The Late Shift Page #3

Synopsis: HBO movie about the behind-the-scenes network politics responsible for the changes in late-night talk-show hosts, after the retirement of Johnny Carson from the Tonight Show on NBC. Jay Leno and David Letterman were both vying for the position, but Leno's tough manager Helen Kushnick got him the spot. In the wake of her 'stepping on the toes' of powerful network executives and 'playing hardball' tactics with guest bookings, she found herself being pushed out of her job as Tonight Show Executive Producer and Jay's manager. Letterman, devastated by his being passed over, brought in superagent Mike Ovitz to negotiate on his behalf, resulting in his move to CBS.
Genre: Comedy, Drama
Director(s): Betty Thomas
Production: HBO Video
  Won 1 Golden Globe. Another 4 wins & 10 nominations.
 
IMDB:
6.9
R
Year:
1996
95 min
456 Views


THIRD IN THAT LINE,

BEHIND CARSON AND LETTERMAN?

( laughing )

NO, I WOULDN'T SAY THAT.

BUT I WOULD SAY THA WE HAVE SOME REASON

TO FEEL A LITTLE, UH,

IMPATIENT WITH WHERE WE ARE.

AND, UM, I'LL ADMIT I TO YOU, HOWARD, I LOVE THIS OFFER.

I'M SURE YOU DO, HELEN.

( all laughing )

COMPLIMENTS OF MR. KLEINER.

( all chattering )

THIS FEELS LIKE:

THE LATE-NIGHT D.M.Z.

DOES THAT MAKE ME NIXON?

I GUESS I'M KISSINGER.

YEAH, YEAH.

WITH YOU NEGOTIATING, THAT WAR

WOULD'VE GONE NUCLEAR.

AT LEAST IN THIS WAR

WE CONTROL ALL THE WEAPONS.

OH, YEAH. WE HOPE.

HI, BRANDON.

HEY, MORT, HOW YOU DOING?

GOOD TO SEE YOU.

ENJOY THE EVENING.

HEY, WARREN,

WE GOT HOWARD STRINGER

HUMPING LENO'S LEG.

WHAT ARE WE GONNA TELL

THE G.E. GUYS IF WE LOSE HIM?

MY DOG ATE MY:

LATE NIGHT HOST?

I MAY.

I MAY.

HELEN NEEDS A STROKING.

JAY, I HEAR HOWARD STRINGER

WANTS TO TAKE YOU

TO BERMUDA FOR:

A ROMANTIC WEEKEND.

( all laughing )

HELEN.

HI, HOW ARE YOU?

FINE.

JAY, HONEY, IT'S TIME TO GO

GET YOUR MAKEUP ON.

YOUR SPOT STARTS

IN 30 MINUTES.

MANAGER AND NETWORK

NEED TO BE ALONE, I CAN TAKE A HINT.

HEY, UH, BRANDON,

WATCH YOUR WALLET.

( laughing )

HEY, DAVID.

OH, HEY. HEY, JAY,

HOW YOU DOING? HOW YOU DOING?

GOOD.

WHAT'S GOING ON?

LISTEN,

HOW'S N.B.C. TREATIN' YOU?

GOOD, YOU KNOW.

I MEAN, WHO KNOWS?

OK, I GUESS.

HEY, I SAW THAT SHOW

THE OTHER DAY WITH SANDRA BERNHARD.

OH, JESUS.

IT WAS GREAT, COME ON.

YOU DON'T KNOW

WHAT YOU'RE SAYING, IT WAS SO FUNNY.

I KNOW MORTY'S DOWN THERE,

I WANT TO TALK TO MORTY.

HEY, ARE YOU GUYS

GONNA STAY AROUND?

YOU GONNA GO BACK?

UH, NO, WE... WE GOT TO TAKE THE REDEYE BACK.

I HATE THE REDEYE.

LISTEN, YOU KNOW, JAY,

WELL, I'LL HAVE

MORTY CALL YOU,

WE'LL BOOK YOU ON THE SHOW

WHEN YOU'RE NO FILLING IN FOR JOHNNY.

YEAH, WHATEVER. GOOD.

YOU KNOW ME, I'M READY,

AS LONG AS IT'S OK WITH HELEN.

AH, RIGHT, OF COURSE.

WELL, YOU KNOW, WE'LL HAVE

MORTY CALL HELEN, AND DO IT THAT WAY.

ALL RIGHT.

I'LL TALK TO YOU LATER, DAVE.

ALL RIGHT.

OH, LISTEN, JAY,

CALL MORTY, ALL RIGHT?

YEAH, TELL HIM

TO CALL HELEN. ALL RIGHT.

ALL RIGHT.

GOOD TO SEE YOU.

I GOT TO TELL YOU,

I GOT A HELL OF:

AN OFFER FROM C.B.S.

I DON'T KNOW.

I MEAN, JAY WANTS TO STAY

AND TAKE OVER WHEN

CARSON STEPS DOWN,

BUT, BRANDON,

I NEED A COMMITMENT.

HELEN, YOU'RE AS SUBTLE

AS A KNEE TO THE GROIN.

I DIDN'T HEAR THE WORDS

TONIGHT SHOW IN THERE ANYWHERE.

WHAT ARE YOU SAYING?

YOU WANT US TO:

BOUNCE JOHNNY NOW?

YOU WANT TO DEPRIVE HIM

OF REACHING:

HIS 30TH ANNIVERSARY?

JUST LOOKING TO:

PROTECT MY GUY.

LOOK AT HER WORKING BRANDON.

IS SHE SHAMELESS OR WHAT?

DAVID, I DON'T SEE ANY REASON

WHY YOU SHOULDN'T SAY

HELLO TO BRANDON.

Rate this script:0.0 / 0 votes

Bill Carter

Bill Carter (born 1966) is a writer and director. He directed the documentary film Miss Sarajevo, which consists of amateur video material he shot during his stay in the besieged city of Sarajevo. He is the author of Fools Rush In, his memoirs of working for an aid agency during the War in Bosnia and Herzegovina. He teaches journalism and film at Northern Arizona University. more…

All Bill Carter scripts | Bill Carter Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Late Shift" Scripts.com. STANDS4 LLC, 2024. Web. 5 May 2024. <https://www.scripts.com/script/the_late_shift_12308>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Late Shift

    Browse Scripts.com

    The Late Shift

    Soundtrack

    »

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.