Thirty Seconds Over Tokyo Page #4

Synopsis: The amazingly detailed true story of "The Doolittle Raid" based on the personal account by Doolittle Raider Ted Lawson. Stunned by Pearl Harbor and a string of defeats, America needed a victory - badly. To that end, Colonel Jimmy Doolittle, a former air racer and stunt pilot, devises a plan for a daring raid on the heart of Japan itself. To do this, he must train army bomber pilots to do something no one ever dreamed possible - launch 16 fully loaded bombers from an aircraft carrier! Remarkable in its accuracy, this movie even uses film footage from the actual raid.
Genre: Drama, History, War
Director(s): Mervyn LeRoy
Production: MGM Home Entertainment
  Won 1 Oscar. Another 1 win & 1 nomination.
 
IMDB:
7.5
Rotten Tomatoes:
100%
PASSED
Year:
1944
138 min
354 Views


- Here.

What are you hiding out...

- Ellen, when did you get here?

- Five minutes ago. How's my bridesmaid?

Great. Only I'm going

to have to break this up.

Doolittle came out to watch us take off.

Okay. I'll see you for dinner.

There's a hotel about a mile

and a half down the road.

I haven't seen it yet, but

they tell me you can't miss it.

- I'll find it.

- I'm sorry to have to rush off like this.

Don't forget dinner.

Say, did anybody pick up a letter for me?

Yes, sir. I did this morning.

I forgot all about it.

- Well, bring it up.

- Yes, sir.

I'm sorry, sir.

Okay. Thanks. Take over, will you, Davenport.

Sure.

Hey! I'm going to have a baby!

Hey, it's from Ellen.

She's going to be... I mean,

I'm going to be a father.

Hello, flyer.

Oh, I'm sorry I woke you up.

I wasn't sleeping, really. I

was just dozing and thinking.

I'm sorry I didn't get back for

dinner. We had a lot of checking to do.

You must've thought I was

an awful dope this morning.

But I didn't get your letter

until later, so I didn't know.

I know. Sit down.

- I think it's swell about the baby.

- I knew you would. I wasn't a bit worried.

You know, it's going to seem funny.

I don't care whether it's a

boy or a girl. Not that much.

I just want you to be

okay. It's pretty serious.

- Well, what's so funny?

- I was just thinking.

Here you're getting ready to go

off on something really tough,

and you're worrying about me.

If I were in your spot,

I'd be scared to death.

- But I guess I am anyhow.

- Purely routine stuff, flyer.

The kind of job every girl takes

on once or twice in her life.

Why don't you lie down?

You know, Ellen,

I'm kind of glad I got you.

I guess that's what I was

thinking about in my sleep.

It almost frightened me.

It seemed that I was thinking,

"What if I'd never met him?"

Well, for one thing

you wouldn't be traipsing around the country

from one airfield to another

trying to catch up with me.

And for another,

you wouldn't be having a baby

right in the middle of a war.

Oh, no, it wasn't that.

I was thinking that if I hadn't met you,

I'd never have felt really close

to anybody, never in my whole life.

Married six months and

together less than two weeks.

That's not being as close as I'd figured on.

Don't you see, Ted, that's just it.

If people can be close when

they're far away from each other,

well, that's what it should be.

Yeah, yeah, I guess so.

Cuddle me.

I was thinking about last Christmas.

The tree we set up in

that Portland auto court.

- Wasn't it an awful little room?

- Yeah.

And the Christmas dinner we were planning on.

And then you ran out of gas and

landed in the mud up in lllwaco,

Rate this script:5.0 / 1 vote

Dalton Trumbo

James Dalton Trumbo (December 9, 1905 – September 10, 1976) was an American screenwriter and novelist who scripted many award-winning films including Roman Holiday, Exodus, Spartacus, and Thirty Seconds Over Tokyo. One of the Hollywood Ten, he refused to testify before the House Un-American Activities Committee (HUAC) in 1947 during the committee's investigation of communist influences in the motion picture industry. He, along with the other members of the Hollywood Ten and hundreds of other industry professionals, was subsequently blacklisted by that industry. His talents as one of the top screenwriters allowed him to continue working clandestinely, producing work under other authors' names or pseudonyms. His uncredited work won two Academy Awards: for Roman Holiday (1953), which was given to a front writer, and for The Brave One (1956) which was awarded to a pseudonym of Trumbo's. When he was given public screen credit for both Exodus and Spartacus in 1960, this marked the beginning of the end of the Hollywood Blacklist for Trumbo and other screenwriters. He finally was given full credit by the Writers' Guild for all his achievements, the work of which encompassed six decades of screenwriting. more…

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Submitted on August 05, 2018

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