The Miracle Worker Page #3

Synopsis: Young Helen Keller, blind, deaf, and mute since infancy, is in danger of being sent to an institution. Her inability to communicate has left her frustrated and violent. In desperation, her parents seek help from the Perkins Institute, which sends them a "half-blind Yankee schoolgirl" named Annie Sullivan to tutor their daughter. Through persistence and love, and sheer stubbornness, Annie breaks through Helen's walls of silence and darkness and teaches her to communicate.
Genre: Biography, Drama
Director(s): Arthur Penn
Production: MGM Home Entertainment
  Won 2 Oscars. Another 9 wins & 11 nominations.
 
IMDB:
8.1
Rotten Tomatoes:
100%
NOT RATED
Year:
1962
106 min
1,108 Views


Helen? Helen!

Helen! Helen, let me out...

Don't worry, they'll find you. | You're not lost.

Only out of place.

And toothless!

- Where's Miss Sullivan? | - Locked in her room.

Locked in her...?

- Helen locked her in and took the key. | - And you sit here and say nothing?

Everyone's been telling me | not to say anything.

- Viney, look out front for Helen. | - She's out by the pump!

I'll look.

- Miss Sullivan. | - Yes, Captain Keller.

Is there no key on your side?

If there were a key, I wouldn't be in here. | Helen took it.

The only thing on my side is me.

Not in the house ten minutes. | I don't see how you managed it.

And even I'm not on my side.

- Viney! | - Yes, sir, Captain Keller?

Put that meat back in the oven!

- She has no key. | - Nonsense. You searched in her pockets?

- Yes. She doesn't have it. | - Katie, she must have the key.

- Take that ladder back! | - Certainly.

- She could have hidden it. | - Where?

Anywhere. Under a stone...

I can't plough up the entire grounds | to find a missin' key.

Jimmy! Bring me a ladder!

Certainly.

What's the baby doing up?

Captain woke her, Miss Kate. | All that hollerin'.

Get back to your work!

- Miss Sullivan! | - Yes, Captain Keller?

- Come onto the roof. | - You have a ladder. How thoughtful.

Come down, Miss Sullivan.

- I don't see how I can. | - I'll carry you.

- It's very chivalrous, but... | - Miss Sullivan, follow instructions.

I will not have you also | tumblin' out of our windows.

I hope this is not what we may expect in | simplifyin' the work of looking after Helen.

Captain Keller, I'm able to go down | a ladder under my own steam.

Miss Sullivan, I doubt it.

Simply hold onto my neck.

My neck, Miss Sullivan!

- I'm sorry to inconvenience you. | - No inconvenience.

Other than taking that door down and | replacing the lock, if we can't find the key.

- I'll look everywhere. | - Thank you.

Do not look in any rooms | that can be locked.

There!

Go, go! What are you looking at? | Nothing for you to look at.

Now...

Would it be possible for us | to have dinner like other people?

- Miss Sullivan! | - Viney, I'll put the baby to sleep.

Oh... Might as well leave the I-a-d-d-e-r.

You devil.

Oh, you think I'm so easily gotten rid of?

You've got a thing or two to learn first.

I've got nothing else to do,

- and nowhere to go. | - Miss Sullivan!

Discipline her

without breaking...

Ink.

Ink.

It has a name.

Down, under, up. | And be careful of the needle.

Right. You keep out of the ink and | perhaps I can keep out of the soup.

All right, all right. Let's try temperance.

Bad...

girl.

Good...

girl.

Yes.

Very good girl.

- What are you saying to her? | - I was just making conversation.

Rate this script:0.0 / 0 votes

William Gibson

William Ford Gibson (born March 17, 1948) is an American-Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as cyberpunk. Beginning his writing career in the late 1970s, his early works were noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans—a "combination of lowlife and high tech"—and helped to create an iconography for the information age before the ubiquity of the Internet in the 1990s. Gibson notably coined the term "cyberspace" in his short story "Burning Chrome" (1982) and later popularized the concept in his acclaimed debut novel Neuromancer (1984). These early works have been credited with "renovating" science fiction literature. After expanding on Neuromancer with two more novels to complete the dystopic Sprawl trilogy, Gibson collaborated with Bruce Sterling on the alternate history novel The Difference Engine (1990), which became an important work of the science fiction subgenre steampunk. In the 1990s, Gibson composed the Bridge trilogy of novels, which explored the sociological developments of near-future urban environments, postindustrial society, and late capitalism. Following the turn of the century and the events of 9/11, Gibson emerged with a string of increasingly realist novels—Pattern Recognition (2003), Spook Country (2007), and Zero History (2010)—set in a roughly contemporary world. These works saw his name reach mainstream bestseller lists for the first time. His more recent novel, The Peripheral (2014), returned to a more overt engagement with technology and recognizable science fiction concerns. In 1999, The Guardian described Gibson as "probably the most important novelist of the past two decades," while the Sydney Morning Herald called him the "noir prophet" of cyberpunk. Throughout his career, Gibson has written more than 20 short stories and 10 critically acclaimed novels (one in collaboration), contributed articles to several major publications, and collaborated extensively with performance artists, filmmakers, and musicians. His work has been cited as an influence across a variety of disciplines spanning academia, design, film, literature, music, cyberculture, and technology. more…

All William Gibson scripts | William Gibson Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Miracle Worker" Scripts.com. STANDS4 LLC, 2024. Web. 28 Apr. 2024. <https://www.scripts.com/script/the_miracle_worker_20863>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.