The Promise Page #2

Synopsis: Set during the last days of the Ottoman Empire, The Promise follows a love triangle between Michael, a brilliant medical student, the beautiful and sophisticated Ana, and Chris - a renowned American journalist based in Paris.
Genre: Drama, History
Director(s): Terry George
Production: Open Road Films
  2 wins & 3 nominations.
 
IMDB:
6.1
Metacritic:
49
Rotten Tomatoes:
49%
PG-13
Year:
2016
133 min
$8,186,236
Website
985 Views


to apprentice here.

It's not my fault, sir.

I had to help my father.

I don't give a damn

about your father.

You work here.

You come on time.

Your job is to come on time. Got that?

- Yes, sir.

- What's that?

- What?

On your arm.

A tattoo.

- Who did that?

- Roger. My father.

Why's he draw on your arm

instead of on paper?

Paper's not just

for wiping your ass.

Hello?

Yeah.

Listen, this is his work place.

I'll put him on.

I have to go.

Listen, you want to become

a good mechanic?

Then stay here...

or never set foot

in my garage again.

The labor inspectors are here!

Out the back!

The inspectors are here!

Ibrahim, labor inspectors!

Where's Hamidou?

- Up there.

Hamidou, scram!

The inspectors are here!

Turn the music off.

Hamidou, you okay?

You're not gonna die, Hamidou.

You're gonna be all right.

My wife... my child...

look after them.

Say you will.

I promise.

Igor? Where are you?

Where are you, Igor?

Right here.

You believe me now?

I've been yelling for you

for five minutes.

I couldn't hear anything

up there over the music.

Can I see your ID?

- What's going on?

- Looking for illegals.

You should be in school.

I'm an apprentice.

Here's my contract.

- Why aren't you there?

- I did some overtime,

so the boss gave me a day off.

- Who was on the mixer?

- Me. I was --

He asked the boy.

He was.

Why wasn't he near the mixer

when we got here?

I don't know.

I can't see from up there.

I told you.

I was making a phone call.

Very well.

Good-bye.

I'll show you out.

Hamidou, you all right?

- What's wrong?

- He fell off the scaffold.

We gotta get him to the hospital.

He's bleeding bad.

- What'll we tell 'em?

- I don't know.

That he got hit by a car.

Help me tighten it!

Outta the way!

Get some sand

to cover up the blood.

Get some sand!

Ibrahim and the others

are coming back.

Pile some boards on there.

No!

They might be back.

It's too risky.

Not today.

Catch it!

This way.

- Isn't my husband working today?

- They all took off.

Some inspectors paid

a surprise visit.

I'm only keeping 10,000 a month

'cause he owes me.

- You owe me money too.

- Me?

I had to give the driver my gold bracelet

to bring my son along.

You told my husband

the price was for both of us.

That's the driver's business.

I just handle housing and papers.

Get the wheelbarrow.

Igor, get the wheelbarrow.

Go on.

Dump it in.

I said dump it in!

Dump it!

Igor?

He's not here.

- He told me to come by.

- I said he's not here.

- Where is he?

- I don't know.

- When's he coming back?

- I don't know.

Come back tomorrow.

Take your T-shirt off.

Why've you got your socks on?

Give 'em to me.

Wash your feet.

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Terry George

Terence George (born 20 December 1952) is an Irish screenwriter and director. Much of his film work (e.g. The Boxer, Some Mother's Son, and In the Name of the Father) involves "The Troubles" in Northern Ireland. He was nominated for two Oscars: Best Writing, Screenplay Based on Material from Another Medium (1993; In the Name of the Father), and Best Writing, Original Screenplay (2004; Hotel Rwanda). On 26 February 2012, he received an Oscar in the live action short film category for The Shore. more…

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Submitted on August 05, 2018

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