The Crow Page #5
- R
- Year:
- 1994
- 102 min
- 1,261 Views
trendazoids. We'll see more of this circus later. Right now
the BG
SOUND is our biggest clue to the flavor of this
establishment since we
are --
TIGHT CLOSE-UP A FRAMED 8X10
Thinly filmed in dust, mounted
among dozens of other band shots.
Visible among the posed members of a
group called Diabolique is
Eric, wielding guitar on the club stage. ND
BLUR as people
CROSS FRAME.
GRANGE, 45-50, powerful, a seasoned
assassin, cruel but loyal.
His facade remains stony as he leads three
other men briskly
down the corridor.: NGO NWA, 50ish, clad Chinese
gangster style
- white topcoat, white scarf, tinted shades - and two body
guards
supplying a power perimeter around him,lean, dark-haired Asian
killers who would gladly die for Ngo Nwa, which they will in
just a
minute.
They have just passed the Diabolique 8X10. Ngo Nwa's gloved
fingers, in passing, leave little skid tracks in the dust that
clear the
eyes of Eric in the photo.
As the foursome reaches the DOOR, Grange
turns doubtfully --
suspiciously -- to Nwa.
NGO NWA:
He will see
me... unannounced.
As Grange keys in the enter
code the door hisses open. Without
a word, Nwa passes inside and the
door is pulled shut in
Grange's face by the Bodyguards, who post
themselves to either
side.
INT. LAO'S NIGHTCLUB OFFICE - NIGHT
The
door CLOSES and the BG NOISE is GONE. Through a large window
(mirrored
on the club side) all sorts of activity is visible
through automatic
mini-blinds. A fly-vision bank of 12 TV
monitors is hot with
surveillance.
LAO, a painfully clean-cut, Armani-clad Asian, impeccable,
almost dashing, but the dynamic here is crystal clear: Nwa is
the King:
Lao, the dark prince in this hierarchy.
At the desk, Lao is startled
from his contemplation of a tiny,
perfect rat skeleton by Ngo Nwa's
unheralded entry. The desktop
is bare except for and Arcane Vietnamese
fighting knife, half a
meter long with an ideogrammed blade, dramatically
positioned
beneath an Artemide lamp. Lao rises and feigns servility.
NB:
The following exchange will play FAST, and entirely inVIETNAMESE.
LAO:
(formal greeting)
NWA:
(dismissiveness, contempt, then
chastizing anger as:)
Nwa INDICATES the blade with some ridicule.
LAO:
(phony assuagement)
NWA:
(knows it's bullshit)
Lao turns, staring out
the blinds, fighting for control. Deep
breath. He turns back to his
"master." Nwa gestures broadly at
the oppulent office, indicating that
Lao should be grateful, but
is somehow errant
NWA:
(respect is
required)
LAO:
(begrudging agreement)
Lao sees the blade. An idea.
He lifts it reverently, bears it
the Nwa hilt-first in both hands, as if
bestowing a thing of
immeasurable worth.
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