The Glass Slipper Page #3

Synopsis: In a small pleasant European village, there is one unhappy person: Ella. She is despised by everyone, and mistreated by her stepmother and stepsisters. Out feeling miserable one day, Ella meets a handsome young man, who falls for her. He is really Prince Charles, the son of the Duke, but he tells her he is the son of the cook, and invites her to a great ball at the Duke's castle. A strange woman who lives in the mountains by herself befriends Ella, and dresses her up so she can attend the ball. She goes, and is a great success, but must run out at midnight. In her haste, she drops a single glass slipper. The Prince uses the slipper to find her.
Genre: Musical, Romance
Director(s): Charles Walters
Production: MGM
 
IMDB:
6.5
UNRATED
Year:
1955
93 min
328 Views


TELL ME NOW.

WELL...I CAN'T.

IT--IT'S...IT'S ALL MIXED UP.

IT'S JUST A FEELING.

IT'S LIKE WHEN IT'S

BEGINNING TO GET DARK.

YOU KNOW?

AND--AND EVERYTHING

BREATHES VERY SOFTLY

AND THE SKY GETS

VERY, VERY BLUE

AND THEN VERY, VERY PINK.

AND HERE YOU FEEL,

OH, SOMETHING...

HMM. IT--IT'S...

IT'S HARD TO EXPLAIN.

IT'S QUITE CLEAR.

IS IT?

I MUST GO NOW.

I HAVE SOME THINGS

TO PICK UP.

WELL, YOU DROP IN

AGAIN SOMETIME.

OH, WHEN?

TOMORROW PERHAPS AT NOON.

RIGHT HERE, THEN, HUH?

WE'LL TALK AND TELL

EACH OTHER THINGS...

AND BE FRIENDS, HUH?

EXCELLENT.

VERY PRACTICAL.

GOOD-BYE.

WINDOWSILL.

PICKLE RELISH.

APPLE DUMPLING.

CINDERELLA.

GOOD-BYE, CINDERELLA.

THESE HOOPS ARE TOO WIDE.

I'M GOING TO WEAR

THE NARROW ONES.

THE WIDER HOOPS ARE PRETTIER.

BUT THEY'RE NOT THE FASHION.

COUSIN LOULOU'S WEARING

ENORMOUS ONES.

WHAT DO YOU KNOW?

I HEARD ALL ABOU COUSIN LOULOU'S GOWN

THIS AFTERNOON WHEN

I WENT UP TO THE HILL

FOR THE INVITATIONS.

OH! THE INVITATIONS.

WHERE DID YOU PUT THEM?

I GAVE THEM TO YOU.

OH. OH, DEAR.

OH, MAMA.

I PUT THEM DOWN.

AFTER ALL THE TROUBLE

WE HAD GETTING THEM.

OH, I HATE ASKING

COUSIN LOULOU FAVORS.

OH, GO AWAY, ELLA.

DON'T TOUCH THINGS, ELLA.

YOU'RE IN THE WAY, ELLA.

ELLA, GET OFF OF THAT.

YOU'RE GETTING I ALL DIRTY.

OH! HERE THEY ARE.

YOU MUST REMEMBER

TO THANK COUSIN LOULOU.

MOTHER, TOMORROW NIGH AT THE BALL,

PLEASE DON'T SPEAK

OF WHERE WE LIVE.

I'M GOING TO SAY THAT WE LIVE

ON THE HILL WITH COUSIN LOULOU.

AND WHAT WILL COUSIN

LOULOU SAY TO THAT?

COUSIN LOULOU WON'T HEAR IT.

BESIDES, NO ONE EVER

PAYS ANY ATTENTION

TO THAT OLD CREATURE ANYWAY.

[SCOLDING]

BIRDENA.

DON'T YOU DARE SPEAK

OF COUSIN LOULOU THAT WAY.

SHE'S VERY RICH.

WHAT'S HER DRESS LIKE?

OH, IT'S BEAUTIFUL.

IT'S ALL PINK AND WHITE

WITH ROSEBUDS AND RIBBONS

ALL OVER THE SKIRT.

AND THOUSANDS OF CRYSTALS,

EACH ONE SEWN WITH SILK THREAD.

ROSEBUDS. HA HA!

AT HER AGE.

[BOTH LAUGHING]

STEPMOTHER:
YOU MAY TAKE I OFF NOW, BIRDENA.

NOW YOU, SERAFINA.

WHO IS MRS. TOQUET?

WHO?

MRS. TOQUET.

ISN'T SHE THE CRAZY OLD WOMAN

WHO LIVES IN THE WOODS?

SHE'S HARMLESS,

BUT SHE STEALS.

HAS SHE ALWAYS:

BEEN LIKE THAT?

I MEAN, HAS SHE ALWAYS...

THEY SAY SHE WAS ONCE

A GRAND LADY AND LIVED ON THE HILL.

BUT SHE TOOK TO READING BOOKS

AND WENT FROM BAD TO WORSE.

STUFFED HER HEAD FULL OF IDEAS,

AND NOW SHE'S A BIT ADDLED.

A BIT ADDLED?

OH, MOTHER, SHE'S CRAZY

AS A COCKROACH.

NO, SHE ISN'T.

SHE'S JUST DIFFERENT.

SHE'S FULL OF GOOD IDEAS

AND...AND WISDOM.

FULL OF WHAT?

AND EVERYBODY KNOWS SHE STEALS.

SHE STOLE THE COVER

OFF A GARBAGE BUCKE FROM MRS. BOWER'S HOUSE.

AND THE NEXT NIGHT,

SHE PUT IT BACK.

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Helen Deutsch

Helen Deutsch (21 March 1906 – 15 March 1992) was an American screenwriter, journalist and songwriter. Deutsch was born in New York City and graduated from Barnard College. She began her career by managing the Provincetown Players. She then wrote theatre reviews for the New York Herald-Tribune and the New York Times as well as working in the press department of the Theatre Guild. Her first screenplay was for The Seventh Cross (1944). She adapted Enid Bagnold's novel, National Velvet into a screenplay which became a famous film (1944) starring Elizabeth Taylor. After writing a few films (Golden Earrings (1947), The Loves of Carmen (1948) and Shockproof (1949) ) for Paramount and Columbia Pictures, she spent the greater part of her career working for Metro-Goldwyn-Mayer and wrote the screenplays for such films as King Solomon's Mines (1950), Kim (1950), It's a Big Country (1951), Plymouth Adventure (1952), Lili (1953), Flame and the Flesh (1954), The Glass Slipper (1955), I'll Cry Tomorrow (1955), Forever, Darling (1956) and The Unsinkable Molly Brown (1964). Her last screenplay was for 20th Century Fox's Valley of the Dolls (1967). more…

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Submitted on August 05, 2018

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