The Way We Were Page #5

Synopsis: The often unlikely joint lives of Katie Morosky and Hubbell Gardiner from the late 1930s to the late 1950s is presented, over which time, they are, in no particular order, strangers, acquaintances, friends, best friends, lovers and adversaries. The unlikely nature of their relationship is due to their fundamental differences, where she is Jewish and passionate about her political activism both in political freedoms and Marxism to an extreme where she takes life a little too seriously, while he is the golden boy WASP, being afforded the privileges in life because of his background but who on the most part is able to capitalize on those privileges. Their lives are shown in four general time periods, in chronological order when they attend the same college, their time in New York City during WWII, his life as a Hollywood screenwriter post-war, and his life as a writer for a New York based live television show. It is during college that Hubbell finds his voice in life as a writer, and that
Genre: Drama, Romance
Director(s): Sydney Pollack
Production: Sony Pictures Home Entertainment
  Won 2 Oscars. Another 5 wins & 7 nominations.
 
IMDB:
7.1
Rotten Tomatoes:
63%
PG
Year:
1973
118 min
5,626 Views


you racist fink!

What's with her this week?

This week?

What do you mean?

Shut up!

I have 21 minutes of dead air facing me!

It's his fault!

Okay, okay! I'll sign.

Hubbell?

Where are you?

Grant's tomb.

I can't get a room.

Can I use your couch?

Of course you can.

Morosky, we have...

Will you, please!

Uh, Hubbell, um, there's beer

in the icebox and clean towels,

and if you wanna take a nap,

take off the phone and put it

in the drawer of the desk.

How do I get the key?

I'll call the super.

Thank you.

Hubbell!

Hey.

I wasn't sure when

you'd be home. How are you?

I don't know when I'll be back.

Uh, could you leave a key...?

You can't. I got steaks and

potatoes and sour cream and chives

and salad and fresh pie.

I would have made pot roast,

but I didn't know if you liked it.

Anyway, there wasn't time,

so I got steaks with

my ration stamps.

And you must be hungry, you

couldn't have had time to eat.

You can't go yet. You've got to stay

for supper, that's all there is to it.

What kind of pie?

Oh, your hero, huh?

Who?

Yeah.

He wasn't in college

when he did nothing for Spain.

Congress was isolationist in '37...

You'd justify the Nazi-Soviet pact.

Easier than you can justify

the Allies sitting on their behinds...

Why can't you say "asses"?

Because I can't.

Why?

What happens?

I don't know. Nothing.

What a subject for two...

It's interesting.

You'd rather talk politics.

All the contradictions. Should we

get in the war, should we not?

Stalin's for Hitler.

Stalin's against him.

All political doubletalk,

but you hold on.

I don't know how you do it.

I don't know how you can't.

You're jealous.

What? Ha-ha-ha.

You are.

Why are you jealous?

I'll live.

Maybe longer.

But you won't write another novel.

You must've gotten one

of the two copies sold.

You get through it?

Oh, I managed.

Twice.

I liked it.

I liked it a lot.

What didn't you like?

The way you write is no problem.

Your style is absolutely

gorgeous. But...

Gorgeous?

It is.

It is gorgeous.

But you...

stand back.

Do you know

what I mean?

Go ahead.

You see, the people...

you watch them...

from a distance.

Where?

In the book.

I know, in the book.

Where in the book?

Be specific.

All through it, Hubbell.

But it's your first novel, and

I'm sure the second one will be...

Why should I write

another novel?

Because you must!

You're too good a writer not to.

Are you really so sure

of everything you're so sure of?

Sure.

Heh.

Aren't you?

No.

No. Not as sure.

Do things still come too easily?

Huh?

"In a way he was like

the country he lived in.

Everything came too easily

to him."

What made you remember that?

Rate this script:3.0 / 1 vote

Arthur Laurents

Arthur Laurents (July 14, 1917 – May 5, 2011) was an American playwright, stage director and screenwriter.After writing scripts for radio shows after college and then training films for the U.S. Army during World War II, Laurents turned to writing for Broadway, producing a body of work that includes West Side Story (1957), Gypsy (1959), and Hallelujah, Baby! (1967), and directing some of his own shows and other Broadway productions. His early film scripts include Rope (1948) for Alfred Hitchcock, followed by Anastasia (1956), Bonjour Tristesse (1958), The Way We Were (1973), and The Turning Point (1977). more…

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Submitted on August 05, 2018

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