Through the Forest Page #3

Synopsis: After the death of Renaud, her boyfriend, Armelle can't possibly take him out of her mind. Her sister advises her to see a medium, in whose house she meets a boy who strangely looks like Renaud...
Genre: Drama, Fantasy
Director(s): Jean-Paul Civeyrac
Production: Indie Crush
 
IMDB:
6.8
Rotten Tomatoes:
80%
Year:
2005
65 min
13 Views


She was weird before she left,

wasn't she? Totally confused.

Where are you?

Here.

Renaud doesn't come at night

any more.

Where is he?

Come back to us. We're waiting for you.

Life's waiting for you.

Life...

What's there to live for?

Do you know?.

Do you know or not?

Then tell me.

lt's hard to say.

We each have our own reasons.

What's yours, then?

Well, beauty.

The beauty of the world.

The sun this morning,

the light, fresh air.

There's no more fresh air in nature.

lt's all polluted now.

Don't overdramatize.

The earth's living on borrowed time.

Mankind, too. Everyone knows that.

Then you have to fight.

Fight those who want

to destroy the planet.

That's something to live for.

lt's a lost cause.

They have the might.

They have the guns.

They torture.

They kill.

Find something else, Berenice dear.

Love!

Love. You're lucky in love?

- Not all the time.

- Why not?

lt's impossible...

- You've known Antoine how long?

- 7 1/2 years.

Why don't you live together?

We're fine this way.

We're very independent, you know.

No, that's not why.

The truth is you don't give enough

of yourselves.

You don't let yourselves go.

You're afraid to make

a real commitment.

Roxane, with all her lovers,

is like that, too.

Everyone's like that.

But Renaud wasn't.

You meet someone like Renaud

only once in a lifetime.

Your idea of love

is too uncompromising.

Maybe.

lf you think living together is proof

that you're letting yourself go...

- That's it exactly.

- No, it isn't.

We'll live together

when we have children.

A child is a good reason for living.

A child is wonderful.

A child is a future loser.

You're so gloomy about everything.

lt's frightening.

You're right, l'll shut up.

Can you put some music on?

Renaud's record?

Okay. True, we're talking too much.

We don't know what we're saying.

NlGH

Renaud?

l must be dead.

What should l do?

Where should l go?

But l don't feel any pain.

Am l dead or not?

You seem different.

l don't know.

Two days in a coma is long.

You have to wait a while

before things are normal again.

ls it true they said l was dead?

They call it clinical death.

ENCHANTMENTS:

ln Roxane's book,

the one with the green cover...

And?

l remember reading that some people

declared dead, clinically dead,

come back to life transformed,

with certain powers.

What kind of powers?

lt depends on the person.

Cut it out. This silliness

has gone far enough.

When she came out of her coma,

you called it a miracle.

lt was the emotion.

- That's when the real questions come.

- Cut the esoterics.

lt helped calm me.

Don't switch roles.

l think l want to be alone.

We're not leaving you alone

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Jean-Paul Civeyrac

Jean-Paul Civeyrac (born 24 December 1964) is a French director whose films are usually characterized by close attention to music and actors' bodies. He has adapted a French novel by Anne Wiazemsky, Hymnes à l’amour, with the title All the fine promises (2003). This movie was awarded by The Prix Jean Vigo 2003. Jean-Paul Civeyrac is professor at the French school, La Femis, and graduated from the University Lyon III (philosophy). Jean-Paul Civeyrac has discovered many young talents : Camille Berthomier in À travers la forêt Valérie Crunchant in All the fine promises, Lucia Sanchez in Les solitaires, Renaud Bécard in Man's Gentle LoveHis movie À travers la forêt was presented at Festival Paris Cinéma (2 July 2005) and at Toronto International Film Festival 2005 September. In his survey of contemporary French cinema, Tim Palmer discusses Civeyrac's career in the context of his teaching at the major French film school, la Fémis; Civeyrac's status as an "applied cinephile" in which he carefully cites and revives the aesthetics of historical filmmakers like Mizoguchi and Cocteau; his neglected situation outside France; and his position as a remarkably uncompromising director, whose films often refuse to differentiate between fantasy and diegetic reality. more…

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Submitted on August 05, 2018

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    "Through the Forest" Scripts.com. STANDS4 LLC, 2024. Web. 5 May 2024. <https://www.scripts.com/script/through_the_forest_22225>.

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