The Diving Bell and the Butterfly Page #3

Synopsis: Forty-three year old Elle magazine editor Jean-Dominique Bauby - Jean-Do to his friends - awakens not knowing where he is. He is in a Berck-sur-Mer hospital, where he has been for the past several weeks in a coma after suffering a massive stroke. Although his cognitive facilities are in tact, he quickly learns that he has what is called locked-in syndrome which has resulted in him being almost completely paralyzed, including not being able to speak. One of his few functioning muscles is his left eye. His physical situation and hospitalization uncomfortably bring together the many people in his life, including: Céline Desmoulins, his ex-lover and mother of his children; Inès, his current lover; and his aged father who he calls Papinou. Among his compassionate recuperative team are his physical therapist Marie, and his speech therapist Henriette. Henriette eventually teaches him to communicate using a system where he spells out words: she reads out the letters of the alphabet in descendi
Genre: Biography, Drama
Director(s): Julian Schnabel
Production: Miramax Films
  Nominated for 4 Oscars. Another 66 wins & 95 nominations.
 
IMDB:
8.0
Metacritic:
92
Rotten Tomatoes:
94%
PG-13
Year:
2007
112 min
$5,875,116
Website
872 Views


to make amends.

Never.

Look at this.

As you can see, it's not the alphabet

we learned at school.

These letters are presented

in order of usage frequency.

Do you understand?

E, S, A, R, I, N...

Usage frequency?

I've talked to a host of colleagues...

...and I think I've come up

with a viable system.

Good for you.

- This is how it works.

You think of something to say.

When you're ready, blink.

I'll recite this alphabet,

very slowly, letter by letter.

When I get to the first letter

of your word, blink.

I'll write it down, letter for letter,

and so on.

In that way we'll form words and sentences.

Two other things: blink twice

when the word is formed.

As if you're hitting the

space bar on a keyboard.

And blink rapidly if we make a mistake.

I know it sounds terribly arduous but,

believe me, we'll become

expert very quickly.

And your friends and family can use it, too.

Are you ready for this?

Look at me.

Do you want to try?

Have you thought of

something you want to say?

Good.

So, let's begin.

- Wait, no...

I don't know what to say.

- E.

Is E the first letter?

- No.

E is not the first letter.

- I don't know what to say.

It's difficult, I know, so let's go slowly.

E, S, A...

That's too slow.

I can't keep my eyelids open that long.

Get cracking!

I...

I?

- Good.

Is I the first word?

My first word is I.

I begin with myself.

E, S...

S?

No.

- No?

Not S.

- That was too fast.

It doesn't work. This is a nightmare.

It'll never work.

Shall we go on?

I've had enough.

Leave me alone.

Up, down, up.

Under my arms.

The back of my legs.

I'm forty-two years old...

...and I'm being handled like a big baby.

my private parts wiped and swaddled.

That's ridiculous.

But as the poet says:

only a fool laughs when

there's nothing to laugh at.

Blow me a kiss.

Come on.

Try it.

Come on.

Try.

It's difficult.

- No mirror.

But that's what I want you to work at.

- Not that face.

When you're resting or

watching TV, or any time at all,

I want you to work at blowing me a kiss.

Okay?

- Okay.

And one other thing you have

to practise as much as possible.

And that's sliding your tongue

to the back of your palate.

That's how you'll learn to swallow again.

Watch.

This just isn't fair. Not fair.

You try it.

- Put that mirror away.

Open your mouth.

Good.

Try sliding your tongue backwards.

I can't.

- Try, go on.

I can't.

Good! You moved your tongue.

Don't make a fool of me.

- Very good. Again.

Unbelievable. Good.

- Yes, but true.

I'll help you to move your head on your own.

Like that.

You're doing it all.

- Left.

Good.

Right. Good.

Left again.

Can you feel my hands on your face?

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Ronald Harwood

Sir Ronald Harwood, CBE, FRSL (born Ronald Horwitz; 9 November 1934) is an author, playwright and screenwriter. He is most noted for his plays for the British stage as well as the screenplays for The Dresser (for which he was nominated for an Oscar) and The Pianist, for which he won the 2003 Academy Award for Best Adapted Screenplay. He was nominated for the Best Adapted Screenplay Oscar for The Diving Bell and the Butterfly (2007). more…

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Submitted on August 05, 2018

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