The Company Page #4
as it is.
This piece will be fantastic
on this company.
I believe you.
That's why you're here.
Someone has to underwrite this.
It's going to be so expensive.
I'm going to have to sell it to
the board. Excuse me? What.
Would you excuse me?
I've got an important thing.
- I can continue with the staff.
- Let me just tell you...
You are a genius. I'm never wrong
about these things, am I?
- Ok. Thank you.
Thank you very much.
- Oh, Robert?
- Yes?
Three things to remember:
Budget, budget, budget.
I will do my best.
- When we'll get the music?
- The music is being written now.
- Well then for rehearsals?
- There is no music.
Counts?
No counts. I like the dancers
to feel their own rhythm.
- And then the music can come in.
- Well, it'll be a new experience.
That's not good,
out of a straw.
Oh well, moving
right along.
We can pass it around.
I think this is more you,
Missy.
I think that's more
your style.
Sorry.
Are you a dancer?
Thank you.
Got it.
Oh, John.
What are doing here?
I could stay here just for a
little bit, a couple of days.
God, I am like booked.
You could put me on the floor.
I've got my sleeping bag.
- Just for a couple of days.
- Alright, come on in.
What's going on? I thought
you were staying with your family.
I was staying with my
aunt and...
I think she committed suicide.
So I can't stay there anymore.
Can I use your pen?
- God. I'm sorry.
- Yeah.
$8.50 a day, just for
a couple of days.
Just for a couple of days.
Definitely.
God, I'm so sorry. What's happened?
Did she shoot herself?
No, it wasn't that dramatic.
She took some pills.
I don't know, she was a little
crazy. She was very eccentric.
- So yeah, just a couple of days?
- Yeah, just a couple of days.
- You're last for the bathroom.
- Right.
And cross the fifths.
And...
That's it, long arms.
Shoulders down, ladies.
Lots of bourres.
Shoulders down.
Big arch.
Hold, 2, 3.
I got to say something here.
Mark, turn off the music.
Why do you always do this,
babies?
I don't know why you do that.
This is supposed to the 60's.
This is what the '60s were all about.
Kids protesting against the war
trying to change the world...
so they bent the rules, turned to
drugs, took off their clothes.
They made a noise. Peace marches,
singing their songs in the streets...
carrying flowers when they were
being beaten and pushed around.
All that went
into this ballet.
You see, it's not the steps.
It's what's inside that counts.
That's when you really
begin to soar.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Company" Scripts.com. STANDS4 LLC, 2024. Web. 3 May 2024. <https://www.scripts.com/script/the_company_19960>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In