The Servant Page #4

Synopsis: The aristocratic Tony moves to London and hires the servant Hugo Barrett for all services at home. Barrett seems to be a loyal and competent employee, but Tony's girlfriend Susan does not like him and asks Tony to send him away. When Barrett brings his sister Vera to work and live in the house, Tony has a brief hidden affair with her. After traveling with Susan and spending a couple of days in a friend's house outside London, the couple unexpectedly returns and finds Barrett and Vera, who are actually lovers, in Tony's room. They are fired and Susan breaks with Tony. Later, Tony meets Barrett alone in a pub and hires him back, and Barrett imposes his real dark intentions in the house, turning the table and switching position with his master.
Genre: Drama
Director(s): Joseph Losey
Production: Rialto Pictures
  Won 3 BAFTA Film Awards. Another 5 wins & 8 nominations.
 
IMDB:
7.9
Metacritic:
93
Rotten Tomatoes:
89%
UNRATED
Year:
1963
116 min
$36,668
Website
1,800 Views


She didn't whisper anything.

Why don't we go away?

For a few days, hm?

Where?

Anywhere.

Agatha and Willie Mountset

have invited us down, actually.

Well, why don't we go there?

Yes, we could, I suppose.

I hear Father O'Flaherty won't be

at the Cork convocation.

Flaherty

Your man wouldn't miss that trip.

You can bet your last pound on that.

Didn't they have

to carry him out last time?

For God's sake,

who didn't they have to carry out?

I just don't like him.

You don't know him.

- Surely you can take my word...

- I don't trust him.

- Why?

- I don't know.

It's the snow.

It's the snow that I love.

Yes, he looks like a fish

with red lips, I'll admit.

But apart from that,

what's the matter with him?

Stop making him so bloody important.

You've got the whole thing

absurdly out of proportion.

Yes, perhaps.

And where are you creeping off to now,

my son?

Nowhere, your Grace, nowhere.

- Nowhere at all.

- Is that a fact?

Why don't you just tell him to go?

You must be mad.

You just don't care about my...

What it amounts to is

it's my judgment you're criticising.

That's not only ridiculous,

it's bloody hurtful.

- They were gorgeous.

- Were they really?

I'm sorry. I'm a fool.

You are.

Well, I mean...

Divine, darling,

but I simply couldn't get them on.

Pity.

Look... I'm sorry.

No.

Well, I wouldn't...

- I shall be late for my appointment.

- Taxi!

140 Berkeley Square.

Barrett?

- Did you call, sir?

- Yes.

Damned awful lunch.

Where were you?

- Get me a brandy.

- Yes, sir.

That's very handsome, sir.

Oh...

Might I introduce

my sister to you, sir?

She's arrived.

She's very excited

at the prospect of being with us.

Oh, is she?

Vera?

Well, I'm absolutely certain

you'll be fascinated by Brazil.

Oh, yes.

I was in the Argentine, of course.

Briefly, as a girl.

I most certainly found

the Argentine fascinating.

It should be very interesting.

Fascinating, Tony darling.

How many cities

are you going to build?

Three.

Yes, it's quite a big development.

- In the jungle?

- Not exactly in the jungle.

No, sir, on the plains.

Oh, but some of the jungle

will have to be cleared, won't it?

Some of the jungle, yes.

A little bit.

That's where the ponchos are,

of course, on the plains.

Ponchos?

South American cowboys.

Are they called ponchos?

They were in my day.

Aren't they those things they wear?

With a hole in the middle

for the head to go through?

What do you mean?

Well, you know,

hanging down in front and behind.

The cowboy.

They're called cloaks, dear.

Oh.

- Good morning, sir.

- Morning.

- Where's Barrett?

- Um... He's...

- He's gone out shopping, sir.

- Oh.

- Anything else, sir?

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Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

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Submitted on August 05, 2018

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