The Glass Slipper Page #5

Synopsis: In a small pleasant European village, there is one unhappy person: Ella. She is despised by everyone, and mistreated by her stepmother and stepsisters. Out feeling miserable one day, Ella meets a handsome young man, who falls for her. He is really Prince Charles, the son of the Duke, but he tells her he is the son of the cook, and invites her to a great ball at the Duke's castle. A strange woman who lives in the mountains by herself befriends Ella, and dresses her up so she can attend the ball. She goes, and is a great success, but must run out at midnight. In her haste, she drops a single glass slipper. The Prince uses the slipper to find her.
Genre: Musical, Romance
Director(s): Charles Walters
Production: MGM
 
IMDB:
6.5
UNRATED
Year:
1955
93 min
333 Views


I RAN AWAY FROM HOME ONE DAY.

I WAS GONE FOR SEVEN HOURS,

THE BEST SEVEN HOURS I EVER HAD.

I DISCOVERED:

THE COUNTRYSIDE THAT DAY--

ONE PLACE IN PARTICULAR.

I'LL TAKE YOU THERE.

STRANGE HOW MANY MEMORIES

ARE CROWDING BACK ON ME,

THINGS I HAVEN' THOUGHT ABOUT FOR YEARS.

YESTERDAY AFTERNOON,

WHEN WE WERE RIDING THROUGH THE TOWN,

I KEPT REMEMBERING SOMETHING

THAT HAPPENED YEARS AGO.

I'D BEEN HOME

FOR THE HOLIDAYS

AND WAS LEAVING:

TO RETURN TO SCHOOL.

MY CARRIAGE WAS HELD UP

IN THE MIDDLE OF THE TOWN

BECAUSE SOMETHING WAS GOING

ON IN THE STREET AHEAD,

BLOCKING OUR PATH.

IT INVOLVED A CHILD...

A LITTLE GIRL OF ABOUT FIVE.

SHE WAS CRYING IN A SOR OF TRAGIC FRENZY.

SHE'D RUN OUT OF HER HOUSE

IN THE PATH OF THE CARRIAGE,

AND SOME TOWNSPEOPLE WERE

TRYING TO HOLD HER BACK.

I DON'T KNOW

WHAT IT WAS ALL ABOUT.

BUT ONE THING I'VE

REMEMBERED EVER SINCE

IN THE MOST MINUTE DETAIL...

SHE HAD GREAT, AGONIZED,

REBELLIOUS EYES...

FRINGED WITH DARK LASHES,

AND HER CHEEKS WERE WET WITH TEARS.

IT WAS THE MOST TRAGIC

FACE I EVER SAW.

NOT JUST SAD.

IT HAD THE AGONY

OF A GREEK TRAGEDY,

BEYOND HOPE OF COMFORTING.

I'VE NEVER KNOWN SORROW,

NOT REALLY.

BUT EVER SINCE THAT DAY,

I'VE FELT...

I'VE HAD SOME KNOWLEDGE

OF WHAT IT'S LIKE,

OF ALL THE HUMAN SOUL CAN

STAND OF:

PAIN AND MISERY.

AND EVER SINCE THAT DAY,

I FIND IT ALMOST IMPOSSIBLE

TO RESIST A WEEPING WOMAN.

AND IF SHE HAPPENS

TO HAVE EYES LIKE THAT,

I'M LOST.

THIS IS THE PLACE

I WAS TELLING YOU ABOUT.

NOTHING HAS CHANGED.

THAT DAY I RAN AWAY

FROM HOME,

I STRIPPED TO THE BUFF

AND BATHED IN THIS POOL.

HOW COLD IS THE WATER?

VERY COLD.

IT'S FED BY MOUNTAIN STREAMS.

MM. I AM NO LONGER

EIGHT YEARS OLD.

YOU MAY FREEZE ALONE.

[RELAXED GRUNT]

HELLO.

WHAT IS IT?

A NIGHTMARE.

THIS IS MY PLACE.

THAT'S STRANGE.

IT USED TO BE PAR OF THE DUKE'S ESTATE.

NOBODY EVER COMES HERE.

WELL, THEY'RE FOOLS

IF THEY DON'T.

YOU DON'T BELONG HERE.

WHERE DO YOU LIVE?

OVER THERE.

OVER THERE.

THERE IS NOTHING OVER THERE

BUT THE PALACE.

I COULD'VE TOLD YOU THAT.

WHAT OF IT?

WHAT OF IT?

YOU CAN'T LIVE

IN THE DUKE'S PALACE.

WHY NOT?

WE WORK THERE.

OH?

YES. I'M THE NEW

RIDING MASTER,

AND HE'S THE SON

OF THE COOK.

SON OF THE COOK?

THE SON OF THE COOK

AT THE PALACE OF THE DUKE.

HAVE YOU SEEN:

PRINCE CHARLES?

OF COURSE WE HAVE,

OFTEN.

WHAT COLOR IS HE?

MMM...I'D SAY WHITE,

WOULDN'T YOU?

MM-MM.

I MEAN HIS HAIR.

OH. OH, BLACK.

BLACK.

BLACK AS NIGHT.

YOU SEE?

NO.

NO, I DON'T QUITE SEE.

I TOLD THEM IT WAS BLACK.

HOW DID YOU KNOW?

MM, I JUST KNEW.

YOU'RE CLAIRVOYANT.

NO, I'M NOT.

IT'S JUST ASHES,

AND I DON'T CARE.

YOU CAN CALL ME CINDERELLA,

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Helen Deutsch

Helen Deutsch (21 March 1906 – 15 March 1992) was an American screenwriter, journalist and songwriter. Deutsch was born in New York City and graduated from Barnard College. She began her career by managing the Provincetown Players. She then wrote theatre reviews for the New York Herald-Tribune and the New York Times as well as working in the press department of the Theatre Guild. Her first screenplay was for The Seventh Cross (1944). She adapted Enid Bagnold's novel, National Velvet into a screenplay which became a famous film (1944) starring Elizabeth Taylor. After writing a few films (Golden Earrings (1947), The Loves of Carmen (1948) and Shockproof (1949) ) for Paramount and Columbia Pictures, she spent the greater part of her career working for Metro-Goldwyn-Mayer and wrote the screenplays for such films as King Solomon's Mines (1950), Kim (1950), It's a Big Country (1951), Plymouth Adventure (1952), Lili (1953), Flame and the Flesh (1954), The Glass Slipper (1955), I'll Cry Tomorrow (1955), Forever, Darling (1956) and The Unsinkable Molly Brown (1964). Her last screenplay was for 20th Century Fox's Valley of the Dolls (1967). more…

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Submitted on August 05, 2018

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