The Second Awakening of Christa Klages Page #3

Synopsis: Three people rob a bank to help a day care center that's in debt. Wolf is captured, Werner identified, police suspect Christa is the third. She and Werner ask Hans, a clergyman, to launder the money and give it to the kindergarten. He refuses. They try Ingrid, Christa's friend, who tries to help, but the school rejects the money. When tragedy strikes Werner, Hans helps Christa bolt to a collective in Portugal. Ingrid visits her; their relationship makes the collective nervous, so she returns to Germany and ceases living in hiding. The police are still looking for her and so is a witness to the robbery, Lena, a bank clerk. Lena's interest brings Christa's second awakening.
Genre: Drama
  3 wins & 1 nomination.
 
IMDB:
6.9
Year:
1978
88 min
18 Views


that this world offers

the possibility of salvation,

and that we are called to put

our faith in its coming to pass.

Your sermon was

truly inspiring today, sir.

- Truly inspiring...

- Can you give me a hand?

Thanks.

I'll lock up today.

You may go now.

- What've you been doing over 6 years.

- I've been here the whole time.

Haven't there been any changes

in your life since then?

Time passes very slowly

out here.

It passes fast

for children.

all of childhood.

If they miss something,

they can never make it up.

We're the only

positive thing

some of our kids

have ever had.

Please,

I'm not changing my mind.

And what about me?

I made that place

what it is.

I invested all my energy,

all my time and ideas in it.

I'm not going to let them

take it away.

Pastor Grawe!

I need some more aspirin.

And have you got

hair coloring?

Blonde, not too light,

please.

It's for my mother.

She's started dying her hair.

Why not? I'm only 20

and I dye mine already, too.

- I'll cut yours afterwards.

- Oh, no thanks.

- I always cut my husband's.

- Your husband?

Most girls get married

before they see the light.

It looks awful.

Sorry, I'm not

too good at this.

You've really never had

any doubts?

Some things

you just don't doubt.

It's a good feeling

to carry on.

My father was a pastor.

So was my grandfather.

So you followed

family tradition.

Some things aren't meaningful

unless they're carried on.

What my grandfather did

takes on meaning through me.

Doubts or no.

If I thought like you

I'd still be a housewife.

Like my grandmother

and my mother.

- Doubts or no doubts.

- Exactly.

Clergymen are nothing

but figures of fun nowadays.

- One more reason to be one.

- To be a martyr, you mean!

Playing the martyr

has its good sides.

Why aren't you married?

A real pastor

needs a pastor's wife.

The women I like can't imagine

being married to a pastor.

Like you.

I like you.

You still can go back.

Both of you.

You have to give

some people wings.

Others need lead

in their boots...

I wrote something in it.

We'll be seeing

each other again.

Interesting job, pastor.

Carries a lot

of prestige, too.

Number 3 on the list.

Right after professor and doctor.

Come on, admit you had

a great time talking to him.

You tell me I talk too much,

and gab with him for hours.

'Sleep, dim eyes.'

You never talk to me

about that stuff.

We talk about other stuff.

Yeah, you went to school

and so did he.

And he gives you poems.

Don't be stupid.

I haven't read poetry

for so long.

And these are really beautiful.

Want to hear one?

No, thanks. I don't need

my soul massaged.

When I say get down,

get down.

Are you crazy?

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Margarethe von Trotta

Margarethe von Trotta (born 21 February 1942) is a German film director who has been referred to as a "leading force" of the New German Cinema movement. Von Trotta's extensive body of work has won awards internationally. She was married to and collaborated with director Volker Schlöndorff. Although they made a successful team, von Trotta felt she was seen as secondary to Schlöndorff. Subsequently, she established a solo career for herself and became "Germany’s foremost female film director, who has offered the most sustained and successful female variant of Autorenkino in postwar German film history." Certain aspects of von Trotta’s work have been compared to Ingmar Bergman’s features from the 1960s and 1970s. She says that it was thanks to Bergman's films that she "‘fell in love’ with the medium and its possibilities for representing inner psychic worlds."Von Trotta has been called "the world’s leading feminist filmmaker." The predominant aim of her films is to create new representations of women. Her films are concerned with relationships between and among women (sisters, best friends, etc.), as well as with relationships between women and men, and involve political setting. Nevertheless, she rejects the suggestion that she makes "women’s films". more…

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Submitted on August 05, 2018

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