The Pride and the Passion Page #5

Synopsis: The story in this movie deals with the perseverance of Spaniards to take back their country from the French who have conquered Spain under Napoleon as he marched over Europe. A huge cannon, perhaps the largest in the world at that time, is discarded by the army as they retreat from the French invaders. A "ragtag" group of Spanish loyalists find "The Gun" and begin to restore it so they may tow it across Spain to the French stronghold in Avila and use it to open the giant walls for an invasion. Luckily Britain has sent someone to retrieve the cannon for England so they can have it to fight the French also AND to make sure that the French don't get the gun! A shoemaker and his voluptuous girl friend are the leaders of the peasants trying to get the gun to Avila. The Brit can't get help to get the giant gun back to his ship without the peasants and the shoemaker won't help him unless they all go blast Avila open first. The Brit has the knowledge needed to fire the weapon and the shoemaker
Director(s): Stanley Kramer
Production: United Artists
  1 nomination.
 
IMDB:
5.7
Rotten Tomatoes:
14%
Year:
1957
132 min
456 Views


- Ah, peasants.

Not only peasants.

There's a British naval officer with them.

And a British man-of-war

in the harbour of Las Cruces. Here.

Very well.

Very well.

I want every road and trail into Las Cruces

blocked, day and night patrols.

We will see if you are right.

Carlos! Carlos!

The wagons!

Where are the wagons?

- Well, where are the wagons?

- Well, I don't know.

I don't know what happened to them.

They're in the village. I sent them back.

You sent them back?

Miguel.

- Carlos will kill him.

- I will only let him kill him a little.

Carlos, enough.

It isn't too bad. In a few days...

In a few days I can remember

I killed that man with a knife.

- Miguel didn't mean it to go that far.

- Of course not.

It was simply an entertainment.

I'm sorry. Really.

Don't be. Don't imagine this has anything

to do with those wagons.

He's jealous, and he has reason to be.

I told you I would go to vila

to fire the gun,

and, no matter what he does, I'm going.

But not for him. And not for orders.

He knows the reason, and so do you.

We saw infantry, Miguel,

on the other side of the river.

This is open country.

We mustn't be caught here.

We won't be.

The Cano is too much to cross.

- There is a bridge.

- There is no bridge. I know the Cano.

The French have made one, on boats.

- How many boats are there?

- 15, 16.

I'll need at least 500lbs of powder.

You'll need...?

All right. Unload the powder wagons.

Anthony.

Take Jos. He worked in the mines.

He knows powder.

Take him. I will tell Miguel.

How old are you?

They think I am 20.

I'm really 18.

Are you afraid?

No.

I am.

Do you know why

Juana sent me with you?

- To help.

- Sure.

Also, she likes you.

I was lying.

I am afraid.

But don't worry. I can do it.

I think it's time to get our feet wet.

(splash)

(horse whinnies)

Arrtez!

I was looking for you.

I wanted to tell you I'm sorry about Jos.

You couldn't help it.

Juana.

For all my life I've been afraid.

Nothing ever lasts.

I'm afraid that tonight is just a dream

and it won't last.

It will. I promise you.

Some other time, some other place,

you might not even look at me.

All right. Do you want

to hear me say it? I...

No.

I mean it might be different in England.

In England I'd keep you locked up in an

ivory tower, guarded by trusted servants,

and I'd have the only key. A gold one.

You can't afford that on a captain's pay.

I'll be an admiral by then.

We'll have our own carriage.

And when the king commands,

we'll go to the grand ball.

I will need a very special dress.

Yes. And a blue cape

to match my uniform.

I'll have to be careful when I bow.

The trousers are very tight. They can split.

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Edna Anhalt

Together with then husband Edward Anhalt, screenwriter Edna Anhalt (April 10, 1914 – 1987) enjoyed some considerable success in a ten-year stretch from 1947 to her retirement in 1957. This stretch was capped with an Oscar win for Elia Kazan's 1950 film Panic in the Streets, and another nomination two years later for The Sniper. She also wrote the screenplays to The Member of the Wedding (1952), Not as a Stranger (1955) and The Pride and the Passion (1957), before hanging up her pen after her divorce. more…

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Submitted on August 05, 2018

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