The Keeping Room Page #4
eyes, hoping she’ll see where the animals are in her
mind. But she can’t.
No matter how hard she tries, she can’t make the animals
come back.
She opens her eyes and then -A
GLIMPSE of movement not too far off.
EXT. FARMHOUSE - LATER
WIDE on the farmhouse and BARN. The land is STILL.
EXT. BARN - SAME
Mad BRUSHES the old horse, FERN, who is tied to a FENCE
POST. She pets her nose and then wipes sweat from her own
brow.
Not too far off, Louise dreams on a MAKE-SHIFT SWING that
Mad cranes her neck and calls out --
MAD:
What you doin’ over there?
LOUISE:
Nothin.’
MAD:
You should come n’ help me brush this
girl.
LOUISE:
I’m tired --
(CONTINUED)
11.
MAD:
Funny thing considerin’ you ain’t done uh
stitch uh work all day.
And SUDDENLY --
BANG!
A GUNSHOT rings out in the distance.
It catches Louise off guard --
She GRABS tight to the rope. Steadies herself.
Rips out from beyond the trees.
Mad runs over to where she can see the trees. Louise
jumps from the swing and joins her. They look towards the
woods, breathless, searching -
AND THEN -Augusta
EXPLODES through the crest of trees, her face
bursting into a GRIN.
Mad runs to her, Louise following behind -
They reach each other and Augusta holds up
A DEAD RABBIT.
Mad and Louise join in the CHORUS and together they run
straight to the Keeping Room.
Mad’s beautiful, dark HAND as she DIGS a KNIFE into the
FLESH of the rabbit. She is deliberate: she knows how
this is done.
There is an inherent violence to the act itself, pulling
the skin off an animal.
And then:
-- The SKIN is cut away.
-- Mad wipes sweat from her face and eyes, leaving a
SMEAR of BLOOD behind.
(CONTINUED)
12.
-- Augusta WATCHES.
-- The SKINNED RABBIT hits the BUTCHER’S BLOCK.
-- Augusta hands Mad a CLEAVER.
-- Mad LOWERS the cleaver into the animal, and she HACKS
the rabbit to pieces.
-- Mad drops the PIECES onto a SKILLET.
The women wait. The rabbit boils.
They are hungry.
A PEWTER TRAY:
With pieces of BOILED RABBIT smack in the middle.
The women take a moment and stare at the beauty of the
creature. It’s proud body in pieces, warm and brown.
Augusta leans in and SMELLS it.
Then Mad.
Then Louise.
This smell will line their hearts for months.
Louise goes to grab a piece, but Augusta stops her.
Louise looks up at her and -Augusta’s
eyes are CLOSED.
Louise and Mad exchange a look. Then Mad closes her eyes.
And then Louise does, too.
After a moment --
AUGUSTA:
Alright.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Keeping Room" Scripts.com. STANDS4 LLC, 2024. Web. 2 May 2024. <https://www.scripts.com/script/the_keeping_room_600>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In