The Saxon Charm Page #4

Synopsis: Eric Busch, a novelist/playwright, and his wife, Janet, go to New York where he arranges to have Matt Saxon, who has a reputation for ruthlessness, produce his play. Saxon insists on so many meetings, changes and revisions that it cause a rift between Eric and Janet. Saxon goes to Hollywood to get a prominent actor to play the lead but the actor, no fan of Saxon, declines. Saxon then deliberately robs his own girlfriend of her chance in Hollywood. The actor then comes to New York and offers to do the play, if someone other than Saxon is the producer.
 
IMDB:
6.8
APPROVED
Year:
1948
88 min
25 Views


at your husband tonight.

You've been trying to tell me something.

What is it?

We've known each other

less than two hours and ..

Yet I feel as though I've

known you for two years.

Janet, I think I can

talk to you like a sister.

Go ahead, I'd like to hear.

If I talk, I'll pin your ears back.

I'm willing to take that chance.

Alright.

Matt Saxon is the most brilliant

man in the theater today.

Even his enemies admit this.

But his last plays were so intellectual,

no-one knew what they were about.

He's always had a

certain contempt for people.

But he has it now more than ever.

Especially towards the fact they

have lives of their own to live.

Even the cleverest are hooked once

the Saxon charm goes to work.

A smart wife would get her

husband away from Saxon.

While there is still a chance.

While he's still his own master.

Standing on his own hind feet.

I thought you were Saxon's friend.

You mean, his girl? I'm not.

I am his friend.

As much as anyone can be.

I wish I could understand.

How I could love him.

And still warn you about him.

I wish I didn't love him so much.

I wish I'd keep my big mouth shut.

Forget what I said, honey. I mean, don't

forget what I said, forget I said it.

Ah, this could be none but Janet Busch.

How do you do?

How do you do. You've confirmed

my faith in your husband's good taste.

And my own little Alma - Eric Busch.

How do you do.

Pardon the hand of a gentleman,

but I'm only human.

Darling, you're late. I'm sorry.

It's entirely my fault.

I forced him into a game of darts,

just so that I could get even.

Darts?

Why are you sitting here?

You could be waiting at my table.

We could if you had a table.

Of course I have a table. Come along.

Just in case.

Well, Matt. About time you showed up.

Darling, here you are.

Matt Saxon and Eric Busch in person.

This is marvellous.

In the same dinner party

with two big celebrities.

You didn't tell me, Zack

that you'd married a child.

Welcome to our new

partnership, Mrs Humber.

Oh, Zack told me about the play.

It sounds dreamy, but simply dreamy.

Thank you, Mrs Humber.

Good evening.

Evening. Who are you? Where's Otto?

Otto has gone sir. We recently changed

hands. But the old chef is still here.

Ah. Well the chef is the important one.

My name is Saxon. I hope

you've saved me a good table.

I'm sorry sir, but I'll do the

best I can with no reservation.

But I made a reservation.

The message was with the flowers I sent.

Flowers? Oh, the box addressed to Otto?

Yeah.

What with Otto gone sir,

I just couldn't accept it.

Well, it's alright.

We can't eat flowers.

I'm sorry, sir.

You're sorry?

I'll give you the best table I can, sir.

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Claude Binyon

Claude Binyon (October 17, 1905 Chicago, Illinois – February 14, 1978 Glendale, California) was a screenwriter and director. His genres were comedy, musicals, and romances. As a Chicago-based journalist for the Examiner newspaper, he became city editor of the show business trade magazine Variety in the late 1920s. According to Robert Landry, who worked at Variety for 50 years including as managing editor, Binyon came up with the famous 1929 stock market crash headline, "Wall Street Lays An Egg." (However, writer Ken Bloom ascribes the headline to Variety publisher Sime Silverman.)He switched from writing about movies for Variety to screenwriting for the Paramount Studio with 1932's If I Had A Million; his later screenwriting credits included The Gilded Lily (1935), Sing You Sinners (1938), and Arizona (1940). Throughout the 1930s, Binyon's screenplays were often directed by Wesley Ruggles, including the "classic" True Confession (1938). Fourteen feature films by Ruggles had screenplays by Binyon. Claude Binyon was also the scriptwriter for the second series of the Bing Crosby Entertains radio show (1934-1935). In 1948, Binyon made his directorial bow with The Saxon Charm (1948), for which he also wrote the screenplay. He went on to write and direct the low-key comedy noir Stella (1950), Mother Didn't Tell Me (1950), Aaron Slick of Pun'kin Crick (1952), and the Clifton Webb farce Dreamboat (1952). He directed, but didn't write, Family Honeymoon (1949) as well as Bob Hope's sole venture into 3-D, Here Come the Girls (1953). After his death on February 14, 1978, he was buried at the Forest Lawn Memorial Park in Glendale, California. more…

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