The Treasure of the Sierra Madre Page #4

Synopsis: Fred C. Dobbs and Bob Curtin, both down on their luck in Tampico, Mexico in 1925, meet up with a grizzled prospector named Howard and decide to join with him in search of gold in the wilds of central Mexico. Through enormous difficulties, they eventually succeed in finding gold, but bandits, the elements, and most especially greed threaten to turn their success into disaster.
Director(s): John Huston
Production: WARNER BROTHERS PICTURES
  Won 3 Oscars. Another 12 wins & 5 nominations.
 
IMDB:
8.3
Metacritic:
99
Rotten Tomatoes:
100%
NOT RATED
Year:
1948
126 min
3,203 Views


[Glass shattering]

[Both groaning]

[Dobbs grunting]

[All grunting]

[McCormick panting]

McCORMICK:
I'm licked, boys.

CURTIN:
Give us our money.

DOBBS:
Yeah, give us our money.

[Groaning]

I can't see.

[Sighing]

$50. $100.

$200.

$300.

DOBBS:
That's it, ain't it, Curt?

CURTIN:
Yeah, that's it.

CURTIN:
Let's beat it

before the law arrives.

DOBBS:
Here's for the drinks

and the use of the cantina.

DOBBS:
You know something, Curt?

CURTIN:
What?

We ain't very smart,

hanging around Tampico waiting for a job.

Money's getting shorter every day...

and soon we'll be right back

where we were, on the bum again...

pushing guys for dimes,

sleeping around in freight cars.

CURTIN:
That's right. Got any ideas?

Yeah.

That old man in the Oso Negro

started me to thinking.

What about?

Why not try gold-digging for a change?

It ain't any riskier

than waiting around here for a break...

and this is the country where the nuggets

of gold are crying for you...

to take them out of the ground,

make them shinin' coins...

on the fingers and necks of swell dames.

One thing, living in the open is cheaper

than it is here in Tampico.

Our money'd last longer.

The longer it lasts, the greater our chance

of digging something up would be.

We'd have to have equipment, all right.

Picks and spades, pans, burros.

Wonder how much it would all cost.

- That old man would know.

- Yeah, he could give us some pointers.

DOBBS:
He's too old to take along.

We'd have to pack him on our backs.

You can't tell

about some of those old guys.

It's surprising sometimes

how tough they are.

I don't know what gold looks like

in the ground.

I've only seen it in jewelry store windows

and people's mouths.

You know anything about prospecting?

Not much when you come right down to it.

We might have real use

for an experienced guy like that old-timer.

Let's go hunt him up right away.

Will I go? What a question.

Of course I'll go.

Any time, any day,

I was waiting for somebody to ask me.

Out for gold? I'm always at your service.

I got $300 ready cash in the bank.

$200 of it all set to invest.

Last money I got.

When it's gone, I'm finished.

If you don't take a risk,

you can't make a gain.

How much dough you guys got to put in?

I've got $150 and Curtin's got the same.

$500 ain't hardly enough to buy tools,

weapons and essential provisions.

What do we need weapons for?

Meat's one thing and bandits another.

Bandit country's where we'd be going.

We need $600 between us.

DOBBS:
That much?

HOWARD:
Can't you dig up any more?

DOBBS:
Not a red cent.

[Boy calls Dobbs in Spanish]

Give me my money, seor!

10/o I get for selling the winning ticket.

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John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

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Submitted on August 05, 2018

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