The System Page #5

Synopsis: Gambler John Merrick (Frank Lovejoy) is the head of a bookie syndicate and the newspaper is crusading against him and the rackets, primarily because Merrick is in love with Felice Stuart (Joan Weldon), daughter of the newspaper publisher who can not break up the romance through persuasion. A senate committee investigating crime gets involved, the racketeers, other than Merrick who is a "nice guy", strike back and kill a reporter, and Merrick's own son, Jerry Merrick (Robert Arthur), commits suicide. Merrick, to his own disadvantage, helps bring down the syndicate. Since it is in black-and-white-, deals with crime and was an American-made film, some will call it "film noir" since that seems to be the current guidelines for putting a film in that, at one time limited-and-defined genre. It ain't, and neither are most of the others currently so classified.
 
IMDB:
6.4
APPROVED
Year:
1953
90 min
76 Views


Because I have something

to offer Johnny Merrick,

the day he promises to stop seeing her.

She's a big girl now.

Married and divorced, remember?

I still know what's best for her.

Yeah, you picked out what

was best for her the first time.

Only he had to be carted off

to the looney bin with the DTs.

I mean, maybe I wasn't born a gentleman,

but I know how to drink like one.

It's still a question of family.

You make me sick!

No deal.

One thing.

Once you light the fuse

on this first rocket,

no telling how many more may go off.

Once you get a thing like this started..

just make sure you don't

lose control, Mr. Stuart!

You want to see how much

pressure I can stand? OK.

But I got a boy in college, a nice kid!

Don't you do anything to hurt him.

You keep your fingers..

Just make sure, you don't

lose control, Mr. Stuart.

I hear a deep silence.

You two've been quarreling?

Your father trying to sell me

some advertising space.

Be careful of his rates.

The uh.. Fentons will soon

be here for luncheon, Felice.

Sorry, I've just

accepted another invitation.

Thank you, Johnny, I'd love to.

- Good.

I'll buy you some pink

lemonade with your dessert.

I like pink lemonade.

Well!

It looks like the romance is still on.

Thank you.

Sherry for the lady. Teo prep

me a martini for me, very dry.

Yes, Mr. Merrick.

- Thank you.

Buzz, buzz, buzz, buzz.

I made the day for you.

- You're news, Johnny.

Yes, especially when I'm with a daughter

of a man who wants to make me news.

Because of me?

Who knows? Things are dull

and newspapers need stories.

My deadpan friend.

No, Johnny, there's nothing my father can

publish that everyone in town doesn't know.

What you do, the business you're in.

And no one has ever regarded you

other than as a legitimate business man.

Thank you, I needed to hear that.

For twenty years,

ever since I can remember,

then suddenly, Roger Stuart

becomes outraged civic virtue.

Thank you.

I don't want to cause

any trouble for you Johnny.

I don't mind a certain amount of trouble.

- Then it is because of me.

It's worth it.

Holy smoke! Aren't you ready?

You know what time it is?

We miss our train, we don't get

back to school till tomorrow night!

Well, we'll make it.

Dad's driving us to Slade

to catch the express.

So where is he? - He had to go down

the office for a minute. Be right back.

Slade, 40 minutes from here.

Express leaves at.. Oh, can't make it!

Gotta miss it, near the exam,

first thing in the morning!

Shouldn't come home this weekend.

I said no, remember?

I said no, you talked me into it!

I said I had an exam. And my gosh,

Slade! How we ever.. - Relax!

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Jo Eisinger

Jo Eisinger (1909 - 1991) was a film and television writer whose career spanned more than forty years from the early forties well into the eighties. He is widely recognized as the writer of two of the most psychologically complex film noirs: Gilda (1946) and Night and the City (1950). His credits also include The Sleeping City (1950) and Crime of Passion (1957), a coda to the films of the noir style, for which he wrote the story as well as the screenplay. Starring Barbara Stanwyck, it is a strikingly modern commentary about how women were driven mad by the limitations imposed upon them in the postwar period. Jo Eisinger started writing for radio penning numerous segments for the Adventures of Sam Spade series. He returned to thriller and private eye adventure series writing for the ITC television series Danger Man (1960–61) and the mid-1980s HBO series Philip Marlowe, Private Eye. His script for an episode of the latter show, "The Pencil", earned him a 1984 Edgar Award. Eisinger's credits also include several films that departed from his accustomed genres of mystery, adventure and crime. Among them are Oscar Wilde (1960), starring Robert Morley and Sir Ralph Richardson, The Rover (L'Avventuriero, 1967), from the novel by Joseph Conrad and starring Rita Hayworth and Anthony Quinn, and The Jigsaw Man (1983), starring Laurence Olivier and directed by Terence Young. Eisinger wrote the books on which the Broadway plays What Big Ears! (1942) and A Point of Honor (1937) were based. His novel The Walls Came Tumbling Down (1943) was adapted for the long-running radio drama program Suspense in 1944; the episode featured screen and radio actors Keenan Wynn and Hans Conried. A film version of The Walls Came Tumbling Down starring Edgar Buchanan and George Macready was released in 1946. Jo Eisinger's second marriage was to Lorain Beaumont. Eisinger used his wife's maiden name for Mr. Beaumont, one of the characters in The Walls Came Tumbling Down. more…

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Submitted on August 05, 2018

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