man.

Sophia...

Sophie...

I'll carve her name on this tree!

Tree, do you mind

if I carve the name of my Sophia?

Big S for Sophia... Sophie...

Sophie, Sophia...

So... Molly...

Molly, Molly, Molly, Molly, Molly, Molly...

M for Molly...

Are you aimin' to slit my throat, Squire?

Would you like... a sip of my wine?

Mm.

I never had a sip

of a gentleman's wine before.

Oh, it's very potent!

What are you laughin' at, Tom?

I'm thinking of Square in your bedroom!

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John Osborne

John James Osborne (Fulham, London, 12 December 1929 – 24 December 1994) was an English playwright, screenwriter and actor, known for his excoriating prose and intense critical stance towards established social and political norms. The success of his 1956 play Look Back in Anger transformed English theatre. In a productive life of more than 40 years, Osborne explored many themes and genres, writing for stage, film and TV. His personal life was extravagant and iconoclastic. He was notorious for the ornate violence of his language, not only on behalf of the political causes he supported but also against his own family, including his wives and children. Osborne was one of the first writers to address Britain's purpose in the post-imperial age. He was the first to question the point of the monarchy on a prominent public stage. During his peak (1956–1966), he helped make contempt an acceptable and now even cliched onstage emotion, argued for the cleansing wisdom of bad behaviour and bad taste, and combined unsparing truthfulness with devastating wit. more…

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Submitted on August 05, 2018

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