The Right Stuff Page #4

Synopsis: Tom Wolfe's book on the history of the U.S. Space program reads like a novel, and the film has that same fictional quality. It covers the breaking of the sound barrier by Chuck Yeager to the Mercury 7 astronauts, showing that no one had a clue how to run a space program or how to select people to be in it. Thrilling, funny, charming and electrifying all at once.
Director(s): Philip Kaufman
Production: Warner Bros. Pictures
  Won 4 Oscars. Another 7 wins & 15 nominations.
 
IMDB:
7.9
Metacritic:
91
Rotten Tomatoes:
98%
PG
Year:
1983
193 min
3,509 Views


between Vaseline and putty.

All their windows fell out.

Compliments of Pancho's, Scotty.

The real test wasn't Mach 2.

I guess that demon lives out

at about 2.3 on your Mach meter.

Yeah, but Mach 2 was the magic number.

Like 60 homers, like batting.400,

like the four-minute mile.

The press likes a nice round number.

After that, they don't care,

until the next magic number.

You need more than speed records.

You need coverage.

Coverage?

You mean them root weevils

that crawl around popping off cameras?

Those root weevils write history.

Let them write the history,

and let the pilots fly the planes.

Pilots.

You know what really makes

your rocket ships go up?

The aerodynamics would take

so long to explain to you that...

Funding.

That's what makes your ships go up.

I'll tell you something.

And you guys, too.

No bucks, no Buck Rogers.

Whoever gets the funding

gets the technology.

Whoever gets the technology stays on top.

Flyboy, let's dance.

I'll drink to that.

He'll be going after Crossfield soon,

won't he?

No, he won't.

He'll be going after that demon

that lives in the thin air.

You got any Beemans?

Even before you hit Mach 2,

she'll be unforgiving on you.

So take it easy.

Wring her out a little bit this time.

You got any gum?

Yeah, I got me a stick.

Loan me some. I'll pay you back later.

- Fair enough.

- Thank you.

Okay, drop her.

All right, here we go again.

Drop!

Number 3 coming on.

Got seven seconds on 150 right now.

I've got you in sight, Chuck.

Going out of sight...

now!

Mach 1.

Number 4.

Here goes Mach 2.

2. 1.

Sorry, Scotty.

You got her now, buddy.

You can ease it back.

Bring it on in.

I'm pushing the envelope.

See where that demon lives.

Come in, Chuck.

Say again. Over.

Do you read? Over.

Damn! He's uncorked it!

Mayday! Mayday!

Alert all ground crews.

Talk to me!

Mayday! Mayday! Alert the ground crews.

Come in!

Do you read me? Over.

I'm fighting bad here.

I'm down to 25,000 over Tehachapi.

I don't know if I can make it

back to base or not.

What happened?

Think I must have bust the canopy

with my head.

I'm getting okay now.

We sure chased that old demon this time.

That's as fast as a man can go.

What's next, Ridley?

It's called Sputnik.

We know. Sit down.

And as I was saying...

whoever controls

the high ground of space...

will control the world.

The Roman Empire controlled

the world because it could build roads.

Later, the British Empire was dominant

because it had ships.

In the air stage, we were powerful

because we had the airplane.

Now the Communists have established

a foothold in outer space.

Soon they'll have space platforms

to drop nuclear bombs on us...

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Philip Kaufman

Philip Kaufman (born October 23, 1936) is an American film director and screenwriter who has directed fifteen films over a career spanning more than five decades. He has been described as a "maverick" and an "iconoclast," notable for his versatility and independence. He is considered an "auteur", whose films have always expressed his personal vision.His choice of topics has been eclectic and sometimes controversial, having adapted novels with diverse themes and stories. Kaufman's works have included genres such as realism, horror, fantasy, erotica, Westerns, underworld crime, and inner city gangs. Examples are Milan Kundera's The Unbearable Lightness of Being (1988), Michael Crichton's Rising Sun (1993), a remake of Invasion of the Body Snatchers (1978), and the erotic writings of Anaïs Nin's Henry & June. His film The Wanderers (1979) has achieved cult status. But his greatest success was Tom Wolfe's true-life The Right Stuff, which received eight Academy Award nominations, including Best Picture. According to film historian Annette Insdorf, "no other living American director has so consistently and successfully made movies for adults, tackling sensuality, artistic creation, and manipulation by authorities." Other critics note that Kaufman's films are "strong on mood and atmosphere," with powerful cinematography and a "lyrical, poetic style" to portray different historic periods. His later films have a somewhat European style, but the stories always "stress individualism and integrity, and are clearly American." more…

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Submitted on August 05, 2018

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