The Killing Page #3

Synopsis: After getting out of prison, Johnny Clay masterminds a complex race-track heist, but his scheme is complicated by the intervention of the wife of a teller (George Peatty) in on the scheme, the boyfriend of the wife, airport regulations, and a small dog.
Director(s): Stanley Kubrick
Production: United Artists
 
IMDB:
8.0
Rotten Tomatoes:
97%
NOT RATED
Year:
1956
85 min
Website
1,926 Views


You wanna hear this or not?

Do you or not, Sherry?

I can't wait.

Go ahead and thrill me, George.

Well, anyway, like I say,

they were sittin' just in front of me...

and I could hear what they were sayin' -

well, part of it.

They weren't young, exactly,

and they weren't really old.

She was about my age, you said.

Not anymore.

Maybe she was when you started

telling this story, but not now.

Anyway, she was calling him Papa,

and he was calling her Mama.

And the climax to this exciting story?

The moral? The punch line, George?

Forget it, Sherry.

Just thought I'd tell you about it,

but I might have known.

Oh, I know. You want to bet I know?

I'll give you seven-to-five.

Cut it out, will you, Sherry?

I'm tired. I don't feel so good.

You want me to call you Papa, isn't that it,

George? And you wanna call me Mama.

- You know all the answers.

- Go right ahead.

Course, it may be the last word you ever say,

but I'll try to kill you as painlessly as possible.

- I gotta go out tonight.

I don't suppose there's anything for dinner.

Of course there is, darling.

There are all sorts of things.

- We have steak and asparagus and potatoes.

- I don't smell nothin'.

Well, that figures.

'Cause you're too far away from it.

- Too far away from it?

- Certainly. You don't think

I had it all cooked, do you?

It's all down in the shopping center.

Tell me something, would you, Sherry?

Just tell me one thing.

Why did you ever marry me anyway?

George, when a man has to ask his wife that,

well, he just hadn't better, that's all.

Why talk about it?

Maybe it's all to the good in the long run.

After all, if people didn't have headaches,

what would happen to the aspirin industry?

You used to love me.

You said you did, anyway.

I seem to recall you made

a memorable statement too.

Something about hitting it rich

and having an apartment on Park Avenue...

and a different car

for every day of the week.

Not that I really care about such things,

understand...

as long as I have a big, handsome,

intelligent brute like you.

It would make a difference, wouldn't it?

If I had money, I mean.

How would you define money, George?

If you're thinkin' of giving me

your collection of Roosevelt dimes -

I mean big money.

Hundreds of thousands of dollars.

You really don't feel well, do you?

You sure that pain's in your stomach?

I'm gonna have it, Sherry. Hundreds

of thousands, maybe a half a million.

Of course you are, darling.

Did you put the right address on the envelope

when you sent it to the North Pole?

Go ahead and laugh.

Wait and see.

Maybe you won't be laughing so hard

in a few days.

You're really serious. You really think

Rate this script:3.0 / 2 votes

Stanley Kubrick

Stanley Kubrick was born in Manhattan, New York City, to Sadie Gertrude (Perveler) and Jacob Leonard Kubrick, a physician. His family were Jewish immigrants (from Austria, Romania, and Russia). Stanley was considered intelligent, despite poor grades at school. Hoping that a change of scenery would produce better academic performance, Kubrick's father sent him in 1940 to Pasadena, California, to stay with his uncle, Martin Perveler. Returning to the Bronx in 1941 for his last year of grammar school, there seemed to be little change in his attitude or his results. Hoping to find something to interest his son, Jack introduced Stanley to chess, with the desired result. Kubrick took to the game passionately, and quickly became a skilled player. Chess would become an important device for Kubrick in later years, often as a tool for dealing with recalcitrant actors, but also as an artistic motif in his films. more…

All Stanley Kubrick scripts | Stanley Kubrick Scripts

4 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Killing" Scripts.com. STANDS4 LLC, 2024. Web. 5 May 2024. <https://www.scripts.com/script/the_killing_11805>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Killing

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.