The Men Page #5

Synopsis: Ex-GI Ken who as a result of a war wound is paralyzed below the waist. In the hospital back home, he passes through an initial period of depression with the help of a sympathetic Dr. Brock and his faithful fiancée Ellen. Ken's bitter isolation is also overcome with the help of his fellow patients, especially the intelligent young cynic Norm, the witty Leo and serious young Angel. Soon Ken throws himself into the work rehabilitation and after a long period of physical therapy even suspects he may regain the use of his limbs. With the approval and help of the doctor, he and Ellen marry, but on their wedding night both have misgivings about the marriage: the full realization of Ellen's new responsibilities frighten her and makes her more uncertain than ever, and Ken reverts to self-pity. There is a violent argument, and he goes back to the hospital. But his blazing anger finds no sympathy from his buddies, and after a surprising conversation with Dr. Brock, Ken realizes that he must retur
Genre: Drama
Director(s): Fred Zinnemann
Production: Columbia Pictures
  Nominated for 1 Oscar. Another 3 wins & 2 nominations.
 
IMDB:
7.2
Rotten Tomatoes:
70%
PASSED
Year:
1950
85 min
864 Views


a little tough with Wilczek.

- Let's begin by taking him off drugs.

- He's got a lot of pain.

I know, but we've

got to start sometime.

Also, he's strong enough

to be moved into a ward.

Let's put him in with Lopez

and those other boys.

Yes, sir.

Lopez oughta be good for him,

and those bench jockeys will

ride him till he's saddle sore.

Let's do that.

Where's Brock?

- I want to see Brock.

- He'll be around one of these days.

I wanna see him right now!

Who's going in?

Can you tell?

Oh, no! It can't be!

We're getting laughing boy.

King Bubbles

of the happy islands.

Good day, gentlemen.

I'm bringing you a playmate.

You're too good to us, Robbie.

If you wasn't so sexy,

you'd remind me of my mother.

There you are, handsome.

If there's anything

you want, just buzz.

You know how to buzz,

don't you?

If I do buzz,

will you send somebody else?

Be nice to Lt. Wilczek, boys.

He's not a well man.

Is that all you were, Mac?

Just a lieutenant?

How come the put him in here

with us generals?

Oh, lay off, Leo.

Hello, Wilczek. I'm Norm Butler.

Welcome to the country club.

I'm supposed to talk

to all new men about the P.V.A.,

Paralyzed Veterans of America.

We've got seven chapters now,

you know-

Sorry, I'm not a joiner.

Hey, don't talk to Norm that way.

He's a big wheel on the board.

You might need him someday.

- I'm not trying to sell you anything.

- Look, I told you!

I don't want to join any clubs!

Leave me alone, will ya?

Norm, can't you hear?

Leave the lieutenant alone.

Sure...

I'll leave him alone.

Certainly.

If a man wants to be left alone,

he's got a right to be left alone.

Hey, Angel, I'd like to introduce

you to the lieutenant,

but he wants

to be A-L-O-N-E.

Ah, Leo. Don't mind him.

He's a clown.

Yeah, I'm a clown.

Hey, Norm.

Did you ever see that picture,

The Smiling Lieutenant?

In person.

Hey, Lieutenant, sir!

Whose side were you on?

Don't, Leo.

He wants to be left alone.

Who's not leaving him alone?

The guy's a hero, ain't he?

"The hero is not fed on sweets.

Daily his own

heart he eats."

Oh, that's beautiful.

Who wrote that?

- Emerson.

- Fine man.

You know what, Norm?

I bet you the lieutenant

won the Silver Star.

With oak leaf clusters.

- And a good conduct medal.

- With oak leaf clusters.

Honest? You know,

he should be left alone.

The best his country can do

for him is none too good.

Yes, but you see,

he doesn't want to be a paraplegic.

He doesn't? That's funny.

I wouldn't have missed being

a paraplegic for anything.

Besides, sooner or later,

everybody walks.

I read it in the papers.

Why don't you give the guy a break?

He's got pain.

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Carl Foreman

Carl Foreman, CBE (July 23, 1914 – June 26, 1984) was an American screenwriter and film producer who wrote the award-winning films The Bridge on the River Kwai and High Noon among others. He was one of the screenwriters that were blacklisted in Hollywood in the 1950s because of their suspected Communist sympathy or membership in the Communist Party. more…

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Submitted on August 05, 2018

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