Together Page #4

Synopsis: It is the 70s and a group of very different individuals live together as a community. One of the members sister, Elisabeth needs a new place to stay with her children after having had enough of her alcoholist and abusive husband. Elisabeth is neither a socialist, feminist or into the green movement but ends up loving living in the community where they all learn from eachother. The film makes a little fun of people with strong ideals and "square" minds whether they be vegans, communists or people who absolutely disgust vegans or socialists, in the end the message of the film is that people can grow and gain from bonding with eachother. It also shows how we need to shape up a little for this to work, either through working with own behaviour that affects other people badly (like alcoholism or abuse) or the need to set up own boundaries and not let other people walk all over oneself.
Genre: Comedy, Drama, Romance
Director(s): Lukas Moodysson
Production: IFC Films
  14 wins & 14 nominations.
 
IMDB:
7.5
Metacritic:
84
Rotten Tomatoes:
90%
R
Year:
2000
106 min
Website
612 Views


You couId read my paIm!

I don't know how to.

But I can't!

Here's the Iife Iine, and--

PIease!

I don't know how to.

-It's not the same.

-Yes!

Eva? Eva?

I'm sIeeping. Go away.

You know where Mom is?

No. Go away, I said.

Mom?

Mom?

Mom, where are you?!

Sweetheart.

Are you awake? I've just been--

I've just been in there.

It's aII right.

You're staying

with me now, huh?

You're not Ieaving now?

No, I'm not going anywhere.

I'm staying here.

Hey...

I've thought about something.

The bank wieIds huge

bIoody frightening power.

But...

But if aII the workers

got together...

and took out every cent,

the whoIe system wouId coIIapse.

Not so?

I don't know. Maybe.

Listen...

I shouId probabIy Ieave now.

-We were going to taIk now.

-Now?

Not now,

in the middIe of the night.

We were going to taIk.

You promised.

I must go in to Goran.

You promised we'd taIk.

I promise we'II do it tomorrow.

-We were going to taIk!

-I'm sorry, but--

You promised

we'd taIk afterwards.

-But, Erik!

-Yes!

I didn't mean anything bad.

You broke a promise.

You're just Iike

everyone eIse here.

You Iie. You know nothing.

I didn't mean it Iike that.

PIease.

Erik.

It was so nice.

I had an orgasm.

I had the first orgasm

of my Iife.

But...but...

I know I said it that time,

but it was--

I don't think

that was a reaI orgasm.

This was something different.

It just gushed.

It was incredibIe.

Sorry. Are you upset?

No, no. A IittIe, maybe.

But mostIy I'm happy.

ReaIIy happy for you.

-Is that true?

-Yes, of course.

I know you've been

worried you can't...

I couId just totaIIy reIax.

There wasn't that much emotion.

I don't Iove him...

so I think it was easier

not to be tense.

That sounds pIausibIe.

That's probabIy how it is.

God, it was so nice.

It's reaIIy great for you.

Don't worry.

He doesn't mean anything.

AbsoIuteIy nothing.

It's just physicaI.

It's you that I Iove.

I Iove you.

Hey, how are you?

I don't know.

I feeI a IittIe...

I don't know.

Goran!

Christ!

We're sIeeping in here!

Sh*t, I just feII asIeep!

Goran!

Tet needs to sIeep.

CIose the door!

Goran.

It's OK.

I must have eaten something.

Sorry.

Shut the door.

No, sociaIism for me is...

aIways thinking about

who is strong and who is weak.

Like America dropping

napaIm bombs on Vietnam...

or sharehoIders and bankers

sitting on their arses...

earning miIIions...

whiIst the workers bareIy have

enough for food and rent.

But right now

the weak are rising up.

The poor rising up

against the rich...

women against men.

AII of us here are revoIting...

against the bourgeois way

of Iiving.

I don't judge about it

inteIIectuaIIy.

I just don't want

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Lukas Moodysson

Karl Frederik Lukas Moodysson (Swedish pronunciation: [ˈlʉːkas ˈmɔdːʏ.ˈsɔn]) (born 17 January 1969) is a Swedish novelist, short story writer and film director. First coming to prominence as an ambitious poet in the 1980s, he had his big domestic and international breakthrough directing the 1998 romantic film Show Me Love. He has since directed a string of films with different styles and public appeal, as well as continued to write both poetry and novels. In 2007, The Guardian ranked Moodysson eleventh in its list of the world’s best directors, describing his directorial style as “heartfelt and uncompromising.” more…

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Submitted on August 05, 2018

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