The Killing Page #10

Synopsis: After getting out of prison, Johnny Clay masterminds a complex race-track heist, but his scheme is complicated by the intervention of the wife of a teller (George Peatty) in on the scheme, the boyfriend of the wife, airport regulations, and a small dog.
Director(s): Stanley Kubrick
Production: United Artists
 
IMDB:
8.0
Rotten Tomatoes:
97%
NOT RATED
Year:
1956
85 min
Website
1,926 Views


You don't know what you're talkin'!

He couldn't do that!

- You don't know what you're talkin'!

- Shut up, patsan. Make a move.

He's right.

I could have won your rook.

- Move, patsan!

- Look, stop talkin' or I'll call Fisher.

I can't think with all this noise!

Good game, Maurice?

Johnny Clay, my old friend.

How are you?

Good to see you, Maurice.

Been a long time, huh?

- How long have you been out?

- Oh, not very long.

It was very difficult, no?

Yeah.

Very difficult.

You have my sympathies, Johnny.

You have not yet learned that in this life

you have to be like everyone else -

the perfect mediocrity.

No better, no worse.

Individuality is a monster,

and it must be strangled in its cradle...

to make our friends feel comfortable.

You know, I often thought

that the gangster and the artist...

are the same in the eyes of the masses.

They're admired and hero-worshipped,

but there is always present...

underlying wish to see them destroyed

at the peak of their glory.

Yeah. Like the, um -

Like the man said,

"Life is like a glass of tea." Huh?

Oh, Johnny, my friend,

you never were very bright...

but I love you anyway.

How, uh - How's life

been treating you, Maurice?

About the same as always.

When I need some money,

I go out and wrestle.

But mostly I'm up here,

wasting my time playing chess.

But, you know, I wouldn't know

what to do with myself...

if I didn't have this place to come to.

Maurice, could you use $2,500?

It has a pleasant ring to the ear.

Quite musical.

What is it for?

For taking care of half a dozen private d*cks.

Racetrack cops.

I want you to start a fight

with the bartender at the track.

The track cops will try to break it up.

You keep 'em busy for as long as you can.

Make 'em drag you out of the place.

No gunplay. Strictly a muscle job.

Would it be out of order for me to ask...

for what it is that you are willing to pay such

a price to see me demonstrate my talents?

I would imagine it is for more

than just your own personal entertainment.

$2,500 is a lot of dough, Maurice.

Part of it's for not asking questions.

That sounds not unreasonable.

Still, I will probably go to jail,

and jails I have found unpleasant.

Food is very bad, company is poor,

beds are too small.

Ah, it'll only be a disorderly conduct charge.

Maybe 60 days, nothing worse.

And if a man has a little money

to spread around in the right places,

he can be quite comfortable for his stay.

I do not quite understand, Johnny.

For what you want me to do, you could

get any hoodlum for a hundred dollars.

Yeah. I don't want any hoodlum.

I want a guy like you.

Someone who's absolutely dependable...

who knows he's being well-paid to take a risk

Rate this script:3.0 / 2 votes

Stanley Kubrick

Stanley Kubrick was born in Manhattan, New York City, to Sadie Gertrude (Perveler) and Jacob Leonard Kubrick, a physician. His family were Jewish immigrants (from Austria, Romania, and Russia). Stanley was considered intelligent, despite poor grades at school. Hoping that a change of scenery would produce better academic performance, Kubrick's father sent him in 1940 to Pasadena, California, to stay with his uncle, Martin Perveler. Returning to the Bronx in 1941 for his last year of grammar school, there seemed to be little change in his attitude or his results. Hoping to find something to interest his son, Jack introduced Stanley to chess, with the desired result. Kubrick took to the game passionately, and quickly became a skilled player. Chess would become an important device for Kubrick in later years, often as a tool for dealing with recalcitrant actors, but also as an artistic motif in his films. more…

All Stanley Kubrick scripts | Stanley Kubrick Scripts

4 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Killing" Scripts.com. STANDS4 LLC, 2024. Web. 2 May 2024. <https://www.scripts.com/script/the_killing_11805>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Killing

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.