The Princess of France Page #3
- Whose is it? Ricardo's?
- No.
- Pablo?
- No.
- Guillermo?
- No.
You don't know him.
- But what's his name?
- I don't remember.
And what will the child's name be?
Victor, in your honor.
False. I don't know yet.
Who's Natalia dating?
So tell me something about you.
Go home and we'll talk there.
Look what she gave me.
Every time I see something of his,
I think of Ana and I get it for her.
She's building me a Bouguereauteque.
There's no motivation for the gifts,
but this time, it could not be.
I'm helping her with
the replacement job here.
- Well, not everything is possible.
- Exactly, not everything is possible.
- Back to college?
- And how is it going?
- Not sure yet.
Do you like what you do?
It's good to finish what I started.
- Speak to him.
- Thank you.
Jimena got it.
You came back the same jerk as before.
- Does it have a title?
- No, not yet.
It's still on Bouguereau.
Thankfully.
In fact, she was showing me
one of his paintings.
- Here?
- We were looking at it when you called.
Are there postcards of those here?
No.
- Maybe, in the store.
- I'll take a look.
Okay.
The originals are here.
So it would be my unmotivated gift.
Be back in a minute.
You think you're funny, huh?
- Did you like my Natalia trick?
- Not much.
You've just changed my name for hers.
She won't notice.
We sent her to
the closed store of a closed museum.
her boyfriend is doing with my girlfriend.
Leave Guillermo out of this.
Are you getting back together with Paula?
- Come here. Kiss me.
- No. Stop it.
Come here.
Soft, not so rough.
She'll be back at anytime now.
Let's leave, then.
We sent her away already
and now you want to ditch her?
She'll tell everyone.
If you keep on talking,
you'll tell everybody.
Natalia invited me to a closed museum
and kissed me there,
after weeks of secretly
planning everything by email.
What's your problem all of a sudden?
Did you find the maintenance guy?
It's closed. Have the key?
Not to the store.
- Are you okay?
- Yes.
Kept talking to him.
- And the people from restoration?
- Not a soul.
Keep talking to him about Bouguereau.
Tell me about this guy,
so I'll forget Natalia.
Frenchman, 19th century.
Forgotten today, but key figure back then.
Painted in the 20th century, too.
Enemy of the Impressionists.
Master of many.
Female portraits,
large scale and solidity.
Models in his studio,
with such perfect results that
they exceeded all realism of the time,
becoming something stranger. Enough?
No, why? Please, continue.
- But look into my eyes.
- Why?
Yes, so I'll focus better.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Princess of France" Scripts.com. STANDS4 LLC, 2024. Web. 4 May 2024. <https://www.scripts.com/script/the_princess_of_france_21111>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In