The Ghost and the Darkness Page #7

Synopsis: Sir Robert Beaumont (Tom Wilkinson) is behind schedule on a railroad in Africa. Enlisting noted engineer John Henry Patterson (Val Kilmer) to right the ship, Beaumont expects results. Everything seems great until the crew discovers the mutilated corpse of the project's foreman (Henry Cele), seemingly killed by a lion. After several more attacks, Patterson calls in famed hunter Charles Remington (Michael Douglas), who has finally met his match in the bloodthirsty lions.
Production: Paramount Home Video
  Won 1 Oscar. Another 4 nominations.
 
IMDB:
6.8
Rotten Tomatoes:
50%
R
Year:
1996
110 min
546 Views


PATTERSON:

Well, he put me in a spot, didn't he?

But that's all right- after all, I'm

responsible for everything that happens

here. And it certainly won't do much

for morale if a man-eater's on the prowl.

He goes into his tent with some books now and we go with him.

There is a photo of Helena on a small table. A photo of an ELDERLY

COUPLE, clearly his parents. His clothes are stacked with

precision. He arranges his books precisely too.

Clearly, John Patterson is a man who believes in order.

STARLING:

(calling out)

You said "of course" you'd need the

donkey. Why "of course"?

PATTERSON:

(taking a rifle,

moving outside)

We know three things about man-eaters.

First, they always return to where

they've attacked before. Second, they're

always old- they can't catch other

animals so they turn to us. And third,

they're always alone- they've been cast

out by their pride because they can't

keep up.

CUT TO:

STARLING, sipping his tea and there's no hiding it, he's excited.

But also a bit reluctant.

STARLING:

I don't suppose I could watch.

PATTERSON:

(delighted)

Might be exciting for you.

STARLING:

I've never been all that adventurous.

I wouldn't be in the way?

PATTERSON:

I'd love the company. And I've hunted

all my life.

STARLING:

(gathering courage)

Well, why not? You seem so calm and

experienced.

(standing, teacup in hand)

Why not, indeed!

(Now from that-)

CUT TO:

A SLIGHTLY WOUNDED DONKEY

It's roped loosely to a tree, bells around its neck. When it

moves, they make a sound. Middle of the night. A night wind.

PULL BACK TO REVEAL

We're in a clearing with thick trees all around.

KEEP PULLING BACK TO REVEAL

PATTERSON AND STARLING, seated uncomfortably in a tree on the edge

of the clearing, twelve feet up in the air. Patterson has his

rifle ready. This next is all whispered.

STARLING:

(embarrassed)

I hate to be a bother, John, but the

cramp's getting worse.

(Pulls up his trousers-

his leg is knotted)

The pain is actually quite unbearable

now.

PATTERSON:

Shhh.

STARLING:

I'm sure you mean that to be comforting,

but-

PATTERSON:

(interrupting)

-you'll have to deal with it, Nigel.

STARLING:

That is precisely my plan- but back in

my tent.

(And he begins to climb down)

CUT TO:

PATTERSON, grabbing him.

PATTERSON:

They own the night- nobody moves when

there's a man-eater out there.

Starling glumly obeys. Then-

STARLING:

John? I know this isn't the time to ask,

but-

PATTERSON:

What?

STARLING:

Since you'd only been here three hours

when we met, are you sure this is how

you hunt lions?

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William Goldman

William Goldman (born August 12, 1931) is an American novelist, playwright, and screenwriter. He came to prominence in the 1950s as a novelist, before turning to writing for film. He has won two Academy Awards for his screenplays, first for the western Butch Cassidy and the Sundance Kid (1969) and again for All the President's Men (1976), about journalists who broke the Watergate scandal of President Richard Nixon. Both films starred Robert Redford. more…

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