The Importance of Being Earnest Page #3

Synopsis: Jack Worthing and Algernon Moncrieff are two men that are both pretending to be someone they are not.
Genre: Comedy, Drama
Director(s): Anthony Asquith
Production: General Film Distributors
  Nominated for 1 BAFTA Film Award. Another 1 win & 1 nomination.
 
IMDB:
7.6
Rotten Tomatoes:
88%
NOT RATED
Year:
1952
95 min
961 Views


anybody can sing in tune...

but I sing with wonderful feeling.

Yes, sir.

You have got the cucumber sandwiches

for Lady Bracknell?

- Yes, sir.

- Ah!

- Excuse me, sir.

- Have Lady Bracknell

and Miss Fairfax arrived yet, Lane?

- No, sir.

- Mr. Ernest Worthing.

- Jack! I don't seem to remember

inviting you.

No, you're absurdly careless

about sending out invitations.

Cucumber sandwiches? Why such

reckless extravagance in one so young?

Don't you touch them! They're ordered

specially for Aunt Augusta.

- Well, you're eating them.

- That's quite a different matter.

She's my aunt.

Have some bread and butter.

The bread and butter

is for Gwendolen.

Gwendolen is devoted

to bread and butter.

And very good bread and butter

it is too.

My dear fellow, you needn't eat it

as if you were going to eat it all.

You behave exactly as if

you were married to her already.

You are not married to her already,

and I don't think you ever will be.

- Now, Algy...

That must be Aunt Augusta.

Only relatives or creditors

ever ring in that Wagnerian manner.

If I can get her out of the way

for ten minutes...

in order that you may have the

opportunity for proposing to Gwendolen,

may I dine with you

at Willis' tonight?

- I suppose so, if you want to.

- But you must be serious about it.

I hate people who are not serious

about meals.

Lady Bracknell and Miss Fairfax.

Good afternoon, dear Algernon.

I hope you're behaving very well.

- I'm feeling very well, Aunt Augusta.

- Yes, that's not quite the same thing.

In fact, the two things

rarely go together.

Oh. How do you do,

Mr. Worthing.

- Dear me, Gwendolen, you are smart.

- I am always smart.

- Aren't I, Mr. Worthing?

- You are quite perfect, Miss Fairfax.

Oh, I hope I am not that.

It would leave no room

for development,

and I intend to develop

in many directions.

Gwendolen?

Won't you come

and sit here, Gwendolen?

Thank you, Mama.

I am quite comfortable where I am.

I'm sorry if we are

a little late, Algernon.

I was obliged to call

on dear Lady Harbury.

I hadn't been there

since her poor husband's death.

I never saw a woman so altered.

She looks quite 20 years younger.

And now I'll have a cup of tea...

and one of those nice cucumber

sandwiches you promised me.

Certainly, Aunt Augusta.

Good heavens, Lane!

Why are there no cucumber sandwiches?

I ordered them specially.

There were no cucumbers in the market

this morning, sir. I went down twice.

No cucumbers?

No, sir.

Not even for ready money.

Thank you, Lane.

That will do.

I'm greatly distressed,

Aunt Augusta,

about there being no cucumbers,

not even for ready money.

Well, it really makes no matter,

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Oscar Wilde

Oscar Fingal O'Flahertie Wills Wilde (16 October 1854 – 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and the circumstances of his imprisonment and early death. Wilde's parents were successful Anglo-Irish intellectuals in Dublin. Their son became fluent in French and German early in life. At university, Wilde read Greats; he proved himself to be an outstanding classicist, first at Dublin, then at Oxford. He became known for his involvement in the rising philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles. As a spokesman for aestheticism, he tried his hand at various literary activities: he published a book of poems, lectured in the United States and Canada on the new "English Renaissance in Art" and interior decoration, and then returned to London where he worked prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversational skill, Wilde became one of the best-known personalities of his day. At the turn of the 1890s, he refined his ideas about the supremacy of art in a series of dialogues and essays, and incorporated themes of decadence, duplicity, and beauty into what would be his only novel, The Picture of Dorian Gray (1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, drew Wilde to write drama. He wrote Salome (1891) in French while in Paris but it was refused a licence for England due to an absolute prohibition on the portrayal of Biblical subjects on the English stage. Unperturbed, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late-Victorian London. At the height of his fame and success, while The Importance of Being Earnest (1895) was still being performed in London, Wilde had the Marquess of Queensberry prosecuted for criminal libel. The Marquess was the father of Wilde's lover, Lord Alfred Douglas. The libel trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest and trial for gross indecency with men. After two more trials he was convicted and sentenced to two years' hard labour, the maximum penalty, and was jailed from 1895 to 1897. During his last year in prison, he wrote De Profundis (published posthumously in 1905), a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. On his release, he left immediately for France, never to return to Ireland or Britain. There he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life. He died destitute in Paris at the age of 46. more…

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Submitted on August 05, 2018

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