The Conversation Page #6

Synopsis: Harry Caul is a devout Catholic and a lover of jazz music who plays his saxophone while listening to his jazz records. He is a San Francisco-based electronic surveillance expert who owns and operates his own small surveillance business. He is renowned within the profession as being the best, one who designs and constructs his own surveillance equipment. He is an intensely private and solitary man in both his personal and professional life, which especially irks Stan, his business associate who often feels shut out of what is happening with their work. This privacy, which includes not letting anyone into his apartment and always telephoning his clients from pay phones is, in part, intended to control what happens around him. His and Stan's latest job (a difficult one) is to record the private discussion of a young couple meeting in crowded and noisy Union Square. The arrangement with his client, known only to him as "the director", is to provide the audio recording of the discussion and
Production: Paramount Pictures
  Nominated for 3 Oscars. Another 14 wins & 13 nominations.
 
IMDB:
7.9
Metacritic:
86
Rotten Tomatoes:
98%
PG
Year:
1974
113 min
2,778 Views


a competitor of yours.

Hey, Bernie, old buddy.

Yeah, Paulie, what's up?

This is Harry Caul.

William P. Moran.

Harry Caul, my pleasure.

My friends call me Bernie.

I heard a lot about you.

Bernie just moved in

from Detroit.

He's the fella

that let Chrysler know...

Cadillac was

discontinuing its fins.

I heard.

You're a tough man

to get ahold of.

I've been wanting

to talk to you for a long time.

Take five. We'll get a drink.

Maybe in a couple minutes.

Honey, sweetheart,

show time, all right?

I'd appreciate if you stuck around

for the demonstration.

Um, ladies and gentlemen.

Ladies and gentlemen.

Ladies and gentlemen,

what we have here...

is the Moran S-15

harmonica tap.

This electronic marvel

can be installed...

in a matter of two minutes.

Notice here it has its own

nickel cadmium power source...

so it cannot be detected

on the line.

Once installed,

it can be phoned...

from any telephone

in the world...

Singapore, Karachi, even Moscow.

I say Moscow 'cause

you look Russian, sir...

with the beard.

Just dial the target's

phone number...

pause before the last digit...

blow the harmonica tone

into the phone...

press the last digit.

The phone will not ring

in the target's house.

Instead, the receiver...

will be turned into

an actual room microphone...

thus enabling surveillance

to take place.

And now, by way of

an actual demonstration...

we've installed one of these units

in my very own home.

I will now dial that number.

Thank you.

I pause before the last digit.

Harmonica.

I dial the last digit.

You will note the phone

does not ring.

Can we get away?

I don't know. Maybe I can.

Where's your husband?

He's out at a convention.

When will he be back?

Not until late.

April Fool.

Just a little joke, folks.

That shows you

the possibilities...

Larry Peterson Burns.

Telephone call.

Thank you. The demonstration

is concluded.

I'd like you to take some

literature on your way.

What did you think of that?

You like it?

That's a good item.

Good for

the catalogue suckers, huh?

Here you go, Harry.

Have a free pen.

You, too, Paulie.

I'd rather have a free drink.

Hey, me, too.

Stanley, do me a favour, huh?

Mind the booth, all right?

That's what I pay you for.

Just a couple of minutes

to get a drink.

Hi, Harry.

Hi, Stan.

That's right.

You two used to

work together, huh?

That son of a b*tch

stole my latest idea.

A lot of nice ladies

are here tonight.

Forget it.

She's a part-time nun.

Hey, Harry, where you going?

Go on without me.

I'm going to talk to Stan.

We'll meet you at

the chrome-dome exhibit.

Don't be long, Harry.

Since when are you

working for Moran, Stanley?

Rate this script:0.0 / 0 votes

Francis Ford Coppola

Francis Ford Coppola is an American film director, producer and screenwriter. He was part of the New Hollywood wave of filmmaking. more…

All Francis Ford Coppola scripts | Francis Ford Coppola Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Conversation" Scripts.com. STANDS4 LLC, 2024. Web. 1 Jun 2024. <https://www.scripts.com/script/the_conversation_5906>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Conversation

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.