The Truth About Charlie Page #3

Synopsis: A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his, and he wants it back, seemingly convinced that she's hiding the cash. Meanwhile, more people end up dead...
Genre: Mystery, Thriller
Director(s): Jonathan Demme
Production: Universal Pictures
  2 nominations.
 
IMDB:
4.8
Metacritic:
55
Rotten Tomatoes:
34%
PG-13
Year:
2002
104 min
$5,293,525
Website
113 Views


I want you to know | you'll have every protection | the United States has to offer.

Protecting British citizens? | Isn't that a little bit | out of your jurisdiction?

Your husband occasionally | lent his services to us | here at the O.D.C.

The what?

Most secure | talk space in town.

The O.D.C. Office of Defense | Cooperation, Mrs. Lambert.

We, of course, knew your husband | by his real name, Charlie Lake.

Now, Mrs. Lake, | I'd like you to look at | this photograph, please,

and tell me if there's | anyone you recognize.

Have a good look.

Charles, of course.

What about the other three?

Afraid not.

They worked with Charlie | almost three years ago | on an operation...

of an extraordinarily | delicate nature.

I "get it."

I need to assess just how | precarious your situation is.

Now, this gentleman | who escorted you | to your hotel last night.

A friend. Joshua Peters. | He has nothing to do with this.

- How long have you known Mr. Peters? | - Actually, I just met him.

Oh, boy.

Look, I don't mean | to be intrusive,

but we don't know quite | what Charlie was up to...

or who he was up to it with.

- But we do know $6 million is | a significant amount of money. | - Six million?

- Is that what this is about? | - Correct.

I want to make it | perfectly clear that even | if we wanted to, which we don't,

we couldn't force you to do it.

Your decision must be | entirely your own, Mrs. Lake. | What decision?

To work with us.

If you think I'm | getting mixed up in this, | you're absolutely bonkers.

- You already are mixed up | in it, Mrs. Lake. | - Stop calling me that.

- We want that money back, | Mrs. Lambert. | - I don't have it.

Oh, yes, you do. You have it. | You just don't know you've got it.

A misplaced key to | a safe-deposit box, a certified | check in tomorrow's mail,

or a baggage claim ticket | tucked in a paperback.

If you look for it, | you'll find it.

You may not have | a great deal of time either.

The people in that photo... | They know you've got it | just as surely as we do.

You won't be safe until that money | is in our hands. Is that clear?

This is my direct cell line.

Don't lose it, Mrs. Lambert. | Call me anytime, day or night.

And, please, this is crucial. | You mustn't betray...

the confidentiality | of this dialogue.

You must not tell anyone | about coming to see me.

Certainly. No problem. | I promise you.

It's clear that you're | a very decent person, Mrs. L.

That's a rare quality nowadays.

Tough situation you're in here, | but I feel for you.

God bless.

His agenda.

Charles Lambert's last day | was busy.

To us, largely meaningless.

"12:
00, 8 Rue des Rosiers,

Clignancourt. " | The flea market.

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Jonathan Demme

Robert Jonathan Demme ( DEM-ee; February 22, 1944 – April 26, 2017) was an American film director, producer, and screenwriter. He rose to prominence in the 1980s with his comedy films Melvin and Howard (1980), Swing Shift (1984), Something Wild (1986), and Married to the Mob (1988), as well as the critically acclaimed concert film Stop Making Sense (1984), in collaboration with the band Talking Heads. He is best known for directing The Silence of the Lambs (1991), for which he won the Academy Award for Best Director. He later directed Philadelphia (1993) and Rachel Getting Married (2008). more…

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Submitted on August 05, 2018

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