The Fugitive Kind Page #5

Synopsis: Having fled New Orleans to avoid arrest, the undeniably alluring Valentine "Snakeskin" Xavier (Val), a trouble-prone guitar-playing drifter, wanders into a small Mississippi town aiming to go straight and lead a quiet, simple life. He gets a job in the dry goods store owned by a sexually-frustrated middle-aged woman named Lady Torrence, whose sadistic elderly husband, Jabe, is dying. With an obscure past and passions of her own, Lady finds herself attracted to Val, pulsating with passion anew, as he presents an arousing antidote to her bitter marriage and small-town hum-drum life, but also vying for Val's attention are the alcoholic, sex-crazed Carol Cutrere and the unhappily-married Vee Talbot. Each bring their share of problems into Val's plans, himself equally tempted by these women though he succumbs to the charms of Lady. But the jealous Jabe is friends with Sheriff Talbot, who's also Vee's wife - things can't possibly end well for Val and Lady. The screenplay by Meade Roberts and
Genre: Drama, Romance
Director(s): Sidney Lumet
Production: United Artists
  2 wins.
 
IMDB:
7.2
Rotten Tomatoes:
60%
APPROVED
Year:
1960
119 min
1,336 Views


on the highway.

Mr. Xavier, would you like to go juking?

Come on. Let's you and me go juke.

What you mean, go juking?

Juking?

That's when you get into a car...

which is preferably open

in any kind of weather...

and then you drink a little bit...

and you drive a little bit...

and then you stop and you dance

a little bit with a juke box.

And then you drink a little bit more...

and you drive a little bit more...

and you stop and you dance

a little more to another juke box.

And then you stop dancing

and you just drink and you drive.

And then...

you stop driving...

and you just drink.

And finally, you stop drinking!

Well, what you do then?

Well, that depends on

who you're juking with.

What's the matter, can't you see he's drunk?

- He can take care of himself.

- He can't take care of anything. Come on.

This country used to be wild,

but now it's just drunk.

Why do you make

such a crazy show of yourself?

'Cause I'm an exhibitionist.

I want people to know I'm alive.

Don't you want people to know you're alive?

I just want to live. I don't care

whether they know I'm alive or not.

Well, I want to be noticed,

and seen, and heard, and felt.

I used to be what they call...

a church-bitten reformer.

You know what that means?

Well, that's a kind of benign exhibitionist.

I used to make stump speeches.

And I wrote letters of protest against...

the gradual massacre

of the colored majority in the county.

And you know, when that

Willie McCoy thing came along...

Poor man got sent to the chair, you know...

for having improper relations

with a white slut.

I made a fuss about that.

I put on a potato sack...

and I set out on foot for the capitol.

And you know how far I got?

Six miles out of town.

I was hooted and jeered at

and even spit on every step of the way.

Then I got arrested.

And you know what for?

Lewd vagrancy.

Oh, me! That was a long time ago.

And I'm not a reformer anymore.

I'm just a lewd vagrant.

And I'm gonna show them.

And show them all

just how lewd, a lewd vagrant can be...

when she puts her whole heart into it,

the way I do mine.

Hey, turn off here.

You live around here?

Nobody lives around here.

This is the local bone orchard.

You hear the dead people talking?

Dead people don't talk.

Sure they do.

They chatter away like birds

here on Wisteria Hill.

But all they can say is one word...

and that word is "live. "

Live. Live. Live. Live. Live.

That's all they know.

That's the only advice they can give.

It's simple.

It's a very simple instruction.

Please. Let me.

Who are you trying to fool,

besides yourself?

What is this?

A human wrist with a bone?

Feels like a twig.

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Tennessee Williams

Thomas Lanier "Tennessee" Williams III (March 26, 1911 – February 25, 1983) was an American playwright. Along with Eugene O'Neill and Arthur Miller, he is considered among the three foremost playwrights of 20th-century American drama.After years of obscurity, at age 33 he became suddenly famous with the success of The Glass Menagerie (1944) in New York City. This play closely reflected his own unhappy family background. It was the first of a string of successes, including A Streetcar Named Desire (1947), Cat on a Hot Tin Roof (1955), and Sweet Bird of Youth (1959). With his later work, he attempted a new style that did not appeal to audiences. Increasing alcohol and drug dependence inhibited his creative expression. His drama A Streetcar Named Desire is often numbered on short lists of the finest American plays of the 20th century alongside Eugene O'Neill's Long Day's Journey into Night and Arthur Miller's Death of a Salesman.Much of Williams' most acclaimed work has been adapted for the cinema. He also wrote short stories, poetry, essays and a volume of memoirs. In 1979, four years before his death, Williams was inducted into the American Theater Hall of Fame. more…

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Submitted on August 05, 2018

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