The Two Faces of January Page #3

Synopsis: 1962. A glamorous American couple, the charismatic Chester MacFarland (Mortensen) and his alluring younger wife Colette (Dunst), arrive in Athens by boat via the Corinth Canal. While sightseeing at the Acropolis they encounter Rydal (Isaac), a young, Greek-speaking American who is working as a tour guide, scamming tourists on the side. Drawn to Colette's beauty and impressed by Chester's wealth and sophistication, Rydal gladly accepts their invitation to dinner. However, all is not as it seems with the MacFarlands and Chester's affable exterior hides darker secrets. When Rydal visits the couple at their exclusive hotel, Chester presses him to help move the body of a seemingly unconscious man who he claims attacked him. In the moment, Rydal agrees but as events take a more sinister turn he finds himself compromised and unable to pull himself free. His increasing infatuation with the vulnerable and responsive Colette gives rise to Chester's jealousy and paranoia, leading to a tense and d
Genre: Romance, Thriller
Director(s): Hossein Amini
Production: Magnolia Pictutures
  3 nominations.
 
IMDB:
6.2
Metacritic:
66
Rotten Tomatoes:
82%
PG-13
Year:
2014
96 min
$1,638,101
Website
491 Views


who invested

their money with you.

You ought to be more careful

who you do business with.

Listen, I'm sorry that

your clients are upset,

but I can't help it

if the market crashes.

This is a nice hotel.

Just like all the other nice

hotels you've been staying at.

I've been following your trail all

across Europe, Mr. McFarland.

You've been throwing

a lot of cash around.

- How long is the trip to Mycenae?

- A whole day, madam.

"Semper fi," huh?

You a marine?

No. Infantry...

- army.

- Yeah.

It's funny, you know?

All that time over here

during the war,

I could give a sh*t

about Europe.

Yet here I am again.

Here's the deal:

I could care less about

your other investors.

You reimburse my clients,

I'll go back home to my family

and leave you

and your lovely wife alone.

My wife has nothing

to do with this.

Look, why don't

you and I go downstairs,

have a drink,

see if we can come

to an arrangement?

Unfortunately, I'm not authorized

to negotiate with you.

I'm just here for the money.

Yeah.

Okay, well,

let me go and get it.

Chester?

- Chester?

- Don't come in!

- Hello. Hi.

- Hello.

I need to return something

to some friends of mine,

- the McFarlands.

- They're in room 505.

505, okay.

- Is there a phone I can use?

- The house phone is right over there.

Ah, thank you.

Don't answer it!

Don't answer it.

- What's happening?

- He's fine. He fell.

He hit his head pretty bad.

I've got to take him downstairs,

get him some help.

I thought you said

no one would follow us.

Open the door!

Get dressed, start packing. We've

gotta get out of here right away.

Oh God.

No.

Can you, uh... can you help me

get this guy's door open?

- What happened?

- He's hammered, that's what happened.

I found him in the lobby.

Good evening.

Evening.

Easy, like this.

Oh Christ.

- Is he okay?

- He'll be fine.

He's gonna have an almighty

hangover tomorrow though.

Who is he?

I haven't the foggiest idea.

Some drunk.

He tried to paw Colette in the elevator,

then followed us to our room,

so I smacked him.

Let's let him sleep it off.

Oh.

Your wife left it in the cab.

I was bringing it back.

The truth is...

I owe some people money.

They sent him to

threaten us with a gun.

Look.

I don't know what to do.

I mean, I... I don't know...

if he's alone or there's

somebody else in the lobby.

All I know is we gotta

get out of this hotel

before that man wakes up.

Can you help us?

Thank you.

Sorry, it's not the grand.

It's perfect.

It feels like New York.

Oh, is that you?

Yeah, with my dad.

Is he back home?

Uh, he passed away a month ago.

I'm sorry.

So, uh, have you

figured out who he is yet?

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Hossein Amini

Hossein Amini (Persian: حسین امینی‎; born 18 January 1966) is a British-Iranian screenwriter and film director. Amini has worked as a screenwriter since the early 1990s. He was nominated for numerous awards for the 1997 film The Wings of the Dove, including an Academy Award for Best Writing – Adapted Screenplay. He also won a "Best Adapted Screenplay" award from the Austin Film Critics Association for his screenplay adaptation of Nicolas Winding Refn's Drive (2011), based on the novel by James Sallis. For his directorial debut, he both wrote and directed The Two Faces of January, an adaptation of the Patricia Highsmith novel. more…

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Submitted on August 05, 2018

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