The Possession Experiment Page #3

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and stop talking sh*t

before I smack

you in the face.

Why are we here again?

We're getting the evidence.

You coming?

Oh, you know what, man,

cops and I don't really see

eye to eye on a few things.

So, I'm going to just

chill here in the car...

I'll do all the work

like I always do. It's fine.

Well, hurry up,

because I want to go

get some food,

some tacos or something.

Hey, officer, what's up?

Hi.

Uh...

I called in earlier

about viewing some evidence

on a closed case.

My name

is Brandon Jensen...

Jensen.

Yeah.

Yeah, hold on one second.

Here we go.

All righty, uh...

Awesome.

This is for you.

Sign this,

and it's all yours.

Now, not that

it's any of

my business or anything,

but, uh,

that's a pretty old

case file.

Uh, school project,

actually.

This is great.

Thanks a lot.

F***! God damn it, man!

Oh! F***! F***!

God damn it!

Sh*t, man.

Dude, take that.

There's a tape in there.

Evidence.

We need to go back

to my mom's house. Cool?

Is there food?

Yes, there's food.

Then I am down.

Computer's over here. Vcr.

Pull up a chair, bro.

You've got nothing

interesting in your house.

Will you stop

playing with sh*t?

And here we go.

The subject,

since our last session

two days ago,

has obtained a nail file...

Sh*t.

Tracy?

What the f*** was that?

Hey, man, why do you think

the tape just

cut out like that?

You do all that

video editing sh*t.

Why would it just cut out?

Seriously, I mean...

What are you doing?

Why are you pulling over?

I want to go there.

Okay. For the record,

I am violently

opposed to this idea.

All right,

then I'll take you back

and I'll go there myself.

Brandon, do you not see

what a terrible

f***ing idea this is?

Are you serious right now?

All right.

You're f***ing crazy,

you know that, right?

Yes.

So, am I taking you

back to your place?

Or are you coming with?

You know, here's the thing.

I have this misled sense

of f***ing moral obligation

to make sure you don't

f***ing kill yourself.

I'll go. I'll go.

That's why I love you, Clay.

Jesus Christ.

That's why I love you.

Dude,

we're totally lost.

No, no, no.

This is the house.

This is the house?

This is it.

Dude, this is incredible.

Can this not

be the house?

This is huge.

Did you

say incredible?

Yes.

Your definition

of incredible

and my definition

of incredible

are very different, bro.

All right, Clay,

talk to the audience.

Well, audience, uh,

this day's gone great,

and it just

keeps on getting better,

as you can see.

I got this.

It's locked.

Too bad, man.

Stop. Stop.

Hold the camera.

I got this.

I'm going to try

to break this thing down.

Yeah.

I'm out of here.

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