The Constant Nymph Page #3

Synopsis: Fourteen-year-old Tessa is hopelessly in love with handsome composer Lewis Dodd, a family friend. Lewis adores Tessa, but has never shown any romantic feelings toward her. When Tessa's father dies, Lewis contacts her late mother's wealthy family so they'll take care of Tessa and her sisters. Lewis becomes taken with Tessa's haughty cousin Florence and the two soon marry and head off for Florence's estate in England. Meanwhile, Florence sends Tessa and her sister Paula off to finishing school. The girls run away from school and Tessa moves in with Florence and Louis. Florence soon becomes consumed with jealousy over the bond between her husband and Tessa.
Genre: Drama, Music, Romance
Director(s): Edmund Goulding
Production: Warner Bros.
 
IMDB:
7.0
NOT RATED
Year:
1943
112 min
136 Views


They're charming little ladies.

-Ah, signore!

-Roberto, nice to see you!

Please, bring up these bags,

will you?

Oh, where is Toni?

-No, Tessie, you can't tell it.

-Of course, I can.

Lewis is part of this house.

Arent'you, Lewis?

What're you talking about?

Where's Toni?

Toni went to Zurich and

she wrote us a postcard.

She said she was staying with friends

only, we don't believe it.

Father's furious and says he'll

beat her when she gets back--

Wait, wait, one at a time.

You mean our mad little Toni...

...has become a "bad little Toni"?

Yes, and we think Fritz Bercovy

is at the bottom of it.

-We don't know, we're very upset.

-Who's Bercovy?

Fritz Bercovy, he's very rich,

he owns ten theatres now.

-Oh, little Fritz...

-It's very disturbing, Lewis!

-Yes, I know. She'll be back.

-We hope so...

-Oh, good morning, dear Lina!

-Madame Sanger.

Yes, sorry, Mme. Sanger.

-I've got a gift for you.

-A gift?

A beautiful and plump one.

It's waiting for you

on the patio.

-His name is Trigorin.

-Oh, Trigorin!

I know him from

Saint Petersburg. Trigorin!

She's driving Sanger mad.

I think he'd be glad...

-...if she left him.

-I don't know about that.

Children, please.

-Where do I sleep?

-In the loft.

Mr. Trigorin has

the guest room.

-Only if you'd take the other bed.

-With a flea trainer?

On the loft!

-May we help you--?

-No, darling, I'm sorry...

...but I'm dead.

I'm going to sleep.

Oh, if Sanger calls me, wake me...

(Thank you, darling.)

-...but gently.

-Yes, I will.

Here, let me do your hair.

Sanger said today that Lewis

was like the weather.

That if he never really cried,

he'd never be really great.

What do you think

could make him cry?

He must've been in love

and cried about that.

-He's never been in love.

-How do you know?

He may know

a lot of things but...

...he's never known real love

any more than we have.

-How do you know?

-I know.

There're things nobody has

to tell you about, you just know.

The way you moon over him is enough

to turn one's stomach.

I love Lewis, he's mine.

Do you think he knows about it?

I don't think he knows now, but...

...one day, he'll look at me

and he'll say:

"Darling, darling Tessa..."

And everything'll be all right.

-And you'll faint.

-Into his arms, probably.

And he'll be very glad because

he needs someone like me.

-Will you keep house for him?

-Of course I will.

Nobody on earth could be

more untidy than you.

Yes, except Lewis, so,

it'll be all right.

Shall you be engaged

or just married?

I'll be his very own wife and

love him as long as I live.

-Look, Tess, Toni!

-Where?

-Come on!

-Toni's back!

Toni!

Toni!

Toni!

Where did you get that hat?

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Kathryn Scola

Kathryn Scola (1891–1982) was an American screenwriter. She worked on more than thirty films during the 1930s and 1940s. Scola worked in Hollywood for a multitude of prominent production companies during the studio era, including Warner Bros., Paramount Pictures and 20th Century Fox. Scola’s career took place during the transition from unregulated Pre-Code films to the implementation of the Motion Picture Production Code, and was frequently involved in writing screenplays that were deemed too controversial by the Motion Picture Association of America. Three of Scola’s films were included in the Forbidden Hollywood film series, including Baby Face, Female and Midnight Mary. more…

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Submitted on August 05, 2018

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