The Duchess Page #4

Synopsis: Georgiana Spencer became Duchess of Devonshire on her marriage to the Duke in 1774, at the height of the Georgian period, a period of fashion, decadence, and political change. Spirited and adored by the public at large she quickly found her marriage to be a disappointment, defined by her duty to produce a male heir and the Duke's philandering and callous indifference to her. She befriends Lady Bess but finds she is once again betrayed by her husband who wields his power with the three eventually living uncomfortably together. Against this background, and with the pressures of an unfaithful husband, strict social pressures and constant public scrutiny, Georgiana falls passionately in love with Charles Grey, a rising young Whig politician. However, despite his ongoing liaison with Lady Bess, the Duke refuses to allow her to continue the affair and threatens to take her children from her.
Director(s): Saul Dibb
Production: Paramount Vantage
  Won 1 Oscar. Another 7 wins & 21 nominations.
 
IMDB:
6.9
Metacritic:
62
Rotten Tomatoes:
61%
PG-13
Year:
2008
110 min
$13,800,000
Website
905 Views


My husband, Mr. Foster,

is enjoying his mistress in Bournemouth

and I wanted some diversion. And you?

The Duke is taking the waters

for his gout.

- And I for my health.

- Really?

I heard you were here

because you could not conceive a son.

I beg your pardon,

that was an awful thing to say.

It was the truth, at least.

Trust me to say something silly.

I always do, you know.

Then perhaps you should

have accepted the Duke's offer.

You have much in common.

Home, I think, Georgiana.

- Where are you staying?

- I've rented some rooms in town.

- We must meet again.

- We must.

Harryo. Come here. Come here.

Did that hurt?

- Mama.

- My angel.

Are you sore? Was that sore?

Let me have a look. Was it this knee?

I think you shall live.

Right. First to the bridge on my count.

One, two, three. Go.

Come on, Harryo.

- No, I'm gonna catch her!

- I'm gonna catch you!

Up and down. Up and down.

Why can't we recover like that?

It's too far to fall now.

- Hello again.

- Hello. Your girls are lovely.

- Thank you. Do you have any children?

- I do. Three boys.

Three boys.

What the Duke wouldn't give

for one of them.

- She is least like you, your eldest.

- Yes. I'm sure you know the story.

My husband's daughter was born

before we married.

Her mother was a maid.

The maid died, and we took the child.

- I'm sorry. Have I spoken out of turn?

- No.

It's the worst-kept secret in London.

She's nine years old now.

And you love her?

Of course I do.

The same as all my children.

Come and meet them.

Girls. Come and meet my new friend,

Lady Elizabeth.

- Your Grace.

- Thank you. Thermal water.

It's the sulfur

that makes it smell so bad.

- And you really have to drink it?

- Twice a day for four weeks.

Do you have any reason to believe

you cannot birth a male?

No. Except miscarriages.

Two stillbirths, both sons.

But two healthy girls.

Everybody is staring at you.

What's that on your neck? Bess?

It's not illegal for a man

to beat his wife with a stick

unless the stick is thicker

than his thumb.

Mr. Foster? But he can't have done that!

Well, considering what else

he's done to me, that's not the worst.

What could possibly be worse?

He's taken my children.

He won't let me see them.

- And what do you propose to do?

- Really, I'm at my wits' end.

The law supports Mr. Foster.

In the meantime, where shall you stay?

Continue lodging,

till the money runs out.

Well, there, at least, I think I can help.

William? We leave tomorrow.

And Lady Elizabeth doesn't have

to meet her parents on the continent

for some time.

- She hardly ever visits London at all.

- It's a pity, that.

You see,

she doesn't have anywhere to stay.

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Jeffrey Hatcher

Jeffrey Hatcher is an American playwright and screenwriter. He wrote the stage play Compleat Female Stage Beauty, which he later adapted into a screenplay, shortened to just Stage Beauty (2004). He also co-wrote the stage adaptation of Tuesdays with Morrie with author Mitch Albom, and Three Viewings, a comedy consisting of three monologues - each of which takes place in a funeral home. He wrote the screenplay Casanova for director Lasse Hallström, as well as the screenplay for The Duchess (2008). He has also written for the Peter Falk TV series Columbo and E! Entertainment Television. more…

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Submitted on August 05, 2018

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