The Orphanage Page #5

Synopsis: Laura, a former orphan, raises her adopted son Simón together with her husband Carlos in an old house and former orphanage where she was raised. While at the orphanage Simón tells Laura that he has five invisible friends which she believes are a product of his active imagination. Laura decides to reopen the orphanage to cater for disabled children and throws a party. During the party Simón tries to persuade Laura to go and take a look at his friends cabin but she's too busy. Later on she sees a mysterious masked boy and realizes that Simón has also disappeared. Laura feels the presence of other people in the house and months later Laura invites a team of parapsychologists to try to unravel the mystery.
Genre: Drama, Horror, Mystery
Director(s): J.A. Bayona
Production: Picturehouse
  32 wins & 41 nominations.
 
IMDB:
7.5
Metacritic:
74
Rotten Tomatoes:
87%
R
Year:
2007
105 min
$6,905,218
Website
1,760 Views


It comes and goes.

I can't hear it anymore.

I think I've lost them.

I can hear something.

...all alone.

Children,

I'm sure it's children.

At the end of the hall.

I think it's them.

I can't open it.

It's closed.

But there's someone.

Why are you crying?

-We're sick!

-Who's sick?

I won't hurt you.

Open the door.

Don't be afraid.

Open the door.

We want you to open the door!

What have they done to you?

What have they done?

Aurora,

tell me what you see.

Five children.

They're very sick.

They're crying.

What happened?

They're dying.

Who would want to poison you?

Someone's going to kill us.

Is my son there?

Aurora, is Simon with you?

Is Simon here?

Aurora, can you hear me?

Let's get her.

Aurora, stay in the middle

of the room.

I'll count from ten.

Ten...

Nine...

Eight...

I was in the house, but...

everything was different.

The beds, the toys, the decor,

everything was much older.

The light from the lighthouse

came through the windows.

You didn't see Simon?

It was too dark,

I'm sorry.

I couldn't recognize anyone.

But the children were there.

You saw the children.

Is that right?

That's right.

You're talking about ghosts.

And what is a ghost, Carlos?

There's something here,

and we all saw it.

When something terrible happens,

sometimes it leaves a trace,

a wound that acts

as a knot between two time lines.

It's like an echo

repeated over and over,

waiting to be heard.

Like a scar...

Oh, I'm sorry.

Like a scar or a pinch

that begs for a caress

to relieve it.

Laura...

we who are close to death,

we are more receptive

to these messages.

You mean my son

could see those children

because...

That's enough.

Please take your things and leave.

We can't let them go like this.

Laura, this is a farce,

a sideshow trick.

I can't believe this. Why?

For what reason?

They're right...

-They don't want money.

-Not yet.

What should I do?

What should I do?

The police haven't found

a single clue

as to whether he's

dead or alive.

What do I do,

just sit and wait?

Can it hurt to listen?

-Laura, stop!

-No, you stop!

Pilar...

How many similar cases

have you had in this damned village?

Get another distraction,

I didn't invite you here.

What should I do?

My dear,

you are a good mother.

Your pain gives you strength,

it will guide you.

But only you know

how far you are willing to go

to find your son.

I don't know what to do.

You hear, but don't listen.

Seeing is not believing.

It's the other way around.

Believe,

and you will see.

What are you doing?

We can't stay here any longer.

We should go,

at least for a while.

The children are here.

Aurora saw them. I can't leave.

Rate this script:5.0 / 2 votes

Sergio G. Sánchez

Sergio Gutiérrez Sánchez is a Spanish film director and screenwriter. Sánchez has written and directed his own screenplays for short films such as Temporada baja (2003) and 7337 (2000). Sánchez's first film script was for The Orphanage in 1996. Sánchez originally wanted to direct the script but he was repeatedly turned down by various Spanish production companies. While Sánchez was working on the short film 7337, he met with director Juan Antonio Bayona and offered him the script to direct. The Orphanage was a large hit and Sánchez was nominated for Best Screenplay at the 2008 Goya Awards in Spain.In May 2009, Variety reported that Sánchez would re-team up with The Orphanage director Juan Antonio Bayona, on a production by Madrid-based Apaches Entertainment, Telecinco Cinema, and Spongeman, Bayona's own Barcelona-based label. Sánchez completed a first-draft screenplay in late April. The film, called The Impossible, was filmed in 2010. more…

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Submitted on August 05, 2018

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