
The Grifters
- R
- Year:
- 1990
- 110 min
- 948 Views
FADE IN:
AN ANGLE establishing the race track, Ruidoso Downs
(pronounced Ree-oh-do-so), set among the beautiful mountains
of New Mexico's Lincoln National Forest, as a white Chrysler
turns in with a stream of cars moving toward the parking
area.
AN ANGLE through the open driver-side window of the Chrysler
at LILLY DILLON, 39 but looking younger, beautiful but cold
and watchful.
WIDE SHOT, track in b.g. as Lilly parks the Chrysler, gets
out, locks the car. As she walks toward the track, WIPE
RIGHT, as SCENE TWO WIPES IN from the left. SCENE ONE CAMERA
FOLLOWS Lilly as she walks across the large parking area.
SPLIT SCREEN.
SCENE TWO:
Downtown Los Angeles, near the courts and the business
section. ROY DILLON, 25, handsome and charming but self
indulgent, parks his orange Honda convertible, gets out,
picks up a large ledger book from the back seat, goes around
to open the trunk.
AN ANGLE on the trunk, establishing the tools of the
salesman's trade: catalogs, samples, ledgers full of manuals
and product sheets. Roy adds the ledger from the back seat,
shuts the trunk, walks away.
EXT. 6TH STREET - DAY
Roy walks around the corner near a bar/restaurant. As he
approaches it, WIPE LEFT, the two half-width scenes
contracting to one-third each as SCENE THREE WIPES IN from
the right.
SCENE ONE:
Lilly approaches the track's entrance doors.SCENE TWO:
Roy approaches the bar.SCENE THREE:
EXT. SANTA MONICA BOULEVARD - DAY
A baby blue Cadillac parks in front of a jeweler.
AN ANGLE on the driver's door as MYRA LANGTRY, 36, beautiful
in an impersonal calculating way, gets out, carrying a small
jewelry care, and locks the car. At first glance, Myra looks
rather like Lilly. (Myra always wears large dangly earrings,
and usually wears big-lensed dark sunglasses.)
SIMULTANEOUSLY:
SCENE ONE:
Lilly enters the track.SCENE TWO:
Roy enters the bar.SCENE THREE:
Myra enters the jeweler's.WIPE RIGHT AND LEFT, as SCENE TWO takes FULL SCREEN.
INT. BAR - DAY
AN ANGLE on a hurried bartender in a full bar, crowded with a
NOISY lunchtime crowd. In b.g., Roy slithers his way to the
bar, waving a bill in the air to attract the bartender's
attention.
AN ANGLE on Roy as the bartender comes to him. Roy puts the
bill on the bar, holding it down with one finger, as he
SHOUTS his order. The bartender looks down.
BARTENDER'S POV:
Roy's finger holds down a twenty dollarbill.
AN ANGLE steep over Roy's shoulder, the twenty visible, as
the bartender hurries away to get the drink. Roy's hand makes
a fist, swallowing the twenty, opens, pushing a ten out onto
the bar, holding it there with one finger.
AN ANGLE on the bartender returning with a draft beer,
nodding to other ORDERS shouted to him along the way, putting
the beer down, grabbing the bill without looking at it,
hurrying away.
AN ANGLE on Roy, content, smiling, sipping his beer.
AN ANGLE on the bartender, hurrying by, slapping Roy's change
down, moving on, Roy nodding acknowledgement, reaching out.
CU, the change, a ten dollar bill on top. Roy's hand closes
over it.
WIDE SHOT, the tote board at the track, showing the shifting
odds on the horses for the next race, the amounts bet.
CLOSE SHOT, number 3. Not much bet, odds 70-1.
AN ANGLE on Lilly, frowning at the tote board. She carries a
large heavy shoulder-bag, which she opens, looking in it as
though it were a file drawer.
AN ANGLE on Lilly studying the contents of her bag, the track
beyond her, the mountains visible out beyond the track wall.
Lilly moves.
(0.00 / 0 votes)
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
"The Grifters" Scripts.com. STANDS4 LLC, 2021. Web. 5 Mar. 2021. <https://www.scripts.com/script/the_grifters_364>.