The General Died at Dawn Page #3

Synopsis: In revolution-torn China, American mercenary O'Hara is entrusted with a perilous mission, to get arms for the helpless authorities in a province ravaged by warlord General Yang. On the train to Shanghai, he meets Judy Perrie, whose father is in league with Yang. Will Judy regret agreeing to lure O'Hara to his doom, and if so, can she make it up to him? The balance of power seesaws to a perilous conclusion.
Director(s): Lewis Milestone
Production: MCA Universal Home Video
 
IMDB:
6.7
Year:
1936
98 min
62 Views


and you expect me

to be dumb.

So eat your cabbage

and don't stick pins in papa.

Dinner and hurry it.

Quiet, Sam.

Are you hungry?

Not very.

You're pretty delicate.

Waiter.

Oh, hello, O'Hara.

Hello.

Who's that?

A Shanghai journalist.

Writes on an

English-speaking paper.

You can buy him

for a bag of salt.

How you been?

Fine.

Chiseler.

What's the time?

My watch has stopped.

Ten minutes to 8:00.

Can I tell you

something?

Something I can

write down in my diary?

Why won't you

be serious?

Why? What for?

The Lord made the world

in six days,

and on the seventh...

Oh-oh. The moles are

working underground.

Don't go out there.

Why not?

You're in trouble.

Am I?

They're waiting.

Who is?

I say, do you know

what it is?

Cloudburst.

I'm a newspaperman,

General Yang.

With newspapermen,

me all the time gentle.

Caught yourself

a public enemy, huh?

That's a fact.

Very bad man, et cetera.

Mind if I tell

our readers?

No, I don't mind.

Also print my picture?

Sure.

Front page stuff.

Yeah.

Thank you.

Nice friends you got.

Don't blame me for this,

young man.

I'm a plain passenger

on the train.

Sorry what they're

doing to you.

Awful,

but don't blame me.

Good, I won't have

to remember your face.

Come on, Sam.

Greetings.

Breath purifier?

Thanks. I have got

a bad taste in my mouth.

What's on your mind,

Yang?

General Yang.

General Yang, Sam.

Very sweet.

Aw!

Sad.

Mr. O'Hara,

you are

a big bother on me.

Looks pretty black for you

from where I sit, Yang.

Real opposition begins.

The old days are through.

For my money,

sweetheart,

you're sitting

on a porcupine.

Mr. Buddha.

That's a fact.

That's the only way

they ever leave me.

They do

shameful thing,

lose face,

then kill self.

Someday even

they'll get wise,

your fanatics,

and cut you down

like the rice is reaped.

Huh!

My guards faithful.

Stay with General Yang

until each one himself

becomes General,

and I

biggest General

of all 12 provinces.

Yang Incorporated,

merchants of war

with 12 dummy partners,

huh?

I don't like you

to interfere.

Why you help

my enemy, hmm?

I'd do anything I could

to give you

a kick in the pants.

To my jaundiced eye,

you're a social disease.

I don't like your disposition,

I don't like your friends,

I don't like your politics,

and I don't like your hat.

Your faithful dozen

may stick to you,

but you're still a small noise

at the end of a parade.

Mr. O'Hara seems

so little interested

in his life.

You'd take chances, too.

I have a great destiny.

So have I,

but mine is tied up

with millions of people.

Yours is tied up

with yourself,

and the power of machine guns.

Your belief is in your own

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Clifford Odets

Clifford Odets (July 18, 1906 – August 14, 1963) was an American playwright, screenwriter, and director. Odets was widely seen as a successor to Nobel Prize-winning playwright Eugene O'Neill as O'Neill began to retire from Broadway's commercial pressures and increasing critical backlash in the mid-1930s. From early 1935 on, Odets' socially relevant dramas proved extremely influential, particularly for the remainder of the Great Depression. Odets' works inspired the next several generations of playwrights, including Arthur Miller, Paddy Chayefsky, Neil Simon, David Mamet, and Jon Robin Baitz. After the production of his play Clash by Night in the 1941–1942 season, Odets focused his energies on film projects, remaining in Hollywood for the next seven years. He began to be eclipsed by such playwrights as Miller, Tennessee Williams and, in 1950, William Inge. Except for his adaptation of Konstantin Simonov's play The Russian People in the 1942–1943 season, Odets did not return to Broadway until 1949, with the premiere of The Big Knife, an allegorical play about Hollywood. At the time of his death in 1963, Odets was serving as both script writer and script supervisor on The Richard Boone Show, born of a plan for televised repertory theater. Though many obituaries lamented his work in Hollywood and considered him someone who had not lived up to his promise, director Elia Kazan understood it differently. "The tragedy of our times in the theatre is the tragedy of Clifford Odets," Kazan began, before defending his late friend against the accusations of failure that had appeared in his obituaries. "His plan, he said, was to . . . come back to New York and get [some new] plays on. They’d be, he assured me, the best plays of his life. . . .Cliff wasn't 'shot.' . . . The mind and talent were alive in the man." more…

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Submitted on August 05, 2018

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