The Tramp Page #3

Synopsis: Charlie is a tramp on the road. A hobo manages to exchange Charlie's sandwich for a brick so Charlie must eat grass. The same hobo molests a farmer's daughter; Charlie comes to aid with the help of the brick. When two more hobos show up Charlie throws all three into a lake. The grateful girl takes Charlie home where he fails as a farmhand. He again helps drive off the hobos (who are now trying to break into the house). The girl's fiance arrives. Though a hero, Charlie, knowing he must go, writes a farewell note and leaves for the open road.
Genre: Comedy, Short
Director(s): Charles Chaplin
Production: Essanay
 
IMDB:
7.1
TV-G
Year:
1915
26 min
118 Views


about your wife?

I'm just saying what

everyone is saying

Let them say what they want

You're right. That's what I decided.

Let them say what they want

But how do I get rid of the suspicion?

It's like a leech sucking on...

some dark corner of my mind!

- What now...?

Where's everyone?

Send Bhabhi over to me

Oh, I'm so afraid!

Why isn't someone coming to me?

That's my husband. Please,

send him over to me

Look Raghu...

I'm telling you again! That baby

isn't going to be born in this house

If she wants to have her bastard,

let her go elsewhere

I'm not going to let the honor

of my family be tainted

I'm going to throw this

wanton woman out!

No! I'm not going anywhere!

No one can take me away from here!

He knows that I'm innocent!

He trusts me, he trusts me!

You're here! Now I'm afraid of no one!

Have you heard? They want

to throw me out!

They say I'm a wanton woman!

They say, I've no right to be here!

But now you're here.

No one will dare anymore

Tell them I'm untainted!

Tell them you trust me

Tell them I'm mothering your child

Why are you so quiet?

Have you fallen for what they say?

You're the one who told me...

"I don't care for the baying dogs"

If you desert me, who else

in this world can I turn to?

Tell me... tell me that you trust me!

"Do you think you're above scrutiny?

Don't you forget..."

"women have had to stand

the test of chastity"

Why are you quiet?

Speak... speak!

You can see the state I'm in.

I'm afraid... afraid!

I'm going to become a mother

...the mother of your child

Have mercy! This is your baby.

This baby is yours!

Get out!

Get out of here!

"The most chaste of women"

"Were banished"

"Why is not the earth rent asunder

in sorrow?"

"Why are not the skies torn apart?"

"So suffers the girl her father

raised lovingly"

"Her father raised her lovingly;

her husband loved her once"

"Now she goes from door to door"

"Oh such games The Lord above plays"

"Oh such games The Lord above plays"

"In the oyster

He makes the pearl blossom"

"In murky waters

He makes the lotus bloom"

"Strange are your ways, Lord"

Congratulations, Lawyer!

A son has born to you.

Son of a decent family!

Born in a filthy gutter!

Do you not know what your wife

and your son went through...

after you shut your doors on them?

- No

Nor did you try to find out

But I can tell you

To get out of your way,

your wife left Lucknow

And your innocent son grew up

in a Bombay slum

One day...

Police! Scram!

Hey Nathu...

Hello, Constable

What are you up there like a monkey?

Why don't you go to school?

At school, the master asks for fees

My father hasn't the money

to send me to school

Look at Leela's son, Raj.

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Khwaja Ahmad Abbas

Khwaja Ahmad Abbas (7 June 1914 – 1 June 1987), popularly known as K. A. Abbas, was an Indian film director, screenwriter, novelist, and a journalist in the Urdu, Hindi and English languages. He won four National Film Awards in India. As a director and screenwriter, Khwaja Ahmad Abbas is considered one of the pioneers of Indian parallel or neo-realistic cinema, and as a screenwriter he is also known for writing Raj Kapoor's best films.As a director, he made a number of important Hindi-Urdu films. Dharti Ke Lal (1946), about the Bengal famine of 1943, was one of Indian cinema's first social-realist films, and opened up the overseas market for Indian films in the Soviet Union. Pardesi (1957) was nominated for the Palme d'Or at the Cannes Film Festival. Shehar Aur Sapna (1963) won the National Film Award for Best Feature Film, while Saat Hindustani (1969) and Do Boond Pani (1972) both won the National Film Awards for Best Feature Film on National Integration. As a screenwriter, he penned a number of neo-realistic films, such as Dharti Ke Lal (which he directed), Neecha Nagar (1946) which won the Palme d'Or at the first Cannes Film Festival, Naya Sansar (1941), Jagte Raho (1956), and Saat Hindustani (which he also directed). He is also known for writing the best of Raj Kapoor's films, including the Palme d'Or nominated Awaara (1951), as well as Shree 420 (1955), Mera Naam Joker (1970), Bobby (1973) and Henna (1991).His column ‘Last Page’ holds the distinction of being one of the longest-running columns in the history of Indian journalism. The column began in 1935, in The Bombay Chronicle, and moved to the Blitz after the Chronicle's closure, where it continued until his death in 1987. He was awarded the Padma Shri by the Government of India in 1969. more…

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Submitted on August 05, 2018

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