Thieves Like Us Page #6

Synopsis: Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in love along the way with a girl met at their hideout, the older man is a happy professional criminal with a romance of his own, the third is a fast lover and hard drinker fond of his work. The young lovers begin to move out of the sphere in which they have met, a last robbery in Yazoo City goes badly and puts paid to the gang once and for all as a profitable venture, but isn't the end of the story quite yet, as all three are wanted and notorious men with altogether different points of view on the situation they are faced with.
Genre: Crime, Drama, Romance
Director(s): Robert Altman
Production: United Artists
  1 win.
 
IMDB:
7.1
Rotten Tomatoes:
89%
R
Year:
1974
123 min
128 Views


Yeah, well, he can't rob a bank.

He don't know how.

All right, let's forget the straws.

All right, Bowie, you drive the car,

and Chick and I,

we'll work the inside, okay?

- Suits me.

- All right, let's go, Chick.

Goddamn!

The Giants beat the Cards this afternoon.

CHICAMAW:
The Cards?

(MUSIC PLAYING ON RADIO)

(WHISTLE BLOWING)

RADIO ANNOUNCER:

Sloan's Liniment presents

Gangbusters.

(MACHINE GUN FIRING)

(WHISTLE BLOWS)

Gangbusters at war,

marching against the underworld.

From coast to coast, Gangbusters,

the G-men, our government agents

marching against the underworld.

(WHISTLE BLOWS)

(MUSIC PLAYING ON RADIO)

(WHISTLE BLOWS)

RADIO ANNOUNCER:

Tonight, Gangbusters presents

(POLICE SIREN WAILING)

the case of the bandit brothers,

who rode a crooked trail

of death and robbery over the plains

until vigilant, fast-shooting, Western

peace officers straightened them out.

(CHICAMAW LAUGHING)

BOWIE:
Anybody following us?

T- DUB:
Are you kidding?

They're locked in that vault.

They'll be in there for 30 more minutes.

(ALL LAUGHING)

CHICAMAW:
You know, pretty soon,

I'm going to be wearing a $15 Stetson,

a $60 suit,

and a brand new pair of silk underwear.

(ALL LAUGHING)

(MUSIC PLAYING ON RADIO)

T- DUB:
Okay, that's what you started with.

(MAN CHATTERING ON RADIO)

There's your pile.

Chicamaw, there's yours.

There's mine.

And these coins here, they'll be for

beer and gas

and general expenses, all right?

Okay, Bowie,

you take that Plymouth out

and you burn it.

- Burn it?

- Yeah, burn it.

Chicamaw, you take the bus to Vicksburg.

Get us another car

with some extra plates, okay?

Bowie, you can hole up here

for a couple of days.

Where are you going?

I'm gonna go to

my sister-in-law, Mattie's. I...

I think we can get a car there,

and maybe she'll let us stay.

Where will we meet?

In Canton.

There's this Episcopal church,

you know, with a graveyard in it.

And this bride and groom,

they were gonna get married there,

but on the way there,

they were killed by somebody.

When?

In 1875!

Everybody knows about the place.

It's supposed to be haunted.

- We're not gonna meet there, are we?

- Oh, sure.

Right across the street is this barn.

That's how you can tell on the highway.

And we'll meet there day after tomorrow,

about 3:
00 in the afternoon.

All right?

Well, gentlemen,

this'll be my 33rd bank.

(HORN HONKING)

(HENS CLUCKING)

(STATIC ON RADIO)

- Can I listen with you?

- Sure.

(MUSIC PLAYING)

Want a Coke?

No, thanks.

I'll go get you one if you want.

It's okay. I don't want one.

You cut your hair.

I don't know.

I just sort of evened it off.

Chicamaw owes me $10.

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Calder Willingham

Calder Baynard Willingham, Jr. (December 23, 1922 – February 19, 1995) was an American novelist and screenwriter. Before the age of thirty, after just three novels and a collection of short stories, The New Yorker was already describing Willingham as having “fathered modern black comedy,” his signature a dry, straight-faced humor, made funnier by its concealed comic intent. His work matured over six more novels, including Eternal Fire (1963), which Newsweek said “deserves a place among the dozen or so novels that must be mentioned if one is to speak of greatness in American fiction.” He had a significant career in cinema, too, with screenplay credits that include Paths of Glory (1957), The Graduate (1967) and Little Big Man (1970). more…

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Submitted on August 05, 2018

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