The Merry Widow Page #4

Synopsis: The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her from getting married by a stranger, so that the danger of removing the money is banned. But this is not that easy as the ambassador in Paris has planned.
 
IMDB:
7.5
Rotten Tomatoes:
88%
PASSED
Year:
1934
99 min
Website
229 Views


Gabrilovetch and Zinchovitch,

but Danilo, no, no comparison.

Dolores.

Yes, Augment.

With my brains and your contacts,

Marshovia can't miss.

Afraid of me?

Ever live in Paris?

Oh, I spent all my holidays there,

your majesty.

Oh. So you know Paris.

Do you want some other lass,

your majesty?

No. No. I'm a married man.

Are you married?

No, your majesty.

You don't know

what you're missing.

Don't I? No, you don't.

Your majesty,

may I make a suggestion?

Please.

Let's drop the matter.

Fine. Now listen, my good fellow

You will leave tomorrow for Paris

Oh, thank you, your majesty.

On a secret mission that's right

up your boulevard.

Please, your majesty.

How is your French?

Terrific. (French)

Not bad. What does it mean?

Oh, I was just saying something

about her majesty the Queen.

Was it nice?

Lovely, isn't she.

Marvelous.

You will leave immediately.

Yes, your majesty.

As soon as you arrive in Paris,

you will report to

the Marshovia embassy.

Our ambassador, Baron Bafbaf

will tell you the next move.

Your majesty, whatever my mission

will be, Marshovia, right or wrong,

I'll never forget your face

when you walk into that room.

Did I frighten you?

Oh.

Goodbye, my majesty.

Goodbye, my boy.

What's new?

I overheard two girls

on the streetcar.

They were talking about you.

What did they say?

They were telling stories

about you.

Were they funny?

Well, they must have been.

You see, I don't understand French

but the conductor did,

so he stop the car

and throw them out.

That's Paris.

City of girls on

their own private.

I'm going to Maxim's.

But aren't you going to report

to the embassy, sir.

Tomorrow morning.

I'm going to Maxim's.

But, sir.

I'm going to Maxim's,

where all the girls are queens.

Each kiss goes on the wine list

and mine is quite a fine list.

Lolo, Dodo, Juju, Cloclo,

Mango, Crucru.

We promise to be faithful

until the night is through.

A melody of laughter,

loud and many times,

that is laugh with many times.

My dear, my friend, my lover

and you soon will enrapture

the eye of each cavalier.

Yes, ma'am.

I'll be ready in a moment.

Thank you, madam.

Around a lei of roses,

wine and dances, manly glances,

sideway glances.

Once again, I will...

Gentlemen?

Yes, madam.

What are your plans for

the evening?

We'll go to Cait d'Pate to dine,

then to the opera.

We should get there at nine.

Then a late supper

at the Grand Hotel.

When it's midnight

and all is well,

then we'll dance,

if you're willing.

How mad, how wild, how thrilling.

I'm going to Maxim's,

where all the girls are queens,

Each kiss goes on the wine list

and mine is quite a fine list.

Close the window.

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Ernest Vajda

Ernest Vajda (born Ernő Vajda; 27 May 1886 in Komárno, Austria-Hungary, today Slovakia – 3 April 1954 in Woodland Hills, California) was a Hungarian actor, playwright and novelist, but is more famous today for his screenplays. He co-wrote the screenplay for the film Smilin' Through (1932), based on the hit play by Jane Cowl and Jane Murfin. Vajda also wrote the screenplay for the first film version of Rudolph Besier's The Barretts of Wimpole Street (1934). more…

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Submitted on August 05, 2018

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