The Sacrifice Page #3

Synopsis: Alexander, a journalist and former actor and philosopher, tells his little son how worried he is about the lack of spirituality of modern mankind. In the night of his birthday, the third world war breaks out. In his despair Alexander turns himself in a prayer to God, offering him everything to have the war not happen at all.
Genre: Drama
Director(s): Andrei Tarkovsky
Production: Argos Films
  Won 1 BAFTA Film Award. Another 7 wins & 2 nominations.
 
IMDB:
8.1
Rotten Tomatoes:
84%
PG
Year:
1986
149 min
5,240 Views


And instruments of violence

to keep power. We are like savages!

We use the microscope like a cudgel!

No, that's wrong.

Savages are more spiritual than us!

As soon as we make

a scientific breakthrough

we put it to use

in the service of evil.

And as for the standard,

some wise man once said

that sin

is that which is unnecessary.

If that is so,

then our entire civilisation

is built on sin,

from beginning to end.

We have acquired

a dreadful disharmony

an imbalance, if you will,

between our material

and our spiritual development.

Our culture is defective.

I mean, our civilisation.

Basically defective, my boy!

Perhaps you mean

that we ought to study the problem

and look for a solution together.

Perhaps we could, if it wasn't

so late. Altogether too late.

God, how weary I am of this talk!

"Words, words, words!"

At last, I know what Hamlet meant.

He was fed up with windbags.

And so am I. Why do I talk this way?

If only someone could stop talking

and DO something instead!

Or at least try to.

Little Man!

Little Man!

Dear God, what's wrong with me?

Fantastic!

Such remarkable refinement!

Such wisdom and spirituality!

Also such pure, childlike innocence.

At once profound, yet virginal.

It's unbelievable!

Like a prayer.

And all this has been lost.

We can't even pray any longer.

I had a rotten day today.

Or rather, a day I lost control of.

Thank you, Victor.

A splendid book!

Thanks for the wine, too.

We'll have it later.

Above all, thanks for coming!

Have you...

never felt

that your life was a failure?

No. Why?

I once felt exactly that way.

But since Little Man came along,

all that has changed.

Not all at once, of course.

A bit at a time as he grew bigger.

I'm very attached to him,

too much, I'm afraid.

But there is something

in all this that I resent.

I prepared myself for a life,

a higher life, so to speak.

I studied philosophy,

the history of religion, aesthetics.

And I ended up

putting myself in chains,

of my own free will.

But at the same time, I'm happy.

Today, for example...

What happened today?

I got a telegram from my friends.

As a joke, they signed it:

"Richardians and Idiotists".

Old theatre friends. We played

Shakespeare and Dostoyevsky.

- I remember!

- No!

- Remember what?

- Those performances.

- Oh, come now!

- Yes, I do!

I remember how you dropped

that vase from the tray and broke it!

And your eyes were full of tears.

I remember it well.

The vase, too.

It was white, with blue flowers.

That's right! She does remember!

But those tears meant nothing.

I had something in my eye.

It hurt so, I didn't think

I'd get through the performance.

Alexander was superb

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Andrei Tarkovsky

Andrei Arsenyevich Tarkovsky (Russian: Андре́й Арсе́ньевич Тарко́вский, IPA: [ɐnˈdrʲej ɐrˈsʲenʲjɪvʲɪtɕ tɐrˈkofskʲɪj]; 4 April 1932 – 29 December 1986) was a Russian filmmaker, writer, film editor, film theorist, theatre and opera director. Tarkovsky's films include Ivan's Childhood (1962), Andrei Rublev (1966), Solaris (1972), Mirror (1975), and Stalker (1979). He directed the first five of his seven feature films in the Soviet Union; his last two films, Nostalghia (1983) and The Sacrifice (1986), were produced in Italy and Sweden, respectively. His work is characterized by long takes, unconventional dramatic structure, distinctly authored use of cinematography, and spiritual and metaphysical themes. Tarkovsky's works Andrei Rublev, Solaris, Mirror, and Stalker are regularly listed among the greatest films of all time. His contribution to cinema was so influential that works done in a similar way are described as Tarkovskian. Ingmar Bergman said of him: Tarkovsky for me is the greatest (director), the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream. Contrarily, however, Bergman conceded the truth in the claim made by a critic who wrote that "with Autumn Sonata Bergman does Bergman", adding, "Tarkovsky began to make Tarkovsky films, and that Fellini began to make Fellini films [...] Buñuel nearly always made Buñuel films." more…

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Submitted on August 05, 2018

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