The Mistress of Spices Page #4

Synopsis: In India, Tilo has the ability of foreseeing the future. When their parents are killed by bandits, she is kidnapped but escapes and is raised by the First Mother in a sort of traditional cult of spices. She becomes the Mistress of Spices and is sent to the Spice Bazaar in San Francisco, with the mission of following three basic rules: help her clients to accomplish their desires with the spices, but never hers; never leave the store; and never be touched in the skin. When she meets the handsome American architect Doug, she feels a great attraction and desire for him, breaking the first rule and being punished by the spices.
 
IMDB:
5.5
Rotten Tomatoes:
11%
PG-13
Year:
2005
92 min
288 Views


Well, which one's mine?

Um... if you'll wait here a minute,

I'll just go find yours.

Spices, speak to me.

What does he need?

Is it methi seed for strength?

Ajwain for confidence?

Fennel for perseverance?

Why can't I see?

When you begin to weave your desires

into your vision,

the true seeing is taken from you.

You grow confused

and the spices no longer obey.

Asafoetida, the antidote to love.

You can't be his spice.

These chillies look deadly.

They are. You should stay away from them.

What happened to my spice?

It's not something bad, is it?

Some high-carb spice or something?

It's um... It's a special one.

Sorry.

Hey.

Yeah.

I'll be there, like, in like ten minutes.

OK. Bye.

Sorry about that. It's just we've started

a new building down the street.

There's lots of city politics.

You are an architect?

Yeah, but that's just my job.

I got a spice now.

What's my spice supposed to do for me,

anyway?

It depends. What do you need?

You think I need something?

I'm all out of your spice.

But...

I um...

I have something for you.

What is it?

It's... tulsi.

Holy basil.

Mm. What's it for?

Drink it like tea.

And that's on the house.

You know, it's funny.

People look at me

and think that I'm doing OK.

But you look at me like you know something

you're not telling me.

I only know that everyone's welcome here.

There's no need to be scared.

I still can't believe that you can remember what

all these spices are for without getting mixed up.

It's simple.

We all have spices.

Just like we all have traditions.

Yeah.

Well... I'll drink this tonight.

I'd better get back to work.

Thanks.

Tulsi... for remembering.

Remember to come back.

Don't Shake Me Up

It would be so easy just once

to use the spices for myself.

Crushed prishniparni burned with lotus root in

the evening would make him come back to me.

Tulsi... you were right.

Why should he think of me?

He's remembering someone else.

Hello, Beti. You still here?

You still here? I've got a letter from

Janu Barwa, my old army friend.

They are looking for a match

for his grandnephew.

You gotta be joking!

I mean, why would I leave my career, my family,

all my friends here

to go some place I've visited, like, twice?

I mean,

I don't even like going to the bathroom in India.

Mom... Dad...

I have met someone...

and we're in love.

No shame at all.

Making talk of love.

In front of me, her grandfather.

Anthony Garcia?

Satish, she is marrying a white man?

He's not white. He's chicano.

Chicano? What's that?

I know it's nothing good.

He's Mexican-American.

You are losing your caste and putting

the blackest color on our ancestors' faces

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Gurinder Chadha

Gurinder Chadha, (born 10 January 1960) is an English film director of Kenyan Asian origin. Most of her films explore the lives of Indians living in England. This common theme among her work showcases the trials of Indian women living in England and how they must reconcile their converging traditional and modern cultures. Although many of her films seem like simple quirky comedies about Indian women, they actually address many social and emotional issues, especially ones faced by immigrants caught between two worlds. Much of her work also consists of adaptations from book to film, but with a different flare. She is best known for the hit films Bhaji on the Beach (1993), Bend It Like Beckham (2002), Bride and Prejudice (2004), Angus, Thongs and Perfect Snogging (2008), and the comedy film It's a Wonderful Afterlife (2010). Her latest feature is the partition drama Viceroy's House (2017). more…

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Submitted on August 05, 2018

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